as well as I do, and when she has given you the particulars, 
then I am at your service, to condescend more articulately upon dates or 
particulars." 
Well, here was I, a gay old bachelor, left to hear a love tale from my 
young friend Katie Fairscribe, who, when she is not surrounded by a 
bevy of gallants, at which time, to my thinking, she shows less to 
advantage, is as pretty, well-behaved, and unaffected a girl as you see 
tripping the new walks of Prince's Street or Heriot Row. Old 
bachelorship so decided as mine has its privileges in such a tete-a-tete, 
providing you are, or can seem for the time, perfectly good-humoured 
and attentive, and do not ape the manners of your younger years, in 
attempting which you will only make yourself ridiculous. I don't 
pretend to be so indifferent to the company of a pretty young woman as 
was desired by the poet, who wished to sit beside his mistress-- 
--"As unconcern'd as when Her infant beauty could beget Nor 
happiness nor pain." 
On the contrary, I can look on beauty and innocence, as something of 
which I know and esteem the value, without the desire or hope to make 
them my own. A young lady can afford to talk with an old stager like 
me without either artifice or affectation; and we may maintain a species 
of friendship, the more tender, perhaps, because we are of different 
sexes, yet with which that distinction has very little to do. 
Now, I hear my wisest and most critical neighbour remark, "Mr. 
Croftangry is in the way of doing a foolish thing, He is well to 
pass--Old Fairscribe knows to a penny what he is worth, and Miss 
Katie, with all her airs, may like the old brass that buys the new pan. I 
thought Mr. Croftangry was looking very cadgy when he came in to 
play a rubber with us last night. Poor gentleman, I am sure I should be 
sorry to see him make a fool of himself." 
Spare your compassion, dear madam, there is not the least danger. The 
beaux yeux de ma casette are not brilliant enough to make amends for 
the spectacles which must supply the dimness of my own. I am a little 
deaf, too, as you know to your sorrow when we are partners; and if I
could get a nymph to marry me with all these imperfections, who the 
deuce would marry Janet McEvoy? and from Janet McEvoy Chrystal 
Croftangry will not part. 
Miss Katie Fairscribe gave me the tale of Menie Gray with much taste 
and simplicity, not attempting to suppress the feelings, whether of grief 
or resentment, which justly and naturally arose from the circumstances 
of the tale. Her father afterwards confirmed the principal outlines of the 
story, and furnished me with some additional circumstances, which 
Miss Katie had suppressed or forgotten. Indeed, I have learned on this 
occasion, what old Lintot meant when he told Pope, that he used to 
propitiate the critics of importance, when he had a work in the press, by 
now and then letting them see a sheet of the blotted proof, or a few 
leaves of the original manuscript. Our mystery of authorship has 
something about it so fascinating, that if you admit any one, however 
little he may previously have been disposed to such studies, into your 
confidence, you will find that he considers himself as a party interested, 
and, if success follows, will think himself entitled to no inconsiderable 
share of the praise. 
The reader has seen that no one could have been naturally less 
interested than was my excellent friend Fairscribe in my lucubrations, 
when I first consulted him on the subject; but since he has contributed a 
subject to the work, he has become a most zealous coadjutor; and 
half-ashamed, I believe, yet half-proud of the literary stock-company, 
in which he has got a share, he never meets me without jogging my 
elbow, and dropping some mysterious hints, as, "I am saying--when 
will you give us any more of yon?"--or, "Yon's not a bad narrative--I 
like yon." 
Pray Heaven the reader may be of his opinion. 
 
THE SURGEON'S DAUGHTER. 
CHAPTER THE
FIRST. 
When fainting Nature call'd for aid, And hovering Death prepared the 
blow, His vigorous remedy display'd The power of art without the show; 
In Misery's darkest caverns known, His useful care was ever nigh, 
Where hopeless Anguish pour'd his groan, And lonely Want retired to 
die; No summons mock'd by cold delay, No petty gains disclaim'd by 
pride, The modest wants of every day The toil of every day supplied. 
SAMUEL JOHNSON. 
The exquisitely beautiful portrait which the Rambler has painted of his 
friend Levett, well describes Gideon Gray, and many other village 
doctors, from whom Scotland reaps    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
