The Story of Rome From the 
Earliest Times to the End of the 
Republic 
 
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Times to the End of the Republic 
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Title: The Story of Rome From the Earliest Times to the End of the 
Republic 
Author: Arthur Gilman
Release Date: September, 2004 [EBook #6427] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on December 11, 
2002] 
Edition: 10 
Language: English 
Character set encoding: ISO Latin-1 
*** START OF THE PROJECT GUTENBERG EBOOK, THE 
STORY OF ROME FROM THE EARLIEST TIMES TO THE END 
OF THE REPUBLIC *** 
 
Anne Soulard, Charles Franks and the Online Distributed Proofreading 
Team. 
 
THE STORY OF ROME FROM THE EARLIEST TIMES TO THE 
END OF THE REPUBLIC 
BY ARTHUR GILMAN, M.A. 
 
PREFACE. 
 
It is proposed to rehearse the lustrous story of Rome, from its 
beginning in the mists of myth and fable down to the mischievous 
times when the republic came to its end, just before the brilliant period 
of the empire opened. 
As one surveys this marvellous vista from the vantage-ground of the 
present, attention is fixed first upon a long succession of well- 
authenticated facts which are shaded off in the dim distance, and finally 
lost in the obscurity of unlettered antiquity. The flesh and blood heroes 
of the more modern times regularly and slowly pass from view, and in 
their places the unsubstantial worthies of dreamy tradition start up. The 
transition is so gradual, however, that it is at times impossible to draw 
the line between history and legend. Fortunately for the purposes of this 
volume it is not always necessary to make the effort. The early
traditions of the Eternal City have so long been recounted as truth that 
the world is slow to give up even the least jot or tittle of them, and 
when they are disproved as fact, they must be told over and over again 
as story. 
Roman history involves a narrative of social and political struggles, the 
importance of which is as wide as modern civilization, and they must 
not be passed over without some attention, though in the present 
volume they cannot be treated with the thoroughness they deserve. The 
story has the advantage of being to a great extent a narrative of the 
exploits of heroes, and the attention can be held almost the whole time 
to the deeds of particular actors who successively occupy the focus or 
play the principal parts on the stage. In this way the element of personal 
interest, which so greatly adds to the charm of a story, may be infused 
into the narrative. 
It is hoped to enter to some degree into the real life of the Roman 
people, to catch the true spirit of their actions, and to indicate the 
current of the national life, while avoiding the presentation of particular 
episodes or periods with undue prominence. It is intended to set down 
the facts in their proper relation to each other as well as to the facts of 
general history, without attempting an incursion into the domain of 
philosophy. 
A.G. 
CAMBRIDGE, September, 1885. 
 
CONTENTS 
 
I. 
ONCE UPON A TIME 
The old king at Troy--Paris, the wayward youth--Helen carried 
off--The war of ten years--Æneas, son of Anchises, goes to Italy--His 
death-- Fact and fiction in early stories--How Milton wrote about early 
England--How Æneas was connected with England--Virgil writes about 
Æneas--How Livy wrote about Æneas--Was Æneas a son of 
Venus?--Italy, as Æneas would have seen it--Greeks in Italy--How 
Evander came from Arcadia--How Æneas died--Thirty cities 
rise--Twins and a she-wolf-- Trojan names in Italy--How the Romans 
named their children and themselves.
II. 
HOW THE SHEPHERDS BEGAN THE CITY 
Augury resorted to--Romulus and Remus on two hills--Vultures 
determine a question--Pales, god of the shepherds--Beginning the 
city--Celer killed--An asylum--Bachelors want wives--A game of 
wife-snatching-- Sabines wish their daughters back--Tarpeia on the 
hill--A    
    
		
	
	
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