man- midwifery 
of Socrates, are not forgotten in the closing words. At the end of the 
dialogue, as in the Euthyphro, he is expecting to meet Meletus at the 
porch of the king Archon; but with the same indifference to the result 
which is everywhere displayed by him, he proposes that they shall 
reassemble on the following day at the same spot. The day comes, and 
in the Sophist the three friends again meet, but no further allusion is 
made to the trial, and the principal share in the argument is assigned, 
not to Socrates, but to an Eleatic stranger; the youthful Theaetetus also 
plays a different and less independent part. And there is no allusion in 
the Introduction to the second and third dialogues, which are afterwards 
appended. There seems, therefore, reason to think that there is a real 
change, both in the characters and in the design. 
The dialogue is an enquiry into the nature of knowledge, which is 
interrupted by two digressions. The first is the digression about the 
midwives, which is also a leading thought or continuous image, like the 
wave in the Republic, appearing and reappearing at intervals. Again 
and again we are reminded that the successive conceptions of 
knowledge are extracted from Theaetetus, who in his turn truly declares 
that Socrates has got a great deal more out of him than ever was in him. 
Socrates is never weary of working out the image in humorous 
details,--discerning the symptoms of labour, carrying the child round 
the hearth, fearing that Theaetetus will bite him, comparing his 
conceptions to wind-eggs, asserting an hereditary right to the 
occupation. There is also a serious side to the image, which is an apt 
similitude of the Socratic theory of education (compare Republic, 
Sophist), and accords with the ironical spirit in which the wisest of men 
delights to speak of himself. 
The other digression is the famous contrast of the lawyer and
philosopher. This is a sort of landing-place or break in the middle of the 
dialogue. At the commencement of a great discussion, the reflection 
naturally arises, How happy are they who, like the philosopher, have 
time for such discussions (compare Republic)! There is no reason for 
the introduction of such a digression; nor is a reason always needed, 
any more than for the introduction of an episode in a poem, or of a 
topic in conversation. That which is given by Socrates is quite 
sufficient, viz. that the philosopher may talk and write as he pleases. 
But though not very closely connected, neither is the digression out of 
keeping with the rest of the dialogue. The philosopher naturally desires 
to pour forth the thoughts which are always present to him, and to 
discourse of the higher life. The idea of knowledge, although hard to be 
defined, is realised in the life of philosophy. And the contrast is the 
favourite antithesis between the world, in the various characters of 
sophist, lawyer, statesman, speaker, and the philosopher,--between 
opinion and knowledge,--between the conventional and the true. 
The greater part of the dialogue is devoted to setting up and throwing 
down definitions of science and knowledge. Proceeding from the lower 
to the higher by three stages, in which perception, opinion, reasoning 
are successively examined, we first get rid of the confusion of the idea 
of knowledge and specific kinds of knowledge,--a confusion which has 
been already noticed in the Lysis, Laches, Meno, and other dialogues. 
In the infancy of logic, a form of thought has to be invented before the 
content can be filled up. We cannot define knowledge until the nature 
of definition has been ascertained. Having succeeded in making his 
meaning plain, Socrates proceeds to analyze (1) the first definition 
which Theaetetus proposes: 'Knowledge is sensible perception.' This is 
speedily identified with the Protagorean saying, 'Man is the measure of 
all things;' and of this again the foundation is discovered in the 
perpetual flux of Heracleitus. The relativeness of sensation is then 
developed at length, and for a moment the definition appears to be 
accepted. But soon the Protagorean thesis is pronounced to be suicidal; 
for the adversaries of Protagoras are as good a measure as he is, and 
they deny his doctrine. He is then supposed to reply that the perception 
may be true at any given instant. But the reply is in the end shown to be 
inconsistent with the Heraclitean foundation, on which the doctrine has 
been affirmed to rest. For if the Heraclitean flux is extended to every
sort of change in every instant of time, how can any thought or word be 
detained even for an instant? Sensible perception, like everything else, 
is tumbling to pieces. Nor can Protagoras himself maintain that one 
man is as good as another in his knowledge of the future; and 'the    
    
		
	
	
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