Twilight in Italy 
 
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Title: Twilight in Italy 
Author: D.H. Lawrence 
Release Date: December, 2005 [EBook #9497] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on October 6,
2003] 
Edition: 10 
Language: English 
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*** START OF THE PROJECT GUTENBERG EBOOK TWILIGHT 
IN ITALY *** 
 
Produced by Joshua Hutchinson, Martin Agren and PG Distributed 
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TWILIGHT IN ITALY 
By D. H. Lawrence 
1916 
 
CONTENTS 
THE CRUCIFIX ACROSS THE MOUNTAINS 
ON THE LAGO DI GARDA 1 The Spinner and the Monks 2 The 
Lemon Gardens 3 The Theatre 4 San Gaudenzio 5 The Dance 6 Il Duro 
7 John 
ITALIANS IN EXILE 
THE RETURN JOURNEY 
 
The Crucifix Across the Mountains
The imperial road to Italy goes from Munich across the Tyrol, through 
Innsbruck and Bozen to Verona, over the mountains. Here the great 
processions passed as the emperors went South, or came home again 
from rosy Italy to their own Germany. 
And how much has that old imperial vanity clung to the German soul? 
Did not the German kings inherit the empire of bygone Rome? It was 
not a very real empire, perhaps, but the sound was high and splendid. 
Maybe a certain Grössenwahn is inherent in the German nature. If only 
nations would realize that they have certain natural characteristics, if 
only they could understand and agree to each other's particular nature, 
how much simpler it would all be. 
The imperial procession no longer crosses the mountains, going South. 
That is almost forgotten, the road has almost passed out of mind. But 
still it is there, and its signs are standing. 
The crucifixes are there, not mere attributes of the road, yet still having 
something to do with it. The imperial processions, blessed by the Pope 
and accompanied by the great bishops, must have planted the holy idol 
like a new plant among the mountains, there where it multiplied and 
grew according to the soil, and the race that received it. 
As one goes among the Bavarian uplands and foothills, soon one 
realizes here is another land, a strange religion. It is a strange country, 
remote, out of contact. Perhaps it belongs to the forgotten, imperial 
processions. 
Coming along the clear, open roads that lead to the mountains, one 
scarcely notices the crucifixes and the shrines. Perhaps one's interest is 
dead. The crucifix itself is nothing, a factory-made piece of 
sentimentalism. The soul ignores it. 
But gradually, one after another looming shadowily under their hoods, 
the crucifixes seem to create a new atmosphere over the whole of the 
countryside, a darkness, a weight in the air that is so unnaturally bright 
and rare with the reflection from the snows above, a darkness hovering
just over the earth. So rare and unearthly the light is, from the 
mountains, full of strange radiance. Then every now and again recurs 
the crucifix, at the turning of an open, grassy road, holding a shadow 
and a mystery under its pointed hood. 
I was startled into consciousness one evening, going alone over a 
marshy place at the foot of the mountains, when the sky was pale and 
unearthly, invisible, and the hills were nearly black. At a meeting of the 
tracks was a crucifix, and between the feet of the Christ a handful of 
withered poppies. It was the poppies I saw, then the Christ. 
It was an old shrine, the wood-sculpture of a Bavarian peasant. The 
Christ was a peasant of the foot of the Alps. He had broad cheekbones 
and sturdy limbs. His plain, rudimentary face stared fixedly at the hills, 
his neck was stiffened, as if in resistance to the fact of the nails and the 
cross, which he could not escape. It was a man nailed down in spirit, 
but set stubbornly against the bondage and the disgrace. He    
    
		
	
	
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