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Homespun Tales 
by Kate Douglas Wiggin 
 
Introduction 
These three stories are now brought together under one cover because 
they have not quite outworn their welcome; but in their first estate two 
of them appeared as gift-books, with decorative borders and wide 
margins, a style not compatible with the stringent economies of the 
present moment. Luckily they belong together by reason of their 
background, which is an imaginary village, any village you choose, 
within the confines, or on the borders of York County, in the State of 
Maine. 
In the first tale the river, not "Rose," is the principal character; no one 
realizes this better than I. If an author spends her summers on the banks 
of Saco Water it fills the landscape. It flows from the White Mountains 
to the Atlantic in a tempestuous torrent, breaking here and there into 
glorious falls of amber glimpsed through snowy foam; its rapids dash 
through rocky cliffs crowned with pine trees, under which blue 
harebells and rosy columbines blossom in gay profusion. There is the 
glint of the mirror-like lake above the falls, and the sound of the 
surging floods below; the witchery of feathery elms reflected in its 
clear surfaces, and the enchantment of the full moon on its golden 
torrents, never twice alike and always beautiful! How is one to forget, 
evade, scorn, belittle it, by leaving its charms untold; and who could 
keep such a river out of a book? It has flowed through many of mine
and the last sound I expect to hear in life will be the faint, far-away 
murmur of Saco Water! 
The old Tory Hill Meeting House bulks its way into the foreground of 
the next story, and the old Peabody Pew (which never existed) has 
somehow assumed a quasi-historical aspect never intended by its 
author. There is a Dorcas Society, and there is a meeting house; my 
dedication assures the reader of these indubitable facts; and the Dorcas 
Society, in a season of temporary