Romance of the Milky Way, by 
Lafcadio Hearn 
 
Project Gutenberg's The Romance of the Milky Way, by Lafcadio 
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Title: The Romance of the Milky Way And Other Studies & Stories 
Author: Lafcadio Hearn 
Release Date: March 10, 2005 [EBook #15320] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK THE 
ROMANCE OF THE MILKY WAY *** 
 
Produced by Ted Garvin, William Flis, and the Online Distributed 
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Transcriber's Note: Phonetic characters are represented by the 
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SHORT STORY 
 
THE ROMANCE OF THE MILKY WAY 
AND OTHER STUDIES & STORIES 
BY LAFCADIO HEARN 
HOUGHTON MIFFLIN AND COMPANY BOSTON AND NEW 
YORK 1905 
 
COPYRIGHT 1905 BY HOUGHTON MIFFLIN & COMPANY ALL 
RIGHTS RESERVED 
PUBLISHED OCTOBER 1905 
 
CONTENTS 
THE ROMANCE OF THE MILKY WAY 1 
GOBLIN POETRY 51 
"ULTIMATE QUESTIONS" 103 
THE MIRROR MAIDEN 125 
THE STORY OF IT[=O] NORISUKÉ 139 
STRANGER THAN FICTION 167 
A LETTER FROM JAPAN 179 
 
INTRODUCTION
Lafcadio Hearn, known to Nippon as Yakumo Koizumi, was born in 
Leucadia in the Ionian Islands, June 27, 1850. His father was an Irish 
surgeon in the British Army; his mother was a Greek. Both parents died 
while Hearn was still a child, and he was adopted by a great-aunt, and 
educated for the priesthood. To this training he owed his Latin 
scholarship and, doubtless, something of the subtlety of his intelligence. 
He soon found, however, that the prospect of an ecclesiastical career 
was alien from his inquiring mind and vivid temperament, and at the 
age of nineteen he came to America to seek his fortune. After working 
for a time as a proof-reader, he obtained employment as a newspaper 
reporter in Cincinnati. Soon he rose to be an editorial writer, and went 
in the course of a few years to New Orleans to join the editorial staff of 
the "Times-Democrat." Here he lived until 1887, writing odd fantasies 
and arabesques for his paper, contributing articles and sketches to the 
magazines, and publishing several curious little books, among them his 
"Stray Leaves from Strange Literature," and his translations from 
Gautier. In the winter of 1887 he began his pilgrimages to exotic 
countries, being, as he wrote to a friend, "a small literary bee in search 
of inspiring honey." After a couple of years, spent chiefly in the French 
West Indies, with periods of literary work in New York, he went in 
1890 to Japan to prepare a series of articles for a magazine. Here 
through some deep affinity of mood with the marvelous people of that 
country he seems suddenly to have felt himself at last at home. He 
married a Japanese woman; he acquired Japanese citizenship in order to 
preserve the succession of his property to his family there; he became a 
lecturer in the Imperial University at T[=o]ky[=o]; and in a series of 
remarkable books he made himself the interpreter to the Western World 
of the very spirit of Japanese life and art. He died there of paralysis of 
the heart on the 26th of September, 1904. 
* * * * * 
With the exception of a body of familiar letters now in process of 
collection, the present volume contains all of Hearn's writing that he 
left uncollected in the magazines or in manuscript of a sufficient 
ripeness for publication. It is worth noting, however, that perfect as is 
the writing of "Ultimate Questions," and complete as the essay is in
itself, the author regarded it as unfinished, and, had he lived, would 
have revised and amplified some portions of it. 
But if this volume lacks the incomparably exquisite touch of its author 
in its arrangement and revision, it does, nevertheless, present him in all 
of his most characteristic veins, and it is in respect both to style and to 
substance perhaps the most mature and significant of his works. 
In his first days as a writer Hearn had conceived an ideal of his art as 
specific as it was ambitious. Early in the eighties he wrote from New 
Orleans in an unpublished letter to the Rev. Wayland D. Ball of 
Washington: "The lovers of antique loveliness are proving to me the 
future possibilities of a long cherished dream,--the English realization 
of a Latin style, modeled upon foreign masters, and rendered even more 
forcible by that element of strength which is the characteristic of 
Northern tongues. This no man can hope to accomplish, but even a 
translator may carry his stones to the master-masons of a new    
    
		
	
	
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