a vacancy at that very time in the college at Phalsbourg. The President, who had always taken an interest in him, gave him the appointment with permission to continue his studies in the college. So he was installed in charge of the study hall to supervise the work of the students and assist them in their lessons. One of his pupils has left the following account of him:--"He was of middle height and of strong but well-proportioned build. His rich auburn hair was cut short enough to bring out the outlines of a remarkably fine head. His full but closely trimmed beard framed a most intellectual face. A high forehead, large piercing eyes of brilliant black, a fine Greek nose, and a firmly set yet handsome mouth were the striking features of a countenance in which thoughtfulness, determination and nobility of purpose were reflected as from a mirror. Altogether his appearance was such that even an inexperienced observer would have pronounced him at once a more than ordinary man. The feeling of respect with which his striking exterior inspired me, as well as the other students, became warmer as I learned to know him better in the course of my private lessons.... Among the students he had the reputation of being reserved and taciturn. But I soon found out that, though not mirthful, he was really very sympathetic and communicative. In these moments he always spoke of a dear friend, ��mile Erckmann, a graduate of Phalsbourg, who was then following the study of law at Paris as one who shared his ambition and who had been and would be a partner in his efforts for literary distinction. He told, with no little pride, that already the year before they had made their debut with some tales, written conjointly, in a daily published at Strasburg. One day he handed me a small volume containing the tales in question, which had attracted so much attention that a Strasburg publisher had reprinted them in a more enduring form. The tales interested me the more, in that their subjects were either incidents in rural life in Alsace and Lorraine or some of the popular saws, with which the borders of the Rhine abound. I recollect very well the fascination which the simple narrative, the charming description of scenery, the lifelike painting of characters, the quaint humor and the fanciful imagery of these first fruits of my friend's genius exercised upon my mind. I have reread the tales since and can truly say that my riper judgment does not differ much from that first impression."
Here at the college Chatrian met Erckmann, as already noted, and from here he went to join him.
In Paris, Chatrian took a position with the Eastern Railway paying him $300 a year. He held it long after the need of it had passed. During the earlier years of his stay in the metropolis this income, slender though it was, must have been a necessity to him.
In the late eighties Chatrian's health began to fail. In time he was afflicted with a stubborn and insidious ailment, which causes its victim to grow morose and suspicious. Unfortunately his suspicions directed themselves toward his old friend Erckmann, whom he suspected of cheating him in the management of their joint interests. Finally an ill-advised friend published an attack on Erckmann, accusing him of being unpatriotic. Erckmann sued the paper for libel and recovered heavy damages. The ultimate responsibility for the attack rested at Chatrian's door, and he did not long survive this melancholy incident. He died Sept. 3, 1890.
Much has been written about the wonderfully uniform style of Erckmann and Chatrian. It is true that one can hardly say of any passage in their work, "Erckmann wrote this" or "Chatrian wrote that" merely on the basis of internal evidence.
Many writers have succeeded in securing statements from one or the other of the literary partners, telling how they collaborated. But if one reads all these statements side by side, one is convinced that they had no uniform method of work; that sometimes they worked together in one way and sometimes in another. It would also appear that each was slightly jealous of the other, fearing that he would receive more than his proper share of credit for the work. These facts remain--that Chatrian was better fitted to market their wares and see them through the press than was Erckmann; and that Erckmann wrote and published both before and after his partnership with Chatrian. It may therefore be fairly accurate to say that without Chatrian Erckmann could have produced, without being able to sell the works; while Chatrian without Erckmann could have sold without being able to produce the works.
The stories of Erckmann and Chatrian are noteworthy by reason of the purity of their subject matter. There

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