Figures of Earth 
 
The Project Gutenberg eBook, Figures of Earth, by James Branch 
Cabell, Illustrated by Frank C. Pape 
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Title: Figures of Earth 
Author: James Branch Cabell 
Release Date: March 19, 2004 [eBook #11639] 
Language: English 
Character set encoding: iso-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK FIGURES 
OF EARTH*** 
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FIGURES OF EARTH 
A Comedy of Appearances 
JAMES BRANCH CABELL 
Illustrated by Frank C. Papé 
1921 
 
"Cascun se mir el jove Manuel, Qu'era del mom lo plus valens dels 
pros." 
 
Contents 
AUTHOR'S NOTE 
A FOREWORD 
PART ONE: THE BOOK OF CREDIT 
 
CHAPTER 
I 
HOW MANUEL LEFT THE MIRE II NIAFER III ASCENT OF 
VRAIDEX IV IN THE DOUBTFUL PALACE V THE ETERNAL 
AMBUSCADE VI ECONOMICS OF MATH VII THE CROWN OF 
WISDOM VIII THE HALO OF HOLINESS IX THE FEATHER OF 
LOVE
PART TWO: THE BOOK OF SPENDING 
X ALIANORA XI MAGIC OF THE APSARASAS XII ICE AND 
IRON XIII WHAT HELMAS DIRECTED XIV THEY DUEL ON 
MORVEN XV BANDAGES FOR THE VICTOR 
PART THREE: THE BOOK OF CAST ACCOUNTS 
XVI FREYDIS XVII MAGIC OF THE IMAGE-MAKERS XVIII 
MANUEL CHOOSES XIX THE HEAD OF MISERY XX THE 
MONTH OF YEARS XXI TOUCHING REPAYMENT XXII 
RETURN OF NIAFER XXIII MANUEL GETS HIS DESIRE XXIV 
THREE WOMEN 
PART FOUR: THE BOOK OF SURCHARGE 
XXV AFFAIRS IN POICTESME XXVI DEALS WITH THE STORK 
XXVII THEY COME TO SARGYLL XXVIII HOW MELICENT 
WAS WELCOMED XXIX SESPHRA OF THE DREAMS XXX 
FAREWELL TO FREYDIS XXXI STATECRAFT XXXII THE 
REDEMPTION OF POICTESME 
PART FIVE: THE BOOK OF SETTLEMENT 
XXXIII NOW MANUEL PROSPERS XXXIV FAREWELL TO 
ALIANORA XXXV THE TROUBLING WINDOW XXXVI 
EXCURSIONS FROM CONTENT XXXVII OPINIONS OF 
HINZELMANN XXXVIII FAREWELL TO SUSKIND XXXIX THE 
PASSING OF MANUEL XL COLOPHON: DA CAPO 
 
To 
SIX MOST GALLANT CHAMPIONS 
Is dedicated this history of a champion: less to repay than to 
acknowledge large debts to each of them, collectively at outset, as 
hereafter seriatim.
[Illustration] 
[Illustration] 
 
Author's Note 
Figures of Earth is, with some superficial air of paradox, the one 
volume in the long Biography of Dom Manuel's life which deals with 
Dom Manuel himself. Most of the matter strictly appropriate to a 
Preface you may find, if you so elect, in the Foreword addressed to 
Sinclair Lewis. And, in fact, after writing two prefaces to this "Figures 
of Earth"--first, in this epistle to Lewis, and, secondly, in the remarks[1] 
affixed to the illustrated edition,--I had thought this volume could very 
well continue to survive as long as its deficiencies permit, without the 
confection of a third preface, until I began a little more carefully to 
consider this romance, in the seventh year of its existence. 
[Footnote 1: Omitted in this edition since it was not possible to include 
all of Frank C. Papé's magnificent illustrations.--THE PUBLISHER] 
But now, now, the deficiency which I note in chief (like the superior 
officer of a disastrously wrecked crew) lies in the fact that what I had 
meant to be the main "point" of "Figures of Earth," while explicitly 
enough stated in the book, remains for every practical end 
indiscernible.... For I have written many books during the last quarter 
of a century. Yet this is the only one of them which began at one 
plainly recognizable instant with one plainly recognizable imagining. It 
is the only book by me which ever, virtually, came into being, with its 
goal set, and with its theme and its contents more or less 
pre-determined throughout, between two ticks of the clock. 
Egotism here becomes rather unavoidable. At Dumbarton Grange the 
library in which I wrote for some twelve years was lighted by three 
windows set side by side and opening outward. It was in the instant of 
unclosing one of these windows, on a fine afternoon in the spring of 
1919, to speak with a woman and a child who were then returning to
the house (with the day's batch of mail from the post office), that, for 
no reason at all, I reflected it would be, upon every personal ground, 
regrettable if, as the moving window unclosed, that especial woman 
and that particular child proved to be figures in the glass, and the 
window opened upon nothingness. For that, I believed, was about to 
happen. There would be, I knew, revealed beyond that moving    
    
		
	
	
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