yellow on the neck and 
upper arms; those of the Earth, black, with some bits of color. This 
done, the Sä-lä-m[=o]-b[=i]-ya of the North passes through the village 
and, going for a short distance to the north, deposits a plume stick, the 
stick to which the plumes are attached being painted yellow. The 
Sä-lä-m[=o]-b[=i]-ya of the West, South, and East plant their plumes at 
their respective cardinal points. Those for the zenith and nadir are 
planted to the west, on the road to the spirit lake, the stick of each one 
having the cardinal color decorations. This done, all retire to their 
kivas. 
The Sä-lä-m[=o]-b[=i]-ya of the North, returning to his kiva, drinks the 
medicine water prepared by the priest of the great fire order 
(M[=a]-[t]ke-hl[=a]n-[=a] [=a]-que), who, with some of his people, is 
now busy in the preparation of a sand altar. The Sä-lä-m[=o]-b[=i]-ya 
again emerge from the kivas, with long bunches of Spanish bayonet in 
their hands, in the ends of which grains of corn of the respective colors 
are placed and wrapped with shreds of the bayonet. Any man or youth 
desiring to raise yellow corn appeals to the Sä-lä-m[=o]-b[=i]-ya of the 
North, who strikes him a severe blow with his bunch of bayonets. 
Similar appeals are made to those representing other colors. The sand 
altar is made in the Kiva of the North. It is first laid in the ordinary 
yellowish sand, in the center of which the bowl of medicine water is
placed. Over the yellow sand a ground of white sand is sprinkled. All 
the Sä-lä-m[=o]-b[=i]-ya and their brothers are represented on the altar 
(Plate XXII). The altar is circular in form and some twelve feet in 
diameter. The K[=o]-l[=o]-oo-w[)i]t-si encircles the whole. 
Throughout the day the K[=o]k-k[=o] are running around the village 
whipping such of the people as appeal to them for a rich harvest, while 
the curious performances of the K[=o]-y[=e]-m[=e]-shi carry one back 
to the primitive drama. 
[Plate XXII: ZUÑI SAND ALTAR IN KIVA OF THE NORTH.] 
Toward evening the ceremony for initiating the children begins. The 
priest of the Sun, entering the sacred plaza (or square), sprinkles a 
broad line of sacred meal from the southeast entrance across the south 
side, thence along the western side to the Kiva of the North, and up the 
ladderway to the entrance (which is always in the roof), and then 
passing over the housetops he goes to the Kiva of the Earth and 
sprinkles the meal upon the K[=o]-l[=o]-oo-w[)i]t-si. He then precedes 
the K[=o]k-k[=o] to the plaza and deposits a small quantity of yellow 
meal on the white line of meal near the eastern entrance. By this spot 
the Sä-lä-m[=o]-b[=i]-ya of the North stands, south of the line of meal. 
The priest, continuing in advance, deposits a quantity of blue meal on 
the line a short distance from the yellow, which indicates the position 
for the Sä-lä-m[=o]-b[=i]-ya of the West. In like manner he indicates 
the position of the respective Sä-lä-m[=o]-b[=i]-ya with red meal for 
the South, white for the East, meal of all colors for the Heavens, and 
black meal for the Earth. The remainder of the K[=o]k-k[=o] take their 
positions successively along the line of meal. The 
K[=o]-y[=e]-m[=e]-shi group in the plaza. The godfathers then pass 
along the line of meal, each one holding his godchild on his back by a 
blanket, which he draws tightly around him. In olden times tanned 
robes of the buffalo were used for this purpose. As he passes the line of 
K[=o]k-k[=o] each one strikes the child with his large bunch of Spanish 
bayonets. While the Indian from almost infancy looks upon any 
exhibition of feeling when undergoing physical suffering as most 
cowardly and unmanly, the severity of the pain inflicted by the yucca
switches in this ceremony is at times such as to force tears from the 
eyes of the little ones, but a boy over the age of five or six rarely 
flinches under this ordeal. After passing the line the godparent enters 
the Kiva of the North, where he is met by a priest of the great fire order, 
who asks, "Who is your K[=o]k-k[=o]?" When the godfather replies, he 
is directed to select his boy's plume. The plumes which ornament the 
heads of the figures have been previously wrapped in corn husks and 
carried to the priest by the respective godfathers. The godfather 
attaches the feather, which is a soft, downy feather of the eagle, to the 
scalp-lock of the child. The godparent is then given a drink of the holy 
water, which is dipped from the bowl by the medicine man with a shell 
attached to a long reed. The child also drinks and repeats a prayer after 
his sponsor. They then leave the kiva, and, taking a position on the 
north    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.