The Substance of a Dream | Page 4

in
the roar of her breakers and the silence of her snows, the gloom of her
thunder and the spirit of her hills, the blue of her distance and the tints

of her autumns, the glory of her blossom and the dignity of her decay,
her heights and her abysses, her fury and her peace--why is it, that as
we gaze insatiably at these never ending miracles, we are haunted by so
unaccountable a sadness, which is not in the things themselves, for
Nature never mourns, but in some element that we ourselves import?
For if the Soul be only Nature's mirror, her looking-glass, whence the
melancholy? It is because beneath our surface consciousness, far away
down below, in the dark organic depths that underlie it, we feel without
clearly understanding that, as the Hindoos put it, we have missed the
fruit of our existence, owing to our never having found our other half.
For every one of us, so far from being a self-sufficient whole, an
independent unity, is incomplete, requiring for its metaphysical
satisfaction, its complement, apart from which it never can attain that
peace which passeth all understanding, for which it longs obscurely,
and must ever be uneasy, till it finds it. For just as no misfortunes
whatever can avail to mar the bliss of the man who has beside him the
absolute sympathy of his feminine ideal, so on the other hand no
worldly success of any kind can compensate for its absence. All
particular causes of happiness or misery are swallowed up and sink into
insignificance and nullity compared with this: this present, they
disappear: this absent, each alone is sufficient to wreck the soul,
fluttering about without rudder or ballast on the waves of the world.
Duality is the root, out of which alone, for mortals, happiness can
spring. And the old Hindoo mythology, which is far deeper in its
simplicity than the later idealistic pessimism, expresses this beautifully
by giving to every god his other half; the supreme instance of which
dualism is the divine Pair, the Moony-crested god and his inseparable
other half, the Daughter of the Snow: so organically symbolised that
they coalesce indistinguishably into one: the Arddanárí, the Being half
Male half Female, He whose left half is his wife. That is the true ideal:
cut in two, and destroyed, by the dismal inhuman monotheism of later
sophistical speculation.
* * * * *
It was long before I understood this: the solution came to me suddenly,
of its own accord, as all profound solutions always come, apparently by

accident: like a "fluke" in a game of skill, where often unskilfulness
unintentionally does something that could not be achieved by any
degree of skill whatever, short of the divine.[1] And the two things that
combined to produce my spark of illumination were, as it so fell out,
the two things that mean most to me, a sunset and a child. The child
was looking at the sunset, and I was looking at the child. Some readers
of these stories have been introduced to her before, and will be obliged
to me for renewing the acquaintance, as they would be to the postman
who brought them news of an old friend.
The sunset was like every other sunset, the garment of a dying deity,
and a gift of god: but it had a special peculiarity of its own, and it was
this strange peculiarity that arrested the attention of the child. For
children are little animals, terram spectantia, taking sunsets and other
commonplaces such as mother, father, home, furniture and carpets,
generally for granted, being as a rule absorbed in the great things of life,
that is, play. This child was very diligently blowing bubbles,
occasionally turning aside up a by-path to make a bubble-pudding in
the soap-dish: the ruckling noise of this operation possessing some
magical fascination for all childhood. And in the meanwhile, yellow
dusk was gradually deepening in the quiet air. Presently the tired sun
sank like a weight, red-hot, burning his way down through filmy layers
of Indian ink. The day had been rainy, but the clouds had all dissolved
imperceptibly away into a broken chain of veils of mist, which looked
with the sun behind them like dropping showers of liquid gold, or
copper-coloured waterfalls: while underneath or through them the lines
of low blue hills showed now half obscured, now clear and sharp in
outline as if cut with scissors out of paper and stuck upon the amber
background of the sky. And then came the miracle. Right across the
horizon, a little higher than the sun, a long thin bar of cloud suddenly
changed colour, becoming rich dark purple, and all along its jagged
upper edge the light shot out in one continuous sheet of bright