Voice of the Machines, by Gerald 
Stanley Lee 
 
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Title: The Voice of the Machines An Introduction to the Twentieth 
Century 
Author: Gerald Stanley Lee 
Release Date: January 15, 2007 [EBook #20361] 
Language: English 
Character set encoding: ISO-8859-1 
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VOICE OF THE MACHINES *** 
 
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The Voice of the Machines 
An Introduction to the Twentieth Century
BY 
Gerald Stanley Lee 
The Mount Tom Press Northampton, Massachusetts 
 
COPYRIGHT, 1906 BY THE MOUNT TOM PRESS 
 
TO JENNETTE LEE 
... "Now and then my fancy caught A flying glimpse of a good life 
beyond-- Something of ships and sunlight, streets and singing, Troy 
falling, and the ages coming back, And ages coming forward."... 
 
Contents 
 
PART I 
THE MEN BEHIND THE MACHINES 
I.--Machines as Seen from a Meadow II.--As Seen through a Hatchway 
III.--The Souls of Machines IV.--Poets V.--Gentlemen VI.--Prophets 
 
PART II 
THE LANGUAGE OF THE MACHINES 
I.--As Good as Ours II.--On Being Busy and Still III.--On Not Showing 
Off IV.--On Making People Proud of the World V.--A Modest
Universe 
 
PART III 
THE MACHINES AS POETS 
I.--Plato and the General Electric Works II.--Hewing away on the 
Heavens and the Earth III.--The Grudge against the Infinite 
IV.--Symbolism in Modern Art V.--The Machines as Artists VI.--The 
Machines as Philosophers 
 
PART IV 
THE IDEAS BEHIND THE MACHINES 
I.--The Idea of Incarnation II.--The Idea of Size III.--The Idea of 
Liberty IV.--The Idea of Immortality V.--The Idea of God VI.--The 
Idea of the Unseen and the Intangible VII.--The Idea of Great Men 
VIII.--The Idea of Love and Comradeship 
 
PART ONE 
THE MEN BEHIND THE MACHINES 
 
I 
MACHINES. AS SEEN FROM A MEADOW 
It would be difficult to find anything in the encyclopedia that would 
justify the claim that we are about to make, or anything in the 
dictionary. Even a poem--which is supposed to prove anything with a
little of nothing--could hardly be found to prove it; but in this 
beginning hour of the twentieth century there are not a few of us--for 
the time at least allowed to exist upon the earth--who are obliged to say 
(with Luther), "Though every tile on the roundhouse be a devil, we 
cannot say otherwise--the locomotive is beautiful." 
As seen when one is looking at it as it is, and is not merely using it. 
As seen from a meadow. 
We had never thought to fall so low as this, or that the time would 
come when we would feel moved--all but compelled, in fact--to betray 
to a cold and discriminating world our poor, pitiful, one-adjective state. 
We do not know why a locomotive is beautiful. We are perfectly aware 
that it ought not to be. We have all but been ashamed of it for being 
beautiful--and of ourselves. We have attempted all possible words upon 
it--the most complimentary and worthy ones we know--words with the 
finer resonance in them, and the air of discrimination the soul loves. 
We cannot but say that several of these words from time to time have 
seemed almost satisfactory to our ears. They seem satisfactory also for 
general use in talking with people, and for introducing locomotives in 
conversation; but the next time we see a locomotive coming down the 
track, there is no help for us. We quail before the headlight of it. The 
thunder of its voice is as the voice of the hurrying people. Our little row 
of adjectives is vanished. All adjectives are vanished. They are as one. 
Unless the word "beautiful" is big enough to make room for a glorious, 
imperious, world-possessing, world-commanding beauty like this, we 
are no longer its disciples. It is become a play word. It lags behind truth. 
Let it be shut in with its rim of hills--the word beautiful--its show of 
sunsets and its bouquets and its doilies and its songs of birds. We are 
seekers for a new word. It is the first hour of the twentieth century. If 
the hill be beautiful, so is the locomotive that conquers a hill. So is the 
telephone, piercing a thousand sunsets north to south, with the sound of 
a voice. The night is not more beautiful, hanging its shadow over the 
city, than the electric spark pushing the night one side, that the city may 
behold itself; and the hour is at hand--is even now upon us--when not
the sun itself shall be    
    
		
	
	
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