The Story of the Hymns and 
Tunes 
 
The Project Gutenberg eBook, The Story of the Hymns and Tunes, by 
Theron Brown and Hezekiah Butterworth 
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Title: The Story of the Hymns and Tunes 
Author: Theron Brown and Hezekiah Butterworth 
 
Release Date: May 24, 2006 [eBook #18444] 
Language: English 
Character set encoding: ISO-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK THE STORY 
OF THE HYMNS AND TUNES*** 
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THE STORY OF THE HYMNS AND TUNES 
by 
THERON BROWN and HEZEKIAH BUTTERWORTH 
 
Multae terricolis linguae, coelestibus una. 
Ten thousand, thousand are their tongues, But all their joys are one. 
 
New York, 1906 
 
[Frontispiece: Thomas Ken] 
 
CONTENTS. 
PREFACE, v 
INTRODUCTION, ix 
1. HYMNS OF PRAISE AND WORSHIP, 1 
2. SOME HYMNS OF GREAT WITNESSES, 53 
3. HYMNS OF CHRISTIAN DEVOTION AND EXPERIENCE, 100 
4. MISSIONARY HYMNS, 165
5. HYMNS OF SUFFERING AND TRUST, 190 
6. CHRISTIAN BALLADS, 237 
7. OLD REVIVAL HYMNS, 262 
8. SUNDAY SCHOOL HYMNS, 293 
9. PATRIOTIC HYMNS, 321 
10. SAILOR'S HYMNS, 353 
11. HYMNS OF WALES, 378 
12. FIELD HYMNS, 409 
13. HYMNS, FESTIVAL AND OCCASIONAL, 458 
14. HYMNS OF HOPE AND CONSOLATION, 509 
INDEXES OF NAMES, TUNES, AND HYMNS, 543 
LIST OF PORTRAITS. 
THOMAS KEN, Frontispiece OLIVER HOLDEN, Opp. page 14 
JOSEPH HAYDN, " 30 CHARLES WESLEY, " 46 MARTIN 
LUTHER, " 62 LADY HUNTINGDON, " 94 AUGUSTUS 
MONTAGUE TOPLADY, " 126 THOMAS HASTINGS, " 142 
FRANCES RIDLEY HAVERGAL, " 158 REGINALD HEBER, " 174 
GEORGE JAMES WEBB, " 190 JOHN WESLEY, " 206 JOHN B. 
DYKES, " 222 ELLEN M.H. GATES, " 254 JAMES 
MONTGOMERY, " 286 FANNY J. CROSBY, " 302 SAMUEL F. 
SMITH, " 334 WILLIAM B. BRADBURY, " 366 ISAAC WATTS, " 
398 GEORGE FREDERICK HANDEL, " 414 PHILIP DODDRIDGE, 
" 446 LOWELL MASON, " 478 CARL VON WEBER, " 494 
HORATIUS BONAR, " 526
PREFACE. 
When the lapse of time and accumulation of fresh material suggested 
the need of a new and revised edition of Mr. Hezekiah Butterworth's 
Story of the Hymns, which had been a popular text book on that subject 
for nearly a generation, the publishers requested him to prepare such a 
work, reviewing the whole field of hymnology and its literature down 
to date. He undertook the task, but left it unfinished at his lamented 
death, committing the manuscript to me in his last hours to arrange and 
complete. 
To do this proved a labor of considerable magnitude, since what had 
been done showed evidence of the late author's failing strength, and 
when, in a conference with the publishers, it was proposed to combine 
the two books of Mr. Butterworth, the Story of the Hymns and the Story 
of the Tunes, in one volume, the task was doubled. 
The charming popular style and story-telling gift of the well-known 
compiler of these books had kept them in demand, the one for thirty 
and the other for fifteen years, but later information had discounted 
some of their historic and biographical matter, and, while many of the 
monographs were too meagre, others were unduly long. Besides, the 
Story of the Tunes, so far from being the counterpart of the Story of the 
Hymns, bore no special relationship to it, only a small portion of its 
selections answering to any in the hymn-list of the latter book. For a 
personal friend and practically unknown writer, to follow Mr. 
Butterworth, and "improve" his earlier work to the more modern 
conditions, was a venture of no little difficulty and delicacy. The result 
is submitted as simply a conscientious effort to give the best of the old 
with the new. 
So far as was possible, matter from the two previous books, and from 
the crude manuscript, has been used, and passages here and there 
transcribed, but so much of independent plan and original research has 
been necessary in arranging and verifying the substance of the chapters 
that the Story of the Hymns and Tunes is in fact a new volume rather 
than a continuation. The chapter containing the account of the Gospel 
Hymns is recent work with scarcely an exception, and the one on the
Hymns of Wales is entirely new. 
Without increasing the size of this volume beyond easy purchase and 
convenient use, it was impossible to discuss the great oratorios and 
dramatic set-pieces, festival and occasional, and only passing 
references are    
    
		
	
	
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