in it, which he intends to have for his 
share, has been delayed on the way from St. James's; and he waits and 
waits until nightfall, when his runners come and tell him that the coach 
has taken a different road, and escaped him. So he fires his pistols into 
the air with a curse, and rides away into his own country. 
Swift's seems to me to be as good a name to point a moral or adorn a 
tale of ambition, as any hero's that ever lived and failed. But we must 
remember that the morality was lax--that other gentlemen besides 
himself took the road in his day--that public society was in a strange 
disordered condition, and the State was ravaged by other condottieri. 
The Boyne was being fought and won, and lost--the bells rung in 
William's victory, in the very same tone with which they would have 
pealed for James's. Men were loose upon politics, and had to shift for 
themselves. They, as well as old beliefs and institutions, had lost their 
moorings and gone adrift in the storm. As in the South Sea Bubble, 
almost everybody gambled; as in the Railway mania--not many 
centuries ago--almost every one took his unlucky share: a man of that 
time, of the vast talents and ambition of Swift, could scarce do 
otherwise than grasp at his prize, and make his spring at his opportunity. 
His bitterness, his scorn, his rage, his subsequent misanthropy, are 
ascribed by some panegyrists to a deliberate conviction of mankind's 
unworthiness, and a desire to amend them by castigating. His youth 
was bitter, as that of a great genius bound down by ignoble ties, and 
powerless in a mean dependence; his age was bitter, like that of a great 
genius that had fought the battle and nearly won it, and lost it, and 
thought of it afterwards writhing in a lonely exile. A man may attribute 
to the gods, if he likes, what is caused by his own fury, or 
disappointment, or self-will. What public man--what statesman 
projecting a coup--what king determined on an invasion of his 
neighbour--what satirist meditating an onslaught on society or an 
individual, can't give a pretext for his move? There was a French 
general the other day who proposed to march into this country and put
it to sack and pillage, in revenge for humanity outraged by our conduct 
at Copenhagen: there is always some excuse for men of the aggressive 
turn. They are of their nature warlike, predatory, eager for fight, 
plunder, dominion. 
As fierce a beak and talon as ever struck--as strong a wing as ever beat, 
belonged to Swift. I am glad, for one, that fate wrested the prey out of 
his claws, and cut his wings and chained him. One can gaze, and not 
without awe and pity, at the lonely eagle chained behind the bars. 
That Swift was born at No. 7, Hoey's Court, Dublin, on the 30th 
November, 1667, is a certain fact, of which nobody will deny the sister 
island the honour and glory; but, it seems to me, he was no more an 
Irishman than a man born of English parents at Calcutta is a Hindoo. 
Goldsmith was an Irishman, and always an Irishman: Steele was an 
Irishman, and always an Irishman: Swift's heart was English and in 
England, his habits English, his logic eminently English; his statement 
is elaborately simple; he shuns tropes and metaphors, and uses his ideas 
and words with a wise thrift and economy, as he used his money: with 
which he could be generous and splendid upon great occasions, but 
which he husbanded when there was no need to spend it. He never 
indulges in needless extravagance of rhetoric, lavish epithets, profuse 
imagery. He lays his opinion before you with a grave simplicity and a 
perfect neatness. Dreading ridicule too, as a man of his humour--above 
all an Englishman of his humour--certainly would, he is afraid to use 
the poetical power which he really possessed; one often fancies in 
reading him that he dares not be eloquent when he might; that he does 
not speak above his voice, as it were, and the tone of society. 
His initiation into politics, his knowledge of business, his knowledge of 
polite life, his acquaintance with literature even, which he could not 
have pursued very sedulously during that reckless career at Dublin, 
Swift got under the roof of Sir William Temple. He was fond of telling 
in after life what quantities of books he devoured there, and how King 
William taught him to cut asparagus in the Dutch fashion. It was at 
Shene and at Moor Park, with a salary of twenty pounds and a dinner at 
the upper servants' table, that this great and lonely Swift passed a ten
years' apprenticeship--wore a cassock that    
    
		
	
	
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