to the place where these things are, hence indeed you need 
experience. You can only win your way on the frontier unless you are 
willing to live there." 
Through the pall of horror and tragedy the American sees a vision; for 
him it is not merely a material and bloody contest of arms and men, a
military victory to be gained over an aggressive and wrong-minded 
people. It is a world calamity, indeed, but a calamity, since it has come, 
to be spiritualized and utilized for the benefit of the future society of 
mankind. It must be made to serve a purpose in helping to liberate the 
world from sentimentalism, ignorance, close-mindedness, and cant. 
 
II 
One night we entered the danger zone. There had been an entertainment 
in the little salon which, packed with passengers, had gradually 
achieved the temperature and humidity of a Turkish bath. For the ports 
had been closed as tight as gaskets could make them, the electric fans, 
as usual, obstinately "refused to march." After the amateur 
speechmaking and concert pieces an Italian violinist, who had thrown 
over a lucrative contract to become a soldier, played exquisitely; and 
one of the French sisters we had seen walking the deck with the 
mincing steps of the cloister sang; somewhat precariously and 
pathetically, the Ave Maria. Its pathos was of the past, and after she 
had finished, as we fled into the open air, we were conscious of having 
turned our backs irrevocably yet determinedly upon an era whose life 
and convictions the music of the composer so beautifully expressed. 
And the sister's sweet withered face was reminiscent of a missal, one 
bright with colour, and still shining faintly. A missal in a library of 
modern books! 
On deck a fine rain was blowing through a gap in our burlap shroud, a 
phosphorescent fringe of foam hissed along the sides of the ship, giving 
the illusory appearance of our deadlights open and ablaze, exaggerating 
the sinister blackness of the night. We were, apparently, a beacon in 
that sepia waste where modern undersea monsters were lurking. 
There were on board other elements which in the normal times gone by 
would have seemed disquieting enough. The evening after we had left 
New York, while we were still off the coast of Long Island, I saw on 
the poop a crowd of steerage passengers listening intently to harangues 
by speakers addressing them from the top of a pile of life rafts. 
Armenians, I was told, on their way to fight the Turks, all recruited in 
America by one frenzied woman who had seen her child cut in two by a 
German officer. Twilight was gathering as I joined the group, the sea
was silvered by the light of an August moon floating serenely between 
swaying stays. The orator's passionate words and gestures evoked wild 
responses from his hearers, whom the drag of an ancient hatred had 
snatched from the peaceful asylum of the west. This smiling, happy 
folk, which I had seen in our manufacturing towns and cities, were now 
transformed, atavistic--all save one, a student, who stared wistfully 
through his spectacles across the waters. Later, when twilight deepened, 
when the moon had changed from silver to gold, the orators gave place 
to a singer. He had been a bootblack in America. Now he had become a 
bard. His plaintive minor chant evoked, one knew not how, the flavour 
of that age-long history of oppression and wrong these were now 
determined to avenge. Their conventional costumes were proof that we 
had harboured them--almost, indeed, assimilated them. And suddenly 
they had reverted. They were going to slaughter the Turks. 
On a bright Saturday afternoon we steamed into the wide mouth of the 
Gironde, a name stirring vague memories of romance and terror. The 
French passengers gazed wistfully at the low-lying strip of sand and 
forest, but our uniformed pilgrims crowded the rail and hailed it as the 
promised land of self-realization. A richly coloured watering-place slid 
into view, as in a moving-picture show. There was, indeed, all the 
reality and unreality of the cinematograph about our arrival; presently 
the reel would end abruptly, and we should find ourselves pushing our 
way out of the emptying theatre into a rainy street. The impression of 
unreality in the face of visual evidence persisted into the night when, 
after an afternoon at anchor, we glided up the river, our decks and ports 
ablaze across the land. Silhouettes of tall poplars loomed against the 
blackness; occasionally a lamp revealed the milky blue facade of a 
house. This was France! War-torn France--at last vividly brought home 
to us when a glare appeared on the sky, growing brighter and brighter 
until, at a turn of the river, abruptly we came abreast of vomiting 
furnaces, thousands of electric lights strung    
    
		
	
	
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