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The Man in Court 
 
The Project Gutenberg eBook, The Man in Court, by Frederic DeWitt 
Wells 
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Title: The Man in Court 
Author: Frederic DeWitt Wells 
 
Release Date: November 10, 2005 [eBook #17041] 
Language: English 
Character set encoding: ISO-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK THE MAN 
IN COURT*** 
E-text prepared by David Garcia, Jeannie Howse, and the Project 
Gutenberg Online Distributed Proofreading Team 
(http://www.pgdp.net/)
+------------------------------------------------------+ | Transcriber's Note: 
Some obvious typographical | | errors have been corrected in this text. 
For a list | | please see the bottom of the document. The one Greek | | 
word is transliterated and marked with +'s. | 
+------------------------------------------------------+ 
 
THE MAN IN COURT 
by 
FREDERIC DEWITT WELLS Justice, Municipal Court of New York 
City 
 
G.P. Putnam's Sons New York and London The Knickerbocker Press 
1917 Copyright, 1917 by Frederic Dewitt Wells The Knickerbocker 
Press, New York 
 
To 
MY FRIEND 
CHARLES E. GOSTENHOFER 
OF THE NEW YORK BAR 
IN ACKNOWLEDGMENT OF HIS AID AND SUGGESTIONS 
THIS BOOK IS DEDICATED 
 
INTRODUCTION 
The author has tried to show the point of view of the ordinary man in a
law court, as the various proceedings of a trial take shape before him. 
To the initiated, the whole book may seem too obvious; but it has not 
been written for them, but for those to whom these proceedings are 
unfamiliar. There are many who have a certain curiosity about the 
courts, and at the same time a real respect for justice, mingled with 
amusement at the panoplies and antiquated forms of legal procedure. 
F. DEW. W. 
NEW YORK, _January, 1917_. 
 
CONTENTS 
PAGE 
INTRODUCTION iii 
I.--A NIGHT COURT 3 
II.--THE CIVIL COURT 21 
III.--THE JUDGE 39 
IV.--THE ANXIOUS JURY 57 
V.--THE STRENUOUS LAWYER 75 
VI.--THE WORRIED CLIENT 93 
VII.--PROGRAMS AND PLEADINGS 111 
VIII.--PICKING THE JURY 129 
IX.--OPENING THE CASE 149 
X.--THE CONFUSED WITNESS 165 
XI.--THOSE TECHNICAL OBJECTIONS 183
XII.--THE MOVEMENTS IN COURT 201 
XIII.--ELOCUTION 219 
XIV.--THE HEAVY CHARGE 235 
XV.--THE TRUE VERDICT 251 
XVI.--LOOKING BACKWARD 265 
 
I 
A Night Court 
In the Night Court the drama is vital and throbbing. As the saddest 
object to contemplate is a play where the essentials are wrong, so in 
this court the fundamentals of the law are the cause of making it an 
uncomfortable and pathetic spectacle. 
The women who are brought before the Night Court are not heroines, 
but the criminal law does not seem better than they. It makes little 
attempt to mitigate any of the wretchedness that it judges; in many 
cases it moves only to inflict an additional burden of suffering. The 
result is tragedy. 
The magistrate sits high, between standards of brass lamps. His black 
gown, the metal buttons and gleaming shields of the waiting police 
officers, the busy court officials behind the long desks on either hand 
tell of the majesty of the law. 
In front of the desk but at a lower level is a space of ten or twelve feet 
running across the court-room in which are patrolmen, plain-clothes 
men, detectives, women prisoners, probation officers, reporters, 
witnesses, investigators, and lawyers. Beyond in the court-room a large 
crowd is on the benches. There are witnesses, brothers and sisters, 
friends of the prisoners waiting to see whether they go out through the 
street entrance or back through the strong barred gate seen through the
door on the left. Also there are the "sharks" waiting to follow out the 
released prisoners, to prey upon them as the circumstances may favor; 
and a number of curiosity seekers watching intently. For them it can be 
nothing but a morbid dumb show, for they are so far from the bench 
that not a word of the proceedings could be heard. Only once in a while 
the shrieks and imprecations of a struggling hysterical woman as she is 
hurried out of court can enliven the scene. 
Fortified with a letter of introduction to the judge and a disposition that 
will not be too easily shocked at seeing conditions of life as they 
actually exist, the spectator may find his way past the policeman at the 
gate in the rail. It clicks behind him ominously and he wonders whether 
he will have difficulty in getting out. Finally through clerks and 
officials who become more kindly as they learn he is a friend of the 
judge, he is seated in a chair drawn up beside the bench. The magistrate 
is a hearty round-faced man who seems almost human in spite of    
    
		
	
	
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