... that the tenuity of a defecated air at a proper 
distance from the surface of the earth accelerates the fancy, and sets at 
liberty those intellectual powers which were before shackled by too 
strong attraction, and unable to expand themselves under the pressure 
of a gross atmosphere. I have found dullness to quicken into sentiment 
in a thin ether, as water, though not very hot, boils in a receiver partly 
exhausted; and heads, in appearance empty, have teemed with notions 
upon rising ground, as the flaccid sides of a football would have 
swelled out into stiffness and extension. 
This is one side of his genius; but another, and profounder, appears in 
the eloquent simplicity of such a passage as the following, against our 
fears of lessening ourselves in the eyes of others: 
The most useful medicines are often unpleasing to the taste. Those who 
are oppressed by their own reputation will, perhaps, not be comforted 
by hearing that their cares are unnecessary. But the truth is that no man 
is much regarded by the rest of the world. He that considers how little 
he dwells upon the condition of others, will learn how little the 
attention of others is attracted to himself. While we see multitudes 
passing before us, of whom, perhaps, not one appears to deserve our 
notice, or excite our sympathy, we should remember that we likewise 
are lost in the same throng; that the eye which happens to glance upon 
us is turned in a moment on him that follows us, and that the utmost 
which we can reasonably hope or fear is, to fill a vacant hour with 
prattle, and be forgotten. 
When we approach Johnson's poetry, the revolution of taste becomes a 
more acute consideration. It seems very nearly impossible to compare 
or contrast eighteenth-century poetry and that of the twentieth without 
wilfully tipping the scales in one direction or the other, judgment in this 
area being so much influenced by preference. But let us begin with
titles. For a start, let us take, from a recent Pulitzer Prize-winner: "The 
Day's No Rounder Than Its Angles Are", and "Don't Look Now But 
Mary Is Everybody"; from another distinguished current volume, these: 
"The Trance", "Lost", "Meeting"; from another, "After This, Sea", 
"Lineman Calling", "Meaning Motion"; and from a fourth, "Terror", 
"Picnic Remembered", "Eidolon", and "Monologue at Midnight". Here 
are individual assertions, suggestive of individual ways of looking at 
things; here are headings that signalize particular events in the authors' 
experience,--moments' monuments. Beside them, Johnson's title, "The 
Vanity of Human Wishes", looks very dogged and downright. 
Titles are not poems but they have a barometric function. The modern 
titles cited above are evocative of a world with which, for the past 
century and a half, we have been growing increasingly familiar. This 
air we are accustomed to breathe: it requires no unusual effort of 
adjustment from us. We readily understand that we are being invited to 
participate in a private experience and, by sharing it, to help in giving it 
as much universality as may be. It is by no means easy for readers of 
to-day to reverse the process, to start with the general and find in it 
their personal account. We are more likely to feel a resentment, or at 
least a prejudice, against the writer who solicits our attention to a topic 
without even the pretense of novelty. 
Johnson's generation would have found it equally hard to see the matter 
from our point of view, or to allow that the authors of the poems named 
above were being less than impudent or at best flippant in thus brazenly 
obtruding their private experience, undisguised, before the reader. We 
ought, moreover, to realize that in this judgment they would have the 
suffrages of all previous generations, including the greatest writers, 
from classical times down to their own. It is we who are singular, not 
they. Quite apart from considerations of moral right or wrong, of 
artistic good or bad, it obviously, therefore, behooves us to try to 
cultivate a habit of mind free from initial bias against so large a 
proportion of recorded testimony. 
Very early in The Rambler Johnson remarks characteristically that 
"men more frequently require to be reminded than informed." He
believed this, and his generation believed it, because they thought that 
human nature changed little from age to age. The problems of conduct 
that confront the living individual have been faced countless times by 
his predecessors, and the accumulated experience of mankind has 
arrived at conclusions which in the main are just and therefore helpful 
to-day. The most important truths are those which have been known for 
a very long time. For that very reason they tend to be ignored or 
slighted unless they are restated in such a way as to arrest attention    
    
		
	
	
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