The Mermaid | Page 2

Lily Dougall
but not the requisites for success. Nature has been working for millions of years to produce just such characters as Caius Simpson, and, character being rather too costly a production to throw away, no doubt she has a precise use for every one of them.
It is not the province of art to solve problems, but to depict them. It is enough for the purpose of telling his story that a man has been endowed with capacity to suffer and rejoice.
CHAPTER II.
THE SAD-EYED CHILD.
One evening in early summer Caius went a-fishing. He started to walk several miles to an inlet where at high tide the sea-trout came within reach of the line. The country road was of red clay, and, turning from the more thickly-settled district, Caius followed it through a wide wood of budding trees and out where it skirted the top of low red cliffs, against which the sea was lapping. Then his way led him across a farm. So far he had been walking indolently, happy enough, but here the shadow of the pain of the world fell upon him.
This farm was a lonesome place close to the sea; there was no appearance of prosperity about it. Caius knew that the farmer, Day by name, was a churl, and was said to keep his family on short rations of happiness. As Caius turned off the public road he was not thinking specially of the bleak appearance of the particular piece of farmland he was crossing, or of the reputation of the family who lived upon the increase of its acres; but his attention was soon drawn to three children swinging on a gate which hung loosely in the log fence not far from the house. The eldest was an awkward-looking girl about twelve years of age; the second was a little boy; the youngest was a round-limbed, blond baby of two or three summers. The three stood upon the lowest bar of the gate, clinging to the upper spars. The eldest leaned her elbows on the top and looked over; the baby embraced the middle bar and looked through. They had set the rickety gate swinging petulantly, and it latched and unlatched itself with the sort of sound that the swaying of some dreary wind would give it. The children seemed to swing there, not because they were happy, but because they were miserable.
As Caius came with light step up the lane, fishing gear over his shoulder, the children looked at him disconsolately, and when he approached the gate the eldest stepped down and pulled it open for him.
"Anything the matter?" he asked, stopping his quick tread, and turning when he had passed through.
The big girl did not answer, but she let go the gate, and when it jerked forward the baby fell.
She did not fall far, nor was she hurt; but as Caius picked her up and patted her cotton clothes to shake the dust out of them, it seemed to him that he had never seen so sad a look in a baby's eyes. Large, dark, dewy eyes they were, circled around with curly lashes, and they looked up at him out of a wistful little face that was framed by a wreath of yellow hair. Caius lifted the child, kissed her, put her down, and went on his way. He only gave his action half a thought at the time, but all his life afterwards he was sorry that he had let the baby go out of his arms again, and thankful that he had given her that one kiss.
His path now lay close by the house and on to the sea-cliff behind. The house stood in front of him--four bare wooden walls, brown painted, and without veranda or ornament; its barns, large and ugly, were close beside it. Beyond, some stunted firs grew in a dip of the cliff, but on the level ground the farmer had felled every tree. The homestead itself was ugly; but the land was green, and the sea lay broad and blue, its breast swelling to the evening sun. The air blew sweet over field and cliff, add the music of the incoming tide was heard below the pine-fringed bank. Caius, however, was not in the receptive mind which appreciates outward things. His attention was not thoroughly aroused from himself till the sound of harsh voices struck his ear.
Between the farmhouse and the barns, on a place worn bare by the feet of men and animals, the farmer and his wife stood in hot dispute. The woman, tall, gaunt, and ill-dressed, spoke fast, passion and misery in all her attitude and in every tone and gesture. The man, chunky in figure and churlish in demeanour, held a horsewhip in his hand, answering his wife back word for word in
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