The Works of William Hogarth: 
In a Series
by John Trusler 
 
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Series 
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Title: The Works of William Hogarth: In a Series of Engravings With 
Descriptions, and a Comment on Their Moral Tendency 
Author: John Trusler 
Contributor: John Hogarth John Nichols 
Engraver: William Hogarth 
Release Date: September 4, 2007 [EBook #22500] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK WORKS OF 
WILLIAM HOGARTH ***
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[Illustration: WILLIAM HOGARTH.] 
 
THE WORKS OF WILLIAM HOGARTH; 
IN A SERIES OF ENGRAVINGS: WITH DESCRIPTIONS, AND A 
COMMENT ON THEIR MORAL TENDENCY, 
BY THE REV. JOHN TRUSLER. 
TO WHICH ARE ADDED, ANECDOTES OF THE AUTHOR AND 
HIS WORKS, BY J. HOGARTH AND J. NICHOLS. 
London: PUBLISHED BY JONES AND CO. TEMPLE OF THE 
MUSES, (LATE LACKINGTON'S,) FINSBURY SQUARE. 
1833. 
C. BAYNES, PRINTER, 13 DUKE STREET, LINCOLN'S INN 
FIELDS. 
 
THE LIFE OF HOGARTH. 
William Hogarth is said to have been the descendant of a family 
originally from Kirby Thore, in Westmorland. 
His grandfather was a plain yeoman, who possessed a small tenement 
in the vale of Bampton, a village about fifteen miles north of Kendal, in 
that county; and had three sons.
The eldest assisted his father in farming, and succeeded to his little 
freehold. 
The second settled in Troutbeck, a village eight miles north west of 
Kendal, and was remarkable for his talent at provincial poetry. 
Richard Hogarth, the third son, who was educated at St. Bees, and had 
kept a school in the same county, appears to have been a man of some 
learning. He came early to London, where he resumed his original 
occupation of a schoolmaster, in Ship-court in the Old Bailey, and was 
occasionally employed as a corrector of the press. 
Mr. Richard Hogarth married in London; and our artist, and his sisters, 
Mary and Anne, are believed to have been the only product of the 
marriage. 
William Hogarth was born November 10, and baptised Nov. 28, 1697, 
in the parish of St. Bartholomew the Great, in London; to which parish, 
it is said, in the Biographia Britannica, he was afterwards a benefactor. 
The school of Hogarth's father, in 1712, was in the parish of St. Martin, 
Ludgate. In the register of that parish, therefore, the date of his death, it 
was natural to suppose, might be found; but the register has been 
searched to no purpose. 
Hogarth seems to have received no other education than that of a 
mechanic, and his outset in life was unpropitious. Young Hogarth was 
bound apprentice to a silversmith (whose name was Gamble) of some 
eminence; by whom he was confined to that branch of the trade, which 
consists in engraving arms and cyphers upon the plate. While thus 
employed, he gradually acquired some knowledge of drawing; and, 
before his apprenticeship expired, he exhibited talent for caricature. 
"He felt the impulse of genius, and that it directed him to painting, 
though little apprised at that time of the mode Nature had intended he 
should pursue." 
The following circumstance gave the first indication of the talents with 
which Hogarth afterwards proved himself to be so liberally endowed.
During his apprenticeship, he set out one Sunday, with two or three 
companions, on an excursion to Highgate. The weather being hot, they 
went into a public-house; where they had not long been, before a 
quarrel arose between some persons in the same room; from words they 
soon got to blows, and the quart pots being the only missiles at hand, 
were sent flying about the room in glorious confusion. This was a scene 
too laughable for Hogarth to resist. He drew out his pencil, and 
produced on the spot one of the most ludicrous pieces that ever was 
seen; which exhibited likenesses not only of the combatants engaged in 
the affray, but also of the persons gathered round them, placed in 
grotesque attitudes, and heightened with character and points of 
humour. 
On the expiration of his apprenticeship, he entered into the academy in 
St. Martin's Lane, and studied drawing from the life: but in this his 
proficiency was inconsiderable; nor would he ever have surpassed 
mediocrity as a painter, if he had not penetrated through external form 
to character and manners. "It was character, passions, the soul, that his 
genius was given him to    
    
		
	
	
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