she considered the position. 'I 
was looking over it only a few months ago. It is practically ready for 
tomorrow's paper. I should think the Sun had better use the sketch of 
his life they had about two years ago, when he went to Berlin and 
settled the potash difficulty. I remember it was a very good sketch, and 
they won't be able to carry much more than that. As for our paper, of 
course we have a great quantity of cuttings, mostly rubbish. The 
sub-editors shall have them as soon as they come in. Then we have two 
very good portraits that are our own property; the best is a drawing Mr. 
Trent made when they were both on the same ship somewhere. It is 
better than any of the photographs; but you say the public prefers a bad 
photograph to a good drawing. I will send them down to you at once,
and you can choose. As far as I can see, the Record is well ahead of the 
situation, except that you will not be able to get a special man down 
there in time to be of any use for tomorrow's paper.' 
Sir James sighed deeply. 'What are we good for, anyhow?' he enquired 
dejectedly of Mr. Silver, who had returned to his desk. 'She even knows 
Bradshaw by heart.' 
Miss Morgan adjusted her cuffs with an air of patience. 'Is there 
anything else?' she asked, as the telephone bell rang. 
'Yes, one thing,' replied Sir James, as he took up the receiver. 'I want 
you to make a bad mistake some time, Miss Morgan--an everlasting 
bloomer--just to put us in countenance.' She permitted herself the 
fraction of what would have been a charming smile as she went out. 
'Anthony?' asked Sir James, and was at once deep in consultation with 
the editor on the other side of the road. He seldom entered the Sun 
building in person; the atmosphere of an evening paper, he would say, 
was all very well if you liked that kind of thing. Mr. Anthony, the 
Murat of Fleet Street, who delighted in riding the whirlwind and 
fighting a tumultuous battle against time, would say the same of a 
morning paper. 
It was some five minutes later that a uniformed boy came in to say that 
Mr. Trent was on the wire. Sir James abruptly closed his talk with Mr. 
Anthony. 
'They can put him through at once,' he said to the boy. 
'Hullo!' he cried into the telephone after a few moments. 
A voice in the instrument replied, 'Hullo be blowed! What do you 
want?' 
'This is Molloy,' said Sir James. 
'I know it is,' the voice said. 'This is Trent. He is in the middle of
painting a picture, and he has been interrupted at a critical moment. 
Well, I hope it's something important, that's all!' 
'Trent,' said Sir James impressively, 'it is important. I want you to do 
some work for us.' 
'Some play, you mean,' replied the voice. 'Believe me, I don't want a 
holiday. The working fit is very strong. I am doing some really decent 
things. Why can't you leave a man alone?' 'Something very serious has 
happened.' 'What?' 
'Sigsbee Manderson has been murdered--shot through the brain--and 
they don't know who has done it. They found the body this morning. It 
happened at his place near Bishopsbridge.' Sir James proceeded to tell 
his hearer, briefly and clearly, the facts that he had communicated to 
Mr. Figgis. 'What do you think of it?' he ended. A considering grunt 
was the only answer. 'Come now,' urged Sir James. 'Tempter!' 
'You will go down?' 
There was a brief pause. 
'Are you there?' said Sir James. 
'Look here, Molloy,' the voice broke out querulously, 'the thing may be 
a case for me, or it may not. We can't possibly tell. It may be a mystery; 
it may be as simple as bread and cheese. The body not being robbed 
looks interesting, but he may have been outed by some wretched tramp 
whom he found sleeping in the grounds and tried to kick out. It's the 
sort of thing he would do. Such a murderer might easily have sense 
enough to know that to leave the money and valuables was the safest 
thing. I tell you frankly, I wouldn't have a hand in hanging a poor devil 
who had let daylight into a man like Sig Manderson as a measure of 
social protest.' 
Sir James smiled at the telephone--a smile of success. 'Come, my boy, 
you're getting feeble. Admit you want to go and have a look at the case. 
You know you do. If it's anything you don't want to handle, you're free
to drop it. By the by, where are you?' 
'I am blown along a wandering wind,' replied the voice    
    
		
	
	
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