it. Among other things, this requires that
you do not remove, alter or modify the etext or this "small print!" 
statement. You may however, if you wish, distribute this etext in 
machine readable binary, compressed, mark-up, or proprietary form, 
including any form resulting from conversion by word pro- cessing or 
hypertext software, but only so long as *EITHER*: 
[*] The etext, when displayed, is clearly readable, and does *not* 
contain characters other than those intended by the author of the work, 
although tilde (~), asterisk (*) and underline (i) characters may be used 
to convey punctuation intended by the author, and additional characters 
may be used to indicate hypertext links; OR 
[*] The etext may be readily converted by the reader at no expense into 
plain ASCII, EBCDIC or equivalent form by the program that displays 
the etext (as is the case, for instance, with most word processors); OR 
[*] You provide, or agree to also provide on request at no additional 
cost, fee or expense, a copy of the etext in its original plain ASCII form 
(or in EBCDIC or other equivalent proprietary form). 
[2] Honor the etext refund and replacement provisions of this "Small 
Print!" statement. 
[3] Pay a trademark license fee to the Project of 20% of the net profits 
you derive calculated using the method you already use to calculate 
your applicable taxes. If you don't derive profits, no royalty is due. 
Royalties are payable to "Project Gutenberg 
Association/Carnegie-Mellon University" within the 60 days following 
each date you prepare (or were legally required to prepare) your annual 
(or equivalent periodic) tax return. 
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU 
DON'T HAVE TO? 
The Project gratefully accepts contributions in money, time, scanning 
machines, OCR software, public domain etexts, royalty free copyright 
licenses, and every other sort of contribution you can think of. Money 
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University". 
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN 
ETEXTS*Ver.04.29.93*END* 
 
This etext was prepared by David Price, email 
[email protected] 
from the 1911 John Lane edition. 
 
THE CHILDREN 
 
Contents 
Fellow Travellers with a Bird, I. Fellow Travellers with a Bird, II. 
Children in Midwinter That Pretty Person Out of Town Expression 
Under the Early Stars The Man with Two Heads Children in Burlesque 
Authorship Letters The Fields The Barren Shore The Boy Illness The 
Young Children Fair and Brown Real Childhood 
 
FELLOW TRAVELLERS WITH A BIRD, I. 
 
To attend to a living child is to be baffled in your humour, disappointed 
of your pathos, and set freshly free from all the pre- occupations. You 
cannot anticipate him. Blackbirds, overheard year by year, do not 
compose the same phrases; never two leitmotifs alike. Not the tone, but 
the note alters. So with the uncovenated ways of a child you keep no 
tryst. They meet you at another place, after failing you where you 
tarried; your former experiences, your documents are at fault. You are 
the fellow traveller of a bird. The bird alights and escapes out of time to 
your footing. 
No man's fancy could be beforehand, for instance, with a girl of four
years old who dictated a letter to a distant cousin, with the sweet and 
unimaginable message: "I hope you enjoy yourself with your loving 
dolls." A boy, still younger, persuading his mother to come down from 
the heights and play with him on the floor, but sensible, perhaps, that 
there was a dignity to be observed none the less, entreated her, "Mother, 
do be a lady frog." None ever said their good things before these 
indeliberate authors. Even their own kind--children--have not preceded 
them. No child in the past ever found the same replies as the girl of five 
whose father made that appeal to feeling which is doomed to a different, 
perverse, and unforeseen success. He was rather tired with writing, and 
had a mind to snare some of the yet uncaptured flock of her sympathies. 
"Do you know, I have been working hard, darling? I work to buy things 
for you." "Do you work," she asked, "to buy the lovely puddin's?" Yes, 
even for these. The subject must have seemed to her to be worth 
pursuing. "And do you work to buy the fat? I don't like fat." 
The sympathies, nevertheless, are there. The same child was to be 
soothed at night after a weeping dream that a skater had been drowned 
in the Kensington Round Pond. It was suggested to her that she should 
forget it by thinking about the one unfailing and gay subject--her 
wishes. "Do you know," she said, without loss of time, "what I should 
like best in all the world? A thundred dolls and a whistle!" Her mother 
was so overcome by this tremendous numeral, that she could make no 
offer as to