form, 
including any form resulting from conversion by word pro- cessing or 
hypertext software, but only so long as *EITHER*: 
[*] The etext, when displayed, is clearly readable, and does *not* 
contain characters other than those intended by the author of the work, 
although tilde (~), asterisk (*) and underline (_) characters may be used 
to convey punctuation intended by the author, and additional characters 
may be used to indicate hypertext links; OR 
[*] The etext may be readily converted by the reader at no expense into 
plain ASCII, EBCDIC or equivalent form by the program that displays 
the etext (as is the case, for instance, with most word processors); OR 
[*] You provide, or agree to also provide on request at no additional 
cost, fee or expense, a copy of the etext in its original plain ASCII form 
(or in EBCDIC or other equivalent proprietary form). 
[2] Honor the etext refund and replacement provisions of this "Small 
Print!" statement. 
[3] Pay a trademark license fee to the Project of 20% of the net profits 
you derive calculated using the method you already use to calculate 
your applicable taxes. If you don't derive profits, no royalty is due. 
Royalties are payable to "Project Gutenberg 
Association/Carnegie-Mellon University" within the 60 days following 
each date you prepare (or were legally required to prepare) your annual 
(or equivalent periodic) tax return. 
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU 
DON'T HAVE TO? 
The Project gratefully accepts contributions in money, time, scanning 
machines, OCR software, public domain etexts, royalty free copyright 
licenses, and every other sort of contribution you can think of. Money 
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University". 
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN 
ETEXTS*Ver.04.29.93*END* 
 
This etext was prepared by Sue Asscher 
 
 
THEAETETUS 
by Plato 
 
Translated by Benjamin Jowett 
 
INTRODUCTION AND ANALYSIS. 
Some dialogues of Plato are of so various a character that their relation 
to the other dialogues cannot be determined with any degree of 
certainty. The Theaetetus, like the Parmenides, has points of similarity 
both with his earlier and his later writings. The perfection of style, the 
humour, the dramatic interest, the complexity of structure, the fertility 
of illustration, the shifting of the points of view, are characteristic of his 
best period of authorship. The vain search, the negative conclusion, the 
figure of the midwives, the constant profession of ignorance on the part 
of Socrates, also bear the stamp of the early dialogues, in which the 
original Socrates is not yet Platonized. Had we no other indications, we 
should be disposed to range the Theaetetus with the Apology and the 
Phaedrus, and perhaps even with the Protagoras and the Laches. 
But when we pass from the style to an examination of the subject, we 
trace a connection with the later rather than with the earlier dialogues. 
In the first place there is the connexion, indicated by Plato himself at 
the end of the dialogue, with the Sophist, to which in many respects the 
Theaetetus is so little akin. (1) The same persons reappear, including 
the younger Socrates, whose name is just mentioned in the Theaetetus; 
(2) the theory of rest, which Socrates has declined to consider, is 
resumed by the Eleatic Stranger; (3) there is a similar allusion in both 
dialogues to the meeting of Parmenides and Socrates (Theaet., Soph.); 
and (4) the inquiry into not- being in the Sophist supplements the 
question of false opinion which is raised in the Theaetetus. (Compare
also Theaet. and Soph. for parallel turns of thought.) Secondly, the later 
date of the dialogue is confirmed by the absence of the doctrine of 
recollection and of any doctrine of ideas except that which derives them 
from generalization and from reflection of the mind upon itself. The 
general character of the Theaetetus is dialectical, and there are traces of 
the same Megarian influences which appear in the Parmenides, and 
which later writers, in their matter of fact way, have explained by the 
residence of Plato at Megara. Socrates disclaims the character of a 
professional eristic, and also, with a sort of ironical admiration, 
expresses his inability to attain the Megarian precision in the use of 
terms. Yet he too employs a similar sophistical skill in overturning 
every conceivable theory of knowledge. 
The direct indications of a date amount to no more than this: the 
conversation is said to have taken place when Theaetetus was a youth, 
and shortly before the death of Socrates. At the time of his own death 
he is supposed to be a full-grown man. Allowing nine or ten years for 
the interval between youth and manhood, the dialogue could not have 
been written earlier than 390, when Plato was about thirty-nine years of 
age. No more definite date is indicated by the engagement in