the river's tranquil flood
The dark and low-walled dwellings 
stood,
Where many a rood of open land
Stretched up and down on 
either hand,
With corn-leaves waving freshly green
The thick and 
blackened stumps between.
Behind, unbroken, deep and dread,
The 
wild, untravelled forest spread,
Back to those mountains, white and 
cold,
Of which the Indian trapper told,
Upon whose summits never 
yet
Was mortal foot in safety set. 
Quiet and calm without a fear,
Of danger darkly lurking near,
The 
weary laborer left his plough,
The milkmaid carolled by her cow;
From cottage door and household hearth
Rose songs of praise, or 
tones of mirth. 
At length the murmur died away,
And silence on that village lay.
--So slept Pompeii, tower and hall,
Ere the quick earthquake 
swallowed all,
Undreaming of the fiery fate
Which made its 
dwellings desolate. 
Hours passed away. By moonlight sped
The Merrimac along his bed.
Bathed in the pallid lustre, stood
Dark cottage-wall and rock and 
wood,
Silent, beneath that tranquil beam,
As the hushed grouping 
of a dream.
Yet on the still air crept a sound,
No bark of fox, nor 
rabbit's bound,
Nor stir of wings, nor waters flowing,
Nor leaves in 
midnight breezes blowing. 
Was that the tread of many feet,
Which downward from the hillside 
beat?
What forms were those which darkly stood
Just on the margin 
of the wood?--
Charred tree-stumps in the moonlight dim,
Or paling 
rude, or leafless limb?
No,--through the trees fierce eyeballs glowed,
Dark human forms in moonshine showed,
Wild from their native 
wilderness,
With painted limbs and battle-dress. 
A yell the dead might wake to hear
Swelled on the night air, far and 
clear;
Then smote the Indian tomahawk
On crashing door and
shattering lock; 
Then rang the rifle-shot, and then
The shrill death-scream of stricken 
men,--
Sank the red axe in woman's brain,
And childhood's cry 
arose in vain.
Bursting through roof and window came,
Red, fast, 
and fierce, the kindled flame,
And blended fire and moonlight glared
On still dead men and scalp-knives bared. 
The morning sun looked brightly through
The river willows, wet with 
dew.
No sound of combat filled the air,
No shout was heard, nor 
gunshot there;
Yet still the thick and sullen smoke
From 
smouldering ruins slowly broke;
And on the greensward many a stain,
And, here and there, the mangled slain,
Told how that midnight 
bolt had sped
Pentucket, on thy fated head. 
Even now the villager can tell
Where Rolfe beside his hearthstone fell,
Still show the door of wasting oak,
Through which the fatal 
death-shot broke,
And point the curious stranger where
De 
Rouville's corse lay grim and bare;
Whose hideous head, in death still 
feared,
Bore not a trace of hair or beard;
And still, within the 
churchyard ground,
Heaves darkly up the ancient mound,
Whose 
grass-grown surface overlies
The victims of that sacrifice.
1838. 
THE NORSEMEN. 
In the early part of the present century, a fragment of a statue, rudely 
chiselled from dark gray stone, was found in the town of Bradford, on 
the Merrimac. Its origin must be left entirely to conjecture. The fact 
that the ancient Northmen visited the north-east coast of North America 
and probably New England, some centuries before the discovery of the 
western world by Columbus, is very generally admitted. 
GIFT from the cold and silent Past!
A relic to the present cast,
Left 
on the ever-changing strand
Of shifting and unstable sand,
Which 
wastes beneath the steady chime
And beating of the waves of Time!
Who from its bed of primal rock
First wrenched thy dark, 
unshapely block?
Whose hand, of curious skill untaught,
Thy rude 
and savage outline wrought? 
The waters of my native stream
Are glancing in the sun's warm beam;
From sail-urged keel and flashing oar
The circles widen to its shore;
And cultured field and peopled town
Slope to its willowed margin 
down.
Yet, while this morning breeze is bringing
The home-life 
sound of school-bells ringing,
And rolling wheel, and rapid jar
Of 
the fire-winged and steedless car,
And voices from the wayside near
Come quick and blended on my ear,--
A spell is in this old gray 
stone,
My thoughts are with the Past alone! 
A change!--The steepled town no more
Stretches along the 
sail-thronged shore;
Like palace-domes in sunset's cloud,
Fade 
sun-gilt spire and mansion proud
Spectrally rising where they stood,
I see the old, primeval wood;
Dark, shadow-like, on either hand
I 
see its solemn waste expand;
It climbs the green and cultured hill,
It 
arches o'er the valley's rill,
And leans from cliff and crag to throw
Its wild arms o'er the stream below.
Unchanged, alone, the same 
bright river
Flows on, as it will flow forever
I listen, and I hear the 
low
Soft ripple where its waters go;
I hear behind the panther's cry,
The wild-bird's scream goes thrilling by,
And shyly on the river's 
brink
The deer is stooping down to drink. 
But hark!--from wood and rock flung back,
What sound comes up the 
Merrimac?
What sea-worn barks are those which throw
The light 
spray from each rushing prow?
Have they not in the North Sea's blast
Bowed to the waves the straining mast?
Their frozen sails the low, 
pale sun
Of Thule's night has shone upon;
Flapped by the 
sea-wind's gusty sweep
Round icy drift, and headland steep.
Wild 
Jutland's wives and Lochlin's daughters
Have watched them fading 
o'er the waters,
Lessening through driving mist and spray,
Like 
white-winged sea-birds on their way!
Onward they glide,--and now I view
Their iron-armed and    
    
		
	
	
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