man of fervent idealistic sentiment, so 
frequently outraged by the facts of life, that he has acquired an 
habitually indignant manner, which unexpectedly becomes enthusiastic 
or affectionate when he speaks. 
The two men differ greatly in expression. The Colonel's face is lined 
with weather, with age, with eating and drinking, and with the 
cumulative effects of many petty vexations, but not with thought: he is 
still fresh, and he has by no means full expectations of pleasure and 
novelty. Cuthbertson has the lines of sedentary London brain work, 
with its chronic fatigue and longing for rest and recreative emotion, and 
its disillusioned indifference to adventure and enjoyment, except as a 
means of recuperation. 
They are both in evening dress; and Cuthbertson wears his fur collared 
overcoat, which, with his vigilant, irascible eye, piled up hair, and the 
honorable earnestness with which he takes himself, gives him an air of 
considerable consequence. 
CUTHBERTSON (with a hospitable show of delight at finding 
visitors). Don't stop, Miss Craven. Go on, Charteris. (He comes down 
behind the sofa, and hangs his overcoat on it, after taking an opera glass 
and a theatre programme from the pockets, and putting them down on 
the piano. Craven meanwhile goes to the fire-place and stands on the 
hearthrug.) 
CHARTERIS. No, thank you. Miss Craven has just been taking me 
through an old song; and I've had enough of it. (He takes the song off 
the piano desk and lays it aside; then closes the lid over the keyboard.)
JULIA (passing between the sofa and piano to shake hands with 
Cuthbertson). Why, you've brought Daddy! What a surprise! (Looking 
across to Craven.) So glad you've come, Dad. (She takes a chair near 
the window, and sits there.) 
CUTHBERTSON. Craven: let me introduce you to Mr. Leonard 
Charteris, the famous Ibsenist philosopher. 
CRAVEN. Oh, we know one another already. Charteris is quite at 
home at our house, Jo. 
CUTHBERTSON. I beg both your pardons. (Charteris sits down on the 
piano stool.) He's quite at home here too. By the bye, where's Grace? 
JULIA and CHARTERIS. Er-- (They stop and look at one another.) 
JULIA (politely). I beg your pardon, Mr. Charteris: I interrupted you. 
CHARTERIS. Not at all, Miss Craven. (An awkward pause.) 
CUTHBERTSON (to help them out). You were going to tell about 
Grace, Charteris. 
CHARTERIS. I was only going to say that I didn't know that you and 
Craven were acquainted. 
CRAVEN. Why, I didn't know it until to-night. It's a most 
extraordinary thing. We met by chance at the theatre; and he turns out 
to be my oldest friend. 
CUTHBERTSON (energetically). Yes, Craven; and do you see how 
this proves what I was saying to you about the breaking up of family 
life? Here are all our young people--Grace and Miss Julia and the 
rest--bosom friends, inseparables; and yet we two, who knew each 
other before they were born, might never have met again if you hadn't 
popped into the stall next to mine to-night by pure chance. Come, sit 
down (bustling over to him affectionately and pushing him into the arm 
chair above the fire): there's your place, by my fireside, whenever you
choose to fill it. (He posts himself at the right end of the sofa, leaning 
against it and admiring Craven.) Just imagine your being Dan Craven! 
CRAVEN. Just imagine your being Jo Cuthbertson, though! That's a far 
more extraordinary coincidence, because I'd got it into my head that 
your name was Tranfield. 
CUTHBERTSON. Oh, that's my daughter's name. She's a widow, you 
know. How uncommonly well you look, Dan! The years haven't hurt 
you much. 
CRAVEN (suddenly becoming unnaturally gloomy). I look well. I even 
feel well. But my days are numbered. 
CUTHBERTSON (alarmed). Oh don't say that, my dear fellow. I hope 
not. 
JULIA (with anguish in her voice). Daddy! (Cuthbertson looks 
inquiringly around at her.) 
CRAVEN. There, there, my dear: I was wrong to talk of it. It's a sad 
subject. But it's better that Cuthbertson should know. We used to be 
very close friends, and are so still, I hope. (Cuthbertson goes to Craven 
and presses his hand silently; then returns to sofa and sits, pulling out 
his handkerchief and displaying some emotion. ) 
CHARTERIS (a little impatiently). The fact is, Cuthbertson, Craven's a 
devout believer in the department of witchcraft called medical science. 
He's celebrated in all the medical schools as an example of the newest 
sort of liver complaint. The doctors say he can't last another year; and 
he has fully made up his mind not to survive next Easter, just to oblige 
them. 
CRAVEN (with military affectation). It's very kind of you to try to 
keep up my spirits by making light of it, Charteris. But I shall be ready 
when my time comes. I'm a soldier. (A sob    
    
		
	
	
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