Traditions of Lancashire, Volume 1 | Page 3

the best essay on a prescribed subject, by young persons under a specified age. Thus encouraged, poetry, essay, tale, were all tried, and with success. In his eighteenth or nineteenth year he received a silver snuff-box, inscribed, "The gift of the Philosophic Society, Wigan, to their esteemed lecturer and worthy member."
Mr Roby first appeared before the public as a poet; publishing in 1815, "Sir Bertram, a poem in six cantos." Another poem quickly followed, entitled "Lorenzo, a tale of Redemption." In 1816, he married Ann, the youngest daughter of James and Dorothy Bealey, of Derrikens, near Blackburn, by whom he had nine children, three of whom died in their infancy. His next publication was "The Duke of Mantua," a tragedy, which appeared in 1823, passed through three or four editions in a short time, and after being long out of print, was included in the posthumous volume of Legendary Remains. In the summer of that year he made an excursion in Scotland, visiting "the bonnie braes o' Yarrow" in company with James Hogg, the Ettrick Shepherd. The literary leisure of the next six years was occupied in collecting materials for the _Traditions of Lancashire_, and in weaving these into tales of romantic interest. In this task he received the most courteous assistance from several representatives of noble houses connected with the traditions of the county; particularly from the late Earl and Countess of Crawford and Balcarres, and also from the late Earl of Derby.
The first series of The Traditions of Lancashire appeared in 1829, in two volumes (including twenty tales), illustrated by plates. The reception of the work equalled Mr Roby's most sanguine expectations; and a second edition was called for within twelve months. The late Sir Francis Palgrave, in a letter to Mr Roby, dated 26th October 1829, thus estimates the work:--
"As compositions, the extreme beauty of your style, and the skill which you have shown in working up the rude materials, must entitle them to the highest rank in the class of work to which they belong.... You have made such a valuable addition, not only to English literature, but to English topography, by your collection--for these popular traditions form, or ought to form, an important feature in topographical history--that it is to be hoped you will not stop with the present volumes."
The second series of the "Traditions," consisting also of two volumes (including twenty tales), uniform with the first, was published in 1831, and met with similar success. Both series were reviewed in the most cordial manner by the leading periodicals of the day; while they were more than once quoted by Sir Walter Scott, who characterised the whole as an elegant work. In the production of these tales, Mr Roby's practice was to make himself master of the historical groundwork of the story, and as far as possible of the manners and customs of the period, and then to commence composition, with Fosbroke's Encyclopedia of Antiquities at hand, for accuracy of costume, &c. He always gave the credit of his style, which the Westminster Review termed "a very model of good Saxon," to his native county, the force and energy of whose dialect arises mainly from the prevalence of the Teutonic element. "The thought digs out the word," was his favourite saying, when the exact expression he wanted did not at once occur. In these "Traditions" his great creative power is conspicuous; about two hundred different characters are introduced, no one of which reminds the reader of another, while there is abundant diversity of both heroic and comic incident and adventure. A gentleman, after reading the "Traditions," remarked that for invention he scarcely knew Mr Roby's equal. All these characters, it should be stated, are creations: not one is an idealised portrait. The short vivid descriptions of scenery scattered throughout are admirable. Each tale is, in fact, a cabinet picture, combining history and romance with landscape. Mr Roby excelled in depicting the supernatural; and one German reviewer declared his story of Rivington Pike to be "the only authentic tale of demoniacal possession the English have."
In 1832, Mr Roby visited the English lakes, and recorded his impressions in lively sketches both with pen and pencil. In the spring of 1837, he made a rapid tour on the Continent, the notes and illustrative sketches of which were published in two volumes, under the title of _Seven Weeks in Belgium, Switzerland, Lombardy, Piedmont, Savoy, &c._ In 1840, Mr Roby again visited the Continent by a different route, making notes and sketches of what he saw. At the close of the year, he was engaged in preparing a new edition of the "Traditions," in a less expensive form. It was published in three volumes, as the first of a series of Popular Traditions of England; his intention being to follow