Rousseau | Page 2

Mably, and socialism 184
CHAPTER VI.
PARIS.
Influence of Geneva upon Rousseau 187 Two sides of his temperament 191 Uncongenial characteristics of Parisian society 191 His associates 195 Circumstances of a sudden moral reform 196 Arising from his violent repugnance for the manners of the time 202 His assumption of a seeming cynicism 207 Protests against atheism 209 The Village Soothsayer at Fontainebleau 212 Two anedotes of his moral singularity 214 Revisits Geneva 216 End of Madame de Warens 217 Rousseau's re-conversion to Protestantism 220 The religious opinions then current in Geneva 223 Turretini and other rationalisers 226 Effect upon Rousseau 227 Thinks of taking up his abode in Geneva 227 Madame d'Epinay offers him the Hermitage 229 Retires thither against the protests of his friends 231
CHAPTER VII.
THE HERMITAGE.
Distinction between the old and the new anchorite 234 Rousseau's first days at the Hermitage 235 Rural delirium 237 Dislike of society 242 Meditates work on Sensitive Morality 243 Arranges the papers of the Abb�� de Saint Pierre 244 His remarks on them 246 Violent mental crisis 247 First conception of the New Helo?sa 250 A scene of high morals 254 Madame d'Houdetot 255 Erotic mania becomes intensified 256 Interviews with Madame d'Houdetot 258 Saint Lambert interposes 262 Rousseau's letter to Saint Lambert 264 Its profound falsity 265 Saint Lambert's reply 267 Final relations with him and with Madame d'Houdetot 268 Sources of Rousseau's irritability 270 Relations with Diderot 273 With Madame d'Epinay 276 With Grimm 279 Grimm's natural want of sympathy with Rousseau 282 Madame d'Epinay's journey to Geneva 284 Occasion of Rousseau's breach with Grimm 285 And with Madame d'Epinay 288 Leaves the Hermitage 289
CHAPTER VIII.
MUSIC.
General character of Rousseau's aim in music 291 As composer 292 Contest on the comparative merits of French and Italian music 293 Rousseau's Letter on French Music 293 His scheme of musical notation 296 Its chief element 298 Its practical value 299 His mistake 300 Two minor objections 300
CHAPTER IX.
VOLTAIRE AND D'ALEMBERT.
Position of Voltaire 302 General differences between him and Rousseau 303 Rousseau not the profounder of the two 305 But he had a spiritual element 305 Their early relations 308 Voltaire's poem on the Earthquake of Lisbon 309 Rousseau's wonder that he should have written it 310 His letter to Voltaire upon it 311 Points to the advantages of the savage state 312 Reproduces Pope's general position 313 Not an answer to the position taken by Voltaire 314 Confesses the question insoluble, but still argues 316 Curious close of the letter 318 Their subsequent relations 319 D'Alembert's article on Geneva 321 The church and the theatre 322 Jeremy Collier: Bossuet 323 Rousseau's contention on stage plays 324 Rude handling of commonplace 325 The true answer to Rousseau as to theory of dramatic morality 326 His arguments relatively to Geneva 327 Their meaning 328 Criticism on the Misanthrope 328 Rousseau's contrast between Paris and an imaginary Geneva 329 Attack on love as a poetic theme 332 This letter, the mark of his schism from the party of the philosophers 336

JEAN JACQUES ROUSSEAU
Born 1712 Fled from Geneva March, 1728 Changes religion at Turin April, " With Madame de Warens, including various intervals, until April, 1740 Goes to Paris with musical schemes 1741 Secretary at Venice Spring, 1743
Paris, first as secretary to M. Francueil, then { 1744 as composer, and copyist { to { 1756 The Hermitage April 9, 1756 Montmorency Dec. 15, 1757 Yverdun June 14, 1762 Motiers-Travers July 10, 1762 Isle of St. Peter Sept., 1765 Strasburg Nov., " Paris December, " Arrives in England Jan. 13, 1766 Leaves Dover May 22, 1767 Fleury June, " Trye July, " Dauphiny Aug., 1768 Paris June, 1770 Death July 2, 1778
PRINCIPAL WRITINGS.
Discourse on the Influence of Learning and Art PUBLISHED 1750 Discourse on Inequality " 1754 Letter to D'Alembert " 1758 New Helo?sa (began 1757, finished in winter of 1759-60) " 1761 Social Contract " 1762 Emilius " 1762 Letters from the Mountain " 1764 Confessions (written 1766-70) { Pt. I 1781 { Pt. II 1788 R��veries (written 1777-78).
Comme dans les ��tangs assoupis sous les bois, Dans plus d'une ame on voit deux choses �� la fois: Le ciel, qui teint les eaux �� peine remu��es Avec tous ses rayons et toutes ses nue��s; Et la vase, fond morne, affreux, sombre et dormant, O�� des reptiles noirs fourmillent vaguement. HUGO.

ROUSSEAU.
CHAPTER I.
PRELIMINARY.
Christianity is the name for a great variety of changes which took place during the first centuries of our era, in men's ways of thinking and feeling about their spiritual relations to unseen powers, about their moral relations to one another, about the basis and type of social union. So the Revolution is now the accepted name for a set of changes which began faintly to take a definite practical shape first in America, and then in France, towards the