dinner first at that cute little Cafe Bretone you've been 
telling me about," says Vee, "and go up to see the Blakes afterwards." 
Yes, that was the program we followed. And without the aid of a guide 
we located this Umpty Umpt street. The number is about half way 
down the block that runs from upper Broadway to Riverside Drive. It's 
one of the narrow streets, you know, and the scenery is just as cheerful 
as a section of the Hudson River tube on a foggy night. Nothing but 
seven-story apartment buildings on either side; human hives, where the 
only thing that can be raised is the rent, which the landlord attends to 
every quarter. 
Having lived out in the near-country for a couple of years, I'd most 
forgotten what ugly, gloomy barracks these big apartment buildings 
were. Say, if they built state prisons like that, with no more sun or air in 
the cells, there'd be an awful howl. But the Rosenheimers and the Max 
Blums and the Gilottis can run up jerry built blocks with 8x10 
bedrooms openin' on narrow airshafts, and livin' rooms where you need 
a couple of lights burnin' on sunny days, and nobody says a word 
except to beg the agent to let 'em pay $150 a month or so for four 
rooms and bath. I can feel Vee give a shudder as we dives into the
tunnel. 
"But really," says she, "I suppose it must be very nice, only half a block 
from the Drive, and with such an imposing entrance." 
"Sure!" says I. "Just as cosy as being tucked away in a safety deposit 
vault every night. That's what makes some of these New Yorkers so 
patronizin' and haughty when they happen to stray out to way stations 
and crossroads joints where the poor Rubes live exposed continual to 
sunshine and fresh air and don't seem to know any better." 
"Just think!" says Vee. "Lucy Lee's home down in Virginia was one of 
those delightful old Colonial houses set on a hill, with more than a 
hundred acres of farm land around it. And Captain Blake must have 
been used to an outdoor life. He's a civil engineer, I believe. But then, 
with the honeymoon barely over, I suppose they don't mind." 
"We might ask 'em," I suggests. 
"Don't you dare, Torchy!" says she. 
By that time, though, we're ready to interview the fuzzy-haired West 
Indian brunette in charge of the 'phone desk in one corner of the marble 
wainscoted lobby. And when he gets through givin' the hot comeback 
to some tenant who has dared to protest that he's had the wrong number, 
he takes his time findin' out for us whether or not the Blakes are in. 
Finally he grunts something through the gum and waves us toward the 
elevator. "Fourth," says he. And a slouchy young female in a dirty 
khaki uniform takes us up, jerky, to turn us loose in a hallway with a 
dozen doors openin' off. 
There's such a dim light we could hardly read the cards in the door 
plates, and we was pawin' around, dazed, when a husky bleached 
blonde comes sailin' out of an apartment. 
"Will you please tell me which is the Blakes' bell?" asks Vee. 
"Blakes?" says the blonde. "Don't know 'em."
"Perhaps we're on the wrong floor," I suggests. 
But about then a door opens and out peers Lucy Lee herself. "Why, 
there you are!" says she. "We were just picking up a little. You know 
how things get in an apartment. So good of you to hunt us up. Come 
right in." 
So we squeezes in between a fancy hall seat and the kitchen door, 
edges down a three-foot hallway, and discovers Captain Blake just 
strugglin' into his coat, at the same time kickin' some evenin' papers, 
dexterous, under a davenport. 
"Why, how comfy you are here, aren't you?" says Vee, gazin' around. 
"Ye-e-es, aren't we?" says Lucy Lee, a bit draggy. 
If you've ever made one of these flathouse first calls you can fill in the 
rest for yourself. We are shown how, by leanin' out one of the front 
windows, you can almost see the North River; what a cute little dinin' 
room there is, with a built-in china closet and all; and how convenient 
the bathroom is wedged between the two sleeping rooms. 
"But really," says Lucy Lee, "the kitchen is the nicest. Do you know, 
the sun actually comes in for nearly an hour every afternoon. And isn't 
everything so handy?" 
Yes, it was. You could stand in the middle and reach the gas stove with 
one hand and the sink with the other, and if you didn't want to use the 
washtub you could rest a loaf of bread on it. Then there was the 
dumbwaiter    
    
		
	
	
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