has not followed her husband in his moral evolution. She is the creature 
of old customs, old prejudices, old New England ethics. She is rather 
confused by the modern rush of life. 
Connie Starkweather. Margaret's younger sister, twenty years old. She 
is nothing that Margaret is, and everything that Margaret is not. No 
essential evil in her, but has no mind of her own--hopelessly a creature 
of convention. Gay, laughing, healthy, buxom--a natural product of her 
care-free environment. 
Feux Dobleman. Private secretary to Anthony Starkweather. A young 
man of correct social deportment, thoroughly and in all things just the 
sort of private secretary a man like Anthony Starkweather would have. 
He is a weak-souled creature, timorous, almost effeminate. 
Linda Davis. Maid to Margaret. A young woman of twenty-five or so, 
blond, Scandinavian, though American-born. A cold woman, almost 
featureless because of her long years of training, but with a hot heart 
deep down, and characterized by an intense devotion to her mistress. 
Wild horses could drag nothing from her where her mistress is 
concerned.
Junus Rutland. Having no strong features about him, the type realizes 
itself. 
John Gifford. A labor agitator. A man of the people, rough-hewn, 
narrow as a labor-leader may well be, earnest and sincere. He is a 
proper, better type of labor-leader. 
Matsu Sakari. Secretary of Japanese Embassy. He is the perfection of 
politeness and talks classical book-English. He bows a great deal. 
Dolores Ortega. Wife of Peruvian Minister; bright and vivacious, and 
uses her hands a great deal as she talks, in the Latin-American fashion. 
Senator Dowsett. Fifty years of age; well preserved. 
Mrs. Dowsett. Stout and middle-aged. 
 
ACT I 
A ROOM IN THE HOUSE OF SENATOR CHALMERS 
Scene. In Senator Chalmers' home. It is four o'clock in the afternoon, in 
a modern living room with appropriate furnishings. In particular, in 
front, on left, a table prepared for the serving of tea, all excepting the 
tea urn itself. At rear, right of center, is main entrance to the room. 
Also, doorways at sides, on left and right. Curtain discloses Chalmers 
and Hubbard seated loungingly at the right front. 
{Hubbard} 
(After an apparent pause for cogitation.) I can't understand why an old 
wheel-horse like Elsworth should kick over the traces that way. 
{Chalmers} 
Disgruntled. Thinks he didn't get his fair share of plums out of the 
Tariff Committee. Besides, it's his last term. He's announced that he's
going to retire. 
{Hubbard} 
(Snorting contemptuously, mimicking an old man's pompous 
enunciation.) "A Resolution to Investigate the High Cost of 
Living!"--old Senator Elsworth introducing a measure like that! The 
old buck!---- How are you going to handle it? 
{Chalmers} 
It's already handled. 
{Hubbard} 
Yes? 
{Chalmers} 
(Pulling his mustache.) Turned it over to the Committee to Audit and 
Control the Contingent Expenses of the Senate. 
{Hubbard} 
(Grinning his appreciation.) And you're chairman. Poor old Elsworth. 
This way to the lethal chamber, and the bill's on its way. 
{Chalmers} 
Elsworth will be retired before it's ever reported. In the meantime, say 
after a decent interval, Senator Hodge will introduce another resolution 
to investigate the high cost of living. It will be like Elsworth's, only it 
won't. 
{Hubbard} 
(Nodding his head and anticipating.) And it will go to the Committee 
on Finance and come back for action inside of twenty-four hours.
{Chalmers} 
By the way, I see Cartwright's Magazine has ceased muck-raking. 
{Hubbard} 
Cartwrights never did muck-rake--that is, not the big Interests--only the 
small independent businesses that didn't advertise. 
{Chalmers} 
Yes, it deftly concealed its reactionary tendencies. 
{Hubbard} 
And from now on the concealment will be still more deft. I've gone into 
it myself. I have a majority of the stock right now. 
{Chalmers} 
I thought I had noticed a subtle change in the last two numbers. 
{Hubbard} 
(Nodding.) We're still going on muck-raking. We have a splendid series 
on Aged Paupers, demanding better treatment and more sanitary 
conditions. Also we are going to run "Barbarous Venezuela" and show 
up thoroughly the rotten political management of that benighted 
country. 
{Chalmers} 
(Nods approvingly, and, after a pause.) And now concerning Knox. 
That's what I sent for you about. His speech comes off tomorrow per 
schedule. At last we've got him where we want him. 
{Hubbard} 
I have the ins and outs of it pretty well. Everything's arranged. The
boys have their cue, though they don't know just what's going to be 
pulled off; and this time to-morrow afternoon their dispatches will be 
singing along the wires. 
{Chalmers} 
(Firmly and harshly.) This man Knox must be covered with ridicule, 
swamped with ridicule, annihilated with ridicule. 
{Hubbard} 
It is to laugh. Trust the great American people for that. We'll make 
those little Western editors sit up. They've been swearing by Knox, like 
a little tin god. Roars of laughter for them. 
{Chalmers} 
Do you do anything yourself? 
{Hubbard} 
Trust    
    
		
	
	
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