The Mirror, 1828.07.05, issue No. 
321 
 
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Title: The Mirror, 1828.07.05, Issue No. 321 The Mirror of Literature, 
Amusement, and Instruction 
Author: Various 
Release Date: August, 2005 [EBook #8640] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on July 29, 
2003]
Edition: 10 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THE PROJECT GUTENBERG EBOOK THE 
MIRROR, 1828.07.05 *** 
 
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THE MIRROR OF LITERATURE, AMUSEMENT, AND 
INSTRUCTION. 
* * * * * 
[NO. 321.] SATURDAY, JULY 5, 1828. [PRICE 2d.] 
* * * * * 
EATON HALL, CHESHIRE, 
_The Seat of the Rt. Hon. Earl Grosvenor_. 
[Illustration] 
This mansion is a princely specimen of Gothic architecture; and is in 
every respect calculated for the residence of its noble possessor, whose 
taste and munificence in patronizing the Fine Arts are well known to 
our readers. Nevertheless, it is worthy of special remark, that not only 
is the name of GROSVENOR conspicuous in this patronage, but his 
lordship has further evinced his love of art in the construction of one of 
the most splendid buildings in the whole empire,--the present mansion 
having been completed within a few years.[1] Here the noble founder 
seems to have realized all that the ingenious Sir Henry Wotton 
considered requisite for a man's "house and home--the theatre of his 
hospitality, the seat of self-fruition, a kind of PRIVATE PRINCEDOM; 
nay, to the possessors thereof, an epitome of the whole world." 
[1] At this moment, Earl Grosvenor has in progress a splendid gallery 
for the reception of his superb collection of pictures, adjoining his town 
mansion, in Grosvenor-street. This is one of the few "Private 
Collections" to which, through the good taste and courtesy of the
proprietor, the public are admitted, on specified days, and under certain 
restrictions. The nucleus of Earl Grosvenor's collection, was the 
purchase of Mr. Agar's pictures for £30,000; since which it has been 
enlarged, till it has at length become one of the finest in England. In the 
drawing-room at Eaton are, Our Saviour on the Mount of Olives, by 
Claude Lorraine, which is the largest painting known to have been 
executed by him; and A Port in the Mediterranean, by Vernet. In the 
dining-room, _Rubens with his Second Wife_; by himself; and The 
Judgment of Paris, a copy, by Peters, after Rubens. In the 
dressing-room of the state bed-room, David and Abigail, also by 
Rubens. Over the ornamented chimney-pieces of the hall are, West's 
Dissolution of the Long Parliament, and The Landing of Charles the 
Second. 
Eaton is situated about three miles to the south of Chester, on the verge 
of an extensive park, thickly studded with fine old timber. The present 
"Hall" occupies the site of the old mansion, which is described as a 
square and spacious brick building erected by Sir Thomas Grosvenor, 
in the reign of William III. The architect was Sir John Vanbrugh, who 
likewise laid out the gardens with straight walks and leaden statues, in 
the formal style of his age. In the reconstruction, the fine vaulted 
basement story of the old Hall was preserved, as were also the external 
foundations, and some subdivisions; but the superstructure was altered 
and entirely refitted, and additional apartments erected on the north and 
south sides, so as to make the area of the new house twice the 
dimensions of the old one. 
The style of architecture adopted in the new Hall is that of the age of 
Edward III, as exhibited in that Parthenon of Gothic architecture, York 
Minster; although the architect, Mr. Porden, has occasionally availed 
himself of the low Tudor arch, and the forms of any other age that 
suited his purpose, so as to adapt the rich variety of our ancient 
ecclesiastical architecture to modern domestic convenience. Round    
    
		
	
	
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