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THE MEMOIRS OF VICTOR HUGO 
 
CONTENTS. 
PREFACE 
AT RHEIMS, 1825-1838 
RECOUNTED BY EYE-WITNESSES: I. The Execution of Louis XVI. 
II. The Arrival of Napoleon I. in Paris in 1815. 
VISIONS OF THE REAL: I. The Hovel. II. Pillage. III. A Dream. IV. 
The Panel with the Coat of Arms. V. The Easter Daisy. 
THEATRE: I. Joanny. II. Mademoiselle Mars. III. Frédérick Lemaitre. 
IV. The Comiques. V. Mademoiselle Georges. VI. Tableaux Vivants. 
AT THE ACADEMY 
LOVE IN PRISON 
AT THE TUILERIES, 1844-1848: I. The King. II. The Duchess 
d'Orleans. III. The Princes. 
IN THE CHAMBER OF PEERS: Gen. Febvier 
THE REVOLUTION OF 1848: I. The Days of February. II. Expulsions 
and Evasions. III. Louis Philippe in Exile. IV. King Jerome. V. The 
Days of June. VI. Chateaubriand. VII. Debates on the Days of June. 
1849: I. The Jardin d'Hiver. II. General Bréa's Murderers. III. The 
Suicide of Antonin Moyne. IV. A Visit to the Old Chamber of Peers. 
SKETCHES MADE IN THE NATIONAL ASSEMBLY: I. Odilon 
Barrot. II. Monsieur Thiers. III. Dufaure. IV. Changarnier. V. Lagrange. 
VI. Prudhon. VII. Blanqui. VIII. Larmartine. IX. Boulay de la Meurthe.
X. Dupin. 
LOUIS BONAPARTE: I. His Debuts. II. His Elevation to the 
Presidency. III. His First Official Dinner. IV. The First Month. V. 
Feeling His Way. 
THE SIEGE OF PARIS 
THE ASSEMBLY AT BORDEAUX 
 
PREFACE. 
 
This volume of memoirs has a double character--historical and intimate. 
The life of a period, the XIX Century, is bound up in the life of a man, 
VICTOR HUGO. As we follow the events set forth we get the 
impression they made upon the mind of the extraordinary man who 
recounts them; and of all the personages he brings before us he himself 
is assuredly not the least interesting. In portraits from the brushes of 
Rembrandts there are always two portraits, that of the model and that of 
the painter. 
This is not a diary of events arranged in chronological order, nor is it a 
continuous autobiography. It is less and it is more, or rather, it is better 
than these. It is a sort of haphazard chronique in which only striking 
incidents and occurrences are brought out, and lengthy and wearisome 
details are avoided. VICTOR HUGO'S long and chequered life was 
filled with experiences of the most diverse character--literature and 
politics, the court and the street, parliament and the theatre, labour, 
struggles, disappointments, exile and triumphs. Hence we get a series 
of pictures of infinite variety. 
Let us pass the