The Mayor of Warwick 
 
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Hopkins 
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Title: The Mayor of Warwick 
Author: Herbert M. Hopkins 
 
Release Date: June 27, 2006 [eBook #18700] 
Language: English 
Character set encoding: ISO-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK THE 
MAYOR OF WARWICK*** 
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THE MAYOR OF WARWICK 
by 
HERBERT M. HOPKINS 
Author of "The Fighting Bishop" 
 
[Frontispiece: "Have you noticed how silent it has grown?" he asked.] 
 
Boston and New York Houghton, Mifflin and Company The Riverside 
Press, Cambridge 1906 Copyright 1906 by Herbert M. Hopkins All 
Rights Reserved Published April 1906 
 
TO PAULINE 
 
CONTENTS 
I. THE MEETING IN THE MAPLE WALK II. THE TOWER III. 
CARDINGTON IV. THE BISHOP'S DAUGHTER V. THE 
CANDIDATE VI. LENA HARPSTER VII. THE STAR-GAZERS VIII. 
"WHAT MAKES HER IN THE WOOD SO LATE?" IX. "HER 
HEART WAS OTHERWHERE" X. MISTRESS AND MAID XI. AT 
THE OLD CONTINENTAL XII. THE CONFESSION XIII. 
FURNITURE AND FAMILY XIV. THE PRESIDENT TAKES A 
HAND XV. "I PLUCKED THE ROSE, IMPATIENT OF DELAY" 
XVI. THE BLINDNESS OF THE BISHOP XVII. CONDITIONS 
XVIII. "TWO SISTER VESSELS" XIX. FATHER AND DAUGHTER 
XX. "PUNISHMENT, THOUGH LAME OF FOOT" XXI. THE
MAYOR FINDS HIMSELF AT LAST 
 
THE MAYOR OF WARWICK 
CHAPTER I 
THE MEETING IN THE MAPLE WALK 
St George's Hall, situated on a high hill overlooking the city of 
Warwick, was still silent and tenantless, though the long vacation was 
drawing to a close. To a stranger passing that way for the first time, the 
building and the surrounding country would doubtless have suggested 
the old England rather than the new. There was something mediaeval in 
the massive, castellated tower that carried the eye upward past the great, 
arched doorway, the thin, deep-set windows, the leaded eaves and 
grinning gargoyles, into the cool sky of the September morning. 
The stranger, were he rich in good traditions, would pause in 
admiration of the pure collegiate-gothic style of the low hall that 
extended north and south three hundred feet in either direction from the 
base of the great tower; he would note the artistry of the iron-braced, 
oaken doors, flanked at the lintels by inscrutable faces of carven stone, 
of the windows with their diamonded panes of milky glass peeping 
through a wilderness of encroaching vines. Nor would this be all. Had 
he ever viewed the quadrangles of Oxford and Cambridge, he might be 
able to infer that here, on this sunny plateau above the hill, devoted 
men, steept in the traditions of old England, had endeavoured to 
reproduce the plan of one of her famous colleges. 
He would see, perhaps, that only one side of the quadrangle was built, 
one fourth of the work done. Here, along the northern line, should be 
the chapel, its altar window facing the east; on the southern, the 
dining-hall, adorned with rafters of dark oak and with portraits of the 
wise and great. To complete the plan, the remaining gap must be closed 
by a hall similar in style to the one already built.
He might picture himself standing in the midst of this beautiful creation 
of the imagination, taking in its architectural glories one by one, until 
his eye paused at the eastern gateway to note the distant landscape 
which it framed. And then, if he were in sympathy with the ideals of 
which this building was the outward expression, he would wake from 
his constructive reverie to realise sadly for the first time, not the beauty, 
but the incompleteness, of the institution; not its proximity to the city 
beyond, but its air of aloofness from the community in which it stood. 
About ten o'clock of the morning in which this story begins, a stranger, 
not quite such an one as we have imagined, left the car at the foot of the 
long hill and turned his face for the first time towards St. George's Hall. 
As he passed up the shaded street along the northern side of the campus, 
his keen, blue-grey eyes swept eagerly the crest on which stood the 
institution that was destined to be the scene of his professional labours 
for at least a year, perhaps for many years, it might be, for life. Even a 
casual glance at the tall, loosely hung figure of the young man, at his 
clean-cut features and firm mouth, at the nervous,    
    
		
	
	
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