Satan in Loki. 
Thus he lived, felt, and believed what he wrote, and though his dramas 
and poems do not rise above fair mediocrity, and the great number of 
his prose stories are injured by a certain monotony, the charm of them 
is in their elevation of sentiment and the earnest faith pervading all. His 
knights might be Sir Galahad-- 
"My strength is as the strength of ten, Because my heart is pure."
Evil comes to them as something to be conquered, generally as a form 
of magic enchantment, and his "wondrous fair maidens" are worthy of 
them. Yet there is adventure enough to afford much pleasure, and often 
we have a touch of true genius, which has given actual ideas to the 
world, and precious ones. 
This genius is especially traceable in his two masterpieces, Sintram and 
Undine. Sintram was inspired by Albert Durer's engraving of the 
"Knight of Death," of which we give a presentation. It was sent to 
Fouque by his friend Edward Hitzig, with a request that he would 
compose a ballad on it. The date of the engraving is 1513, and we quote 
the description given by the late Rev. R. St. John Tyrwhitt, showing 
how differently it may be read. 
"Some say it is the end of the strong wicked man, just overtaken by 
Death and Sin, whom he has served on earth. It is said that the tuft on 
the lance indicates his murderous character, being of such unusual size. 
You know the use of that appendage was to prevent blood running 
down from the spearhead to the hands. They also think that the object 
under the horse's off hind foot is a snare, into which the old oppressor 
is to fall instantly. The expression of the faces may be taken either way: 
both good men and bad may have hard, regular features; and both good 
men and bad would set their teeth grimly on seeing Death, with the 
sands of their life nearly run out. Some say they think the expression of 
Death gentle, or only admonitory (as the author of "Sintram"); and I 
have to thank the authoress of the "Heir of Redclyffe" for showing me a 
fine impression of the plate, where Death certainly had a not ungentle 
countenance--snakes and all. I think the shouldered lance, and quiet, 
firm seat on horseback, with gentle bearing on the curb-bit, indicate 
grave resolution in the rider, and that a robber knight would have his 
lance in rest; then there is the leafy crown on the horse's head; and the 
horse and dog move on so quietly, that I am inclined to hope the best 
for the Ritter." 
Musing on the mysterious engraving, Fouque saw in it the life-long 
companions of man, Death and Sin, whom he must defy in order to 
reach salvation; and out of that contemplation rose his wonderful
romance, not exactly an allegory, where every circumstance can be 
fitted with an appropriate meaning, but with the sense of the struggle of 
life, with external temptation and hereditary inclination pervading all, 
while Grace and Prayer aid the effort. Folko and Gabrielle are revived 
from the Magic Ring, that Folko may by example and influence 
enhance all higher resolutions; while Gabrielle, in all unconscious 
innocence, awakes the passions, and thus makes the conquest the 
harder. 
It is within the bounds of possibility that the similarities of folk- lore 
may have brought to Fouque's knowledge the outline of the story which 
Scott tells us was the germ of "Guy Mannering"; where a boy, whose 
horoscope had been drawn by an astrologer, as likely to encounter 
peculiar trials at certain intervals, actually had, in his twenty-first year, 
a sort of visible encounter with the Tempter, and came off conqueror by 
his strong faith in the Bible. Sir Walter, between reverence and realism, 
only took the earlier part of the story, but Fouque gives us the positive 
struggle, and carries us along with the final victory and subsequent 
peace. His tale has had a remarkable power over the readers. We cannot 
but mention two remarkable instances at either end of the scale. 
Cardinal Newman, in his younger days, was so much overcome by it 
that he hurried out into the garden to read it alone, and returned with 
traces of emotion in his face. And when Charles Lowder read it to his 
East End boys, their whole minds seemed engrossed by it, and they 
even called certain spots after the places mentioned. Imagine the Rocks 
of the Moon in Ratcliff Highway! 
May we mention that Miss Christabel Coleridge's "Waynflete" brings 
something of the spirit and idea of "Sintram" into modern life? 
"Undine" is a story of much lighter fancy, and full of a peculiar grace, 
though with a depth of melancholy that endears it. No doubt    
    
		
	
	
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