public spirit far outweighed 
his private spleen. Above all things Swift loved liberty, integrity, 
sincerity and justice; and if it be that it was his love for these, rather 
than his love for the country, which inspired him to patriotic efforts, 
who shall say that he does not still deserve well of us. If a patriot be a 
man who nobly teaches a people to become aware of its highest 
functions as a nation, then was Swift a great patriot, and he better 
deserves that title than many who have been accorded it. 
The matter of Wood's Halfpence was a trivial one in itself; but it was 
just that kind of a matter which Swift must instantly have appreciated 
as the happiest for his purpose. It was a matter which appealed to the 
commonest news-boy on the street, and its meaning once made plain, 
the principle which gave vitality to the meaning was ready for 
enunciation and was assured of intelligent acceptance. In writing the 
"Drapier's Letters," he had, to use his own words, seasonably raised a 
spirit among the Irish people, and that spirit he continued to refresh, 
until when he told them in his Fourth Letter, "by the Laws of God, of 
Nature, of Nations, and of your Country, you are, and ought to be, as 
free a people as your brethren in England," the country rose as one man 
to the appeal. Neither the suavities of Carteret nor the intrigues of 
Walpole had any chance against the set opposition which met them. 
The question to be settled was taken away from the consideration of 
ministers, and out of the seclusion of Cabinets into the hands of the 
People, and before the public eye. There was but one way in which it 
could be settled--the way of the people's will--and it went that way. It 
does not at all matter that Walpole finally had his way--that the King's 
mistress pocketed her _douceur_, and that Wood retired satisfied with 
the ample compensation allowed him. What does matter is that, for the 
first time in Irish History, a spirit of national life was breathed into an
almost denationalized people. Beneath the lean and starved ribs of 
death Swift planted a soul; it is for this that Irishmen will ever revere 
his memory. 
In the composition of the "Letters" Swift had set himself a task 
peculiarly fitting to his genius. Those qualities of mind which enabled 
him to enter into the habits of the lives of footmen, servants, and 
lackeys found an even more congenial freedom of play here. His 
knowledge of human nature was so profound that he instinctively 
touched the right keys, playing on the passions of the common people 
with a deftness far surpassing in effect the acquired skill of the mere 
master of oratory. He ordered his arguments and framed their language, 
so that his readers responded with almost passionate enthusiasm to the 
call he made upon them. Allied to his gift of intellectual sympathy with 
his kind was a consummate ability in expression, into which he 
imparted the fullest value of the intended meaning. His thought lost 
nothing in its statement. Writing as he did from the point of view of a 
tradesman, to the shopkeepers, farmers, and common people of Ireland, 
his business was to speak with them as if he were one of them. He had 
already laid bare their grievances caused by the selfish legislation of the 
English Parliament, which had ruined Irish manufactures; he had 
written grimly of the iniquitous laws which had destroyed the woollen 
trade of the country; he had not forgotten the condition of the people as 
he saw it on his journeys from Dublin to Cork--a condition which he 
was later to reveal in the most terrible of his satirical tracts--and he 
realized with almost personal anguish the degradation of the people 
brought about by the rapacity and selfishness of a class which governed 
with no thought of ultimate consequences, and with no apparent 
understanding of what justice implied. It was left for him to precipitate 
his private opinion and public spirit in such form as would arouse the 
nation to a sense of self-respect, if not to a pitch of resentment. The 
"Drapier's Letters" was the reagent that accomplished both. 
* * * * * 
The editor takes this opportunity to express his thanks and obligations 
to Mr. G.R. Dennis, to Mr. W. Spencer Jackson, to the late Colonel F.R. 
Grant, to Mr. C. Litton Falkiner of Killiney, and to Mr. O'Donoghue of 
Dublin. His acknowledgment is here also made to Mr. Strickland, of 
the National Gallery of Ireland, to whose kindness and learning he is
greatly indebted. 
TEMPLE SCOTT. 
NEW YORK, _March_, 1903. 
 
CONTENTS 
LETTER I. TO THE SHOPKEEPERS, TRADESMEN, FARMERS, 
AND COMMON-PEOPLE OF IRELAND 
LETTER II.    
    
		
	
	
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