The Quest 
 
The Project Gutenberg EBook of The Quest, by Pio Baroja #2 in our 
series by Pio Baroja 
Copyright laws are changing all over the world. Be sure to check the 
copyright laws for your country before downloading or redistributing 
this or any other Project Gutenberg eBook. 
This header should be the first thing seen when viewing this Project 
Gutenberg file. Please do not remove it. Do not change or edit the 
header without written permission. 
Please read the "legal small print," and other information about the 
eBook and Project Gutenberg at the bottom of this file. Included is 
important information about your specific rights and restrictions in how 
the file may be used. You can also find out about how to make a 
donation to Project Gutenberg, and how to get involved. 
**Welcome To The World of Free Plain Vanilla Electronic Texts** 
**eBooks Readable By Both Humans and By Computers, Since 
1971** 
*****These eBooks Were Prepared By Thousands of 
Volunteers!***** 
Title: The Quest 
Author: Pio Baroja 
Release Date: July, 2005 [EBook #8496] [Yes, we are more than one 
year ahead of schedule] [This file was first posted on July 16, 2003] 
Edition: 10
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THE PROJECT GUTENBERG EBOOK THE QUEST 
*** 
 
Produced by Eric Eldred, Cam, and the Online Distributed 
Proofreading Team 
 
THE QUEST 
BY PÍO BAROJA 
TRANSLATED FROM THE SPANISH By ISAAC GOLDBERG 
 
CONTENTS 
PART ONE 
I Preamble--Somewhat Immoral Notions of a Boarding-House 
Keeper--A Balcony is Heard Closing--A Cricket Chirps 
II Doña Casiana's House--A Morning Ceremony--Conspiracy--Wherein 
is Discussed The Nutritive Value of Bones--Petra and Her 
Family--Manuel; his Arrival in Madrid 
III First Impressions of Madrid--The Boarders--Idyll--Sweet and 
Delightful Lessons 
IV Oh, Love, Love!--What's Don Telmo Doing?--Who is Don 
Telmo?--Wherein the Student and Don Telmo Assume Certain 
Novelesque Proportions 
PART TWO 
I "The Regeneration of Footgear" and "The Lion of the Bootmaker's 
Art"--The First Sunday--An Escapade--El Bizco and his Gang 
II The "Big Yard" or Uncle Rilo's House--Local Enmities 
III Roberto Hastings at the Shoemaker's--The Procession of 
Beggars--Court of Miracles 
IV Life in the Cobbler's Shop--Manuel's Friends 
V La Blasa's Tavern 
VI Roberto in Quest of a Woman--El Tabuenca and his 
Inventions--Don Alonso or the Snake-Man
VII The Kermesse on Pasión Street--"The Dude"--A Café Chantant 
VIII Leandro's Irresolution--In La Blasa's Tavern--The Man with the 
Three Cards--The Duel with Valencia IX An Unlikely Tale--Manuel's 
Sisters--Life's Baffling Problems 
PART THREE 
I Uncle Patas' Domestic Drama--The Bakery--Karl the Baker--The 
Society of the Three 
II One of the Many Disagreeable Ways of Dying in Madrid--The 
Orphan--El Cojo and his Cave--Night in the Observatory 
III Meeting with Roberto--Roberto Narrates the Origin of a Fantastic 
Fortune 
IV Dolores the Scandalous--_Pastiri's_ Tricks--Tender Savagery--A 
Modest Out-of-the-way Robbery 
V Gutter Vestals--The Troglodites 
VI Señor Custodio and his Establishment--The Free Life 
VII Señor Custodio's Ideas--_La Justa, el Carnicerín_ and El Conejo 
VIII The Square--A Wedding in La Bombilla--The Asphalt Caldrons 
 
PART ONE 
 
CHAPTER I 
Preamble--Somewhat Immoral Notions of a Boarding-House 
Keeper--A Balcony Is Heard Closing--A Cricket Chirps. 
The clock in the corridor had just struck twelve, in a leisurely, rhythmic, 
decorous manner. It was the habit of that tall old narrow-cased clock to 
accelerate or retard, after its own sweet taste and whim, the uniform 
and monotonous series of hours that encircle our life until it wraps it 
and leaves it, like an infant in its crib, in the obscure bosom of time. 
Soon after this friendly indication of the old clock, uttered in a solemn, 
peaceful voice becoming an aged person, the hour of eleven rang out in 
a shrill, grotesque fashion, with juvenile impertinence, from a petulant 
little clock of the vicinity, and a few minutes later, to add to the 
confusion and the chronometric disorder, the bell of a neighbouring 
church gave a single long, sonorous stroke that quivered for several
seconds in the silent atmosphere. 
Which of the three clocks was correct? Which of those three devices 
for the mensuration of time was the most exact in its indications? 
The author cannot say, and he regrets it. He, regrets it, because Time, 
according to certain solemn philosophers, is the canvas background 
against which we embroider the follies of our existence, and truly it is 
little scientific not to be able to indicate at precisely which moment the 
canvas of this book begins. But the author does not know; all he can 
say is, that at that moment the steeds of night had for an appreciable 
time been coursing across the heavens. It was, then, the hour of mystery; 
the hour when wicked folk stalk abroad; the hour in which the poet 
dreams of immortality, rhyming hijos with prolijos and amor with 
_dolor_; the hour in which the night-walker slinks forth from her lair 
and the gambler enters his; the hour of adventures that    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
