1650 there lived on his estate, between CompiŽgne and Pierrefonds, a 
wealthy noble, by name Bernard de Montragoux, whose ancestors had held the most 
important posts in the kingdom. But he dwelt far from the Court, in that peaceful 
obscurity which then veiled all save that on which the king bestowed his glance. His 
castle of Guillettes abounded in valuable furniture, gold and silver ware, tapestry and 
embroideries, which he kept in coffers; not that he hid his treasures for fear of damaging 
them by use; he was, on the contrary, generous and magnificent. But in those days, in the 
country, the nobles willingly led a very simple life, feeding their people at their own table, 
and dancing on Sundays with the girls of the village.
On certain occasions, however, they gave splendid entertainments, which contrasted with 
the dullness of everyday life. So it was necessary that they should hold a good deal of 
handsome furniture and beautiful tapestries in reserve. This was the case with de 
Montragoux. 
His castle, built in the Gothic period, had all its rudeness. From without it looked wild 
and gloomy enough, with the stumps of its great towers, which had been thrown down at 
the time of the monarchy's troubles, in the reign of the late King Louis. Within it offered 
a much pleasanter prospect. The rooms were decorated in the Italian taste, as was the 
great gallery on the ground floor, loaded with embossed decorations in high relief, 
pictures and gilding. 
At one end of this gallery there was a closet usually known as "the little cabinet." This is 
the only name by which Charles Perrault refers to it. It is as well to note that it was also 
called the "Cabinet of the Unfortunate Princesses," because a Florentine painter had 
portrayed on the walls the tragic stories of Dirce, daughter of the Sun, bound by the Sons 
of Antiope to the horns of a bull, Niobe weeping on Mount Sipylus for her children, 
pierced by the divine arrows, and Procris inviting to her bosom the javelin of Cephalus. 
These figures had a look of life about them, and the porphyry tiles with which the floor 
was covered seemed dyed in the blood of these unhappy women. One of the doors of the 
Cabinet gave upon the moat, which had no water in it. 
The stables formed a sumptuous building, situated at some distance from the castle. They 
contained stalls for sixty horses, and coach-houses for twelve gilded coaches. But what 
made Guillettes so bewitching a residence were the woods and canals surrounding it, in 
which one could devote oneself to the pleasures of angling and the chase. 
Many of the dwellers in that country-side knew Monsieur de Montragoux only by the 
name of Bluebeard, for this was the only name that the common people gave him. And in 
truth his beard was blue, but it was blue only because it was black, and it was because it 
was so black that it was blue. Monsieur de Montragoux must not be imagined as having 
the monstrous aspect of the threefold Typhon whom one sees in Athens, laughing in his 
triple indigo-blue beard. We shall get much nearer the reality by comparing the seigneur 
of Guillettes to those actors or priests whose freshly shaven cheeks have a bluish gloss. 
Monsieur de Montragoux did not wear a pointed beard like his grandfather at the Court of 
King Henry II; nor did he wear it like a fan, as did his great-grandfather who was killed at 
the battle of Marignan. Like Monsieur de Turenne, he had only a slight moustache, and a 
chin-tuft; his cheeks had a bluish look; but whatever may have been said of him, this 
good gentleman was by no means disfigured thereby, nor did he inspire any fear on that 
account. He only looked the more virile, and if it made him look a little fierce, it had not 
the effect of making the women dislike him. Bernard de Montragoux was a very fine man, 
tall, broad across the shoulders, moderately stout, and well favoured; albeit of a rustic 
habit; smacking of the woods rather than of drawing-rooms and assemblies. Still, it is true 
that he did not please the ladies as much as he should have pleased them, built as he was, 
and wealthy. Shyness was the reason; shyness, not his beard. Women exercised an 
invincible attraction for him, and at the same time inspired him with an insuperable fear.
He feared them as much as he loved them. This was the origin and initial cause of all his 
misfortunes. Seeing a lady for the first time, he would have died rather than speak to her, 
and. however much attracted he may have been, he stood before her in gloomy silence. 
His feelings    
    
		
	
	
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