Twenty-six and One and Other 
Stories, by 
 
Maksim Gorky, et al 
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Title: Twenty-six and One and Other Stories 
Author: Maksim Gorky 
Release Date: December 27, 2004 [eBook #14480] 
Language: English 
Character set encoding: ISO-646-US (US-ASCII) 
***START OF THE PROJECT GUTENBERG EBOOK 
TWENTY-SIX AND ONE AND OTHER STORIES*** 
E-text prepared by Al Haines 
 
TWENTY-SIX AND ONE and OTHER STORIES 
by
MAXIME GORKY 
From the Vagabond Series 
Translated from the Russian 
Preface by Ivan Strannik 
New York J. F. Taylor & Company 
1902 
 
PREFACE 
MAXIME GORKY 
Russian literature, which for half a century has abounded in happy 
surprises, has again made manifest its wonderful power of innovation. 
A tramp, Maxime Gorky, lacking in all systematic training, has 
suddenly forced his way into its sacred domain, and brought thither the 
fresh spontaneity of his thoughts and character. Nothing as individual 
or as new has been produced since the first novels of Tolstoy. His work 
owes nothing to its predecessors; it stands apart and alone. It, therefore, 
obtains more than an artistic success, it causes a real revolution. 
Gorky was born of humble people, at Nizhni-Novgorod, in 1868 or 
1869,--he does not know which--and was early left an orphan. He was 
apprenticed to a shoemaker, but ran away, a sedentary life not being to 
his taste. He left an engraver's in the same manner, and then went to 
work with a painter of ikoni, or holy pictures. He is next found to be a 
cook's boy, then an assistant to a gardener. He tried life in these diverse 
ways, and not one of them pleased him. Until his fifteenth year, he had 
only had the time to learn to read a little; his grandfather taught him to 
read a prayer-book in the old Slav dialect. He retained from his first 
studies only a distaste for anything printed until the time when, cook's 
boy on board a steam-boat, he was initiated by the chief cook into more 
attractive reading matter. Gogol, Glebe Ouspenski, Dumas pere were
revelations to him. His imagination took fire; he was seized with a 
"fierce desire" for instruction. He set out for Kazan, "as though a poor 
child could receive instruction gratuitously," but he soon perceived that 
"it was contrary to custom." Discouraged, he became a baker's boy with 
the wages of three rubles (about $1.50) a month. In the midst of worse 
fatigue and ruder privations, he always recalls the bakery of Kazan with 
peculiar bitterness; later, in his story, "Twenty-Six and One," he 
utilized this painful remembrance: "There were twenty-six of 
us--twenty-six living machines, locked up in a damp cellar, where we 
patted dough from morning till night, making biscuits and cakes. The 
windows of our cellar looked out into a ditch, which was covered with 
bricks grown green from dampness, the window frames were 
obstructed from the outside by a dense iron netting, and the light of the 
sun could not peep in through the panes, which were covered with flour 
dust. . . ." 
Gorky dreamed of the free air. He abandoned the bakery. Always 
reading, studying feverishly, drinking with vagrants, expending his 
strength in every possible manner, he is one day at work in a saw-mill, 
another, 'longshoreman on the quays. . . . In 1888, seized with despair, 
he attempted to kill himself. "I was," said he, "as ill as I could be, and I 
continued to live to sell apples. . . ." He afterward became a gate-keeper 
and later retailed kvass in the streets. A happy chance brought him to 
the notice of a lawyer, who interested himself in him, directed his 
reading and organized his instruction. But his restless disposition drew 
him back to his wandering life; he traveled over Russia in every 
direction and tried his hand at every trade, including, henceforth, that of 
man of letters. 
He began by writing a short story, "Makar Tchoudra," which was 
published by a provincial newspaper. It is a rather interesting work, but 
its interest lies more, frankly speaking, in what it promises than in what 
it actually gives. The subject is rather too suggestive of certain pieces 
of fiction dear to the romantic school. 
Gorky's appearance in the world of literature dates from 1893. He had 
at this time, the acquaintance of the writer Korolenko, and, thanks to
him, soon published "Tchelkache," which met with a resounding 
success. Gorky henceforth rejects all traditional methods, and free and 
untrammeled devotes himself to frankly and directly interpreting life as 
he sees it. As he has, so far, lived only in    
    
		
	
	
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