The Lost Lady of Lone | Page 2

Emma Dorothy Eliza Nevitte Southworth
but most extravagant idea of transforming that grim, old Highland fortress, perched upon its rocky island, surrounded by water and walled in by mountains--into a mansion of Paradise and a garden of Eden.
When he first spoke of his plan, he was called visionary and extravagant; and when he persisted in carrying it into execution, he was called mad.
The most skillful engineers and architects in Europe were consulted and their plans examined, and a selection of designs and contractors made from the best among them. And then the restoration, or rather the transfiguration, of the place was the labor of many years, at the cost of much money.
Fabulous sums were lavished upon Lone. But the Duke's enthusiasm grew as the work grew and the cost increased. All his unentailed estates in England were first heavily mortgaged and afterwards sold, and the proceeds swallowed up in the creation of Lone.
The duchess, inspired by her husband, was as enthusiastic as the duke. When his resources were at an end and Lone unfinished she gave up her marriage settlements, including her dower house, which was sold that the proceeds might go to the completion of Lone.
But all this did not suffice to pay the stupendous cost.
Then the duke did the maddest act of his life. He raised the needed money from usurers by giving them a mortgage on his own life estate in Lone itself.
The work drew near to its completion.
In the meantime the duke's agents were ransacking the chief cities in Europe in search of rare paintings, statues, vases, and other works of art or articles of virtu to decorate the halls and chambers of Lone; for which also the most famous manufacturers in France and Germany were elaborating suitable designs in upholstery.
Every man directing every department of the works at Lone, whether as engineer, architect, decorator, or furnisher, every man was an artist in his own speciality. The work within and without was to be a perfect work at whatever cost of time, money, and labor.
At length, at the end of ten years from its commencement, the work was completed.
And for the sublimity of its scenery, the beauty of its grounds, the almost tropical luxuriance of its gardens, the magnificence of its buildings, the splendor of its decorations, and the luxury of its appointments, Lone was unequalled.
What if the mad duke had nearly ruined himself in raising it?
Lone was henceforth the pride of engineers, the model of architects, the subject of artists, the theme of poets, the Mecca of pilgrims, the eighth wonder of the world.
Lone was opened for the first time a few weeks after its completion, on the occasion of the coming of age of the duke's eldest son and heir, the young Marquis of Arondelle, which fell upon the first of June.
A grand festival was held at Lone, and a great crowd assembled to do honor to the anniversary. A noble and gentle company filled the halls and chambers of the castle, and nearly all the Clan Scott assembled on the grounds.
The festival was a grand triumph.
Among the thousands present were certain artists and reporters of the press, and so it followed that the next issue of the London News contained full-page pictures of Castle Lone and Inch Lone, with their terraces, parterres, arches, arbors and groves; Loch Lone, with its elegant piers, bridges and boats; and the surrounding mountains, with their caves, grottoes, falls and fountains.
Yes, the birthday festival was a perfect triumph, and the fame of Lone went forth to the uttermost ends of the earth. The English Colonists at Australia, Cape of Good Hope, and New Zealand, read all about it in copies of the London News, sent out to them by thoughtful London friends. We remember the day, some years since, when we, sitting by our cottage fire, read all about it in an illustrated paper, and pondered over the happy fate of those who could live in paradise while still on earth. Five years later, we would not have changed places with the Duke of Hereward.
But this is a digression.
The duke was in his earthly heaven; but was the duke happy, or even content?
Ah! no. He was overwhelmed with debt. Even Lone was mortgaged as deeply as it could be--that is, as to the extent of the duke's own life interests in the estate. Beyond that he could not burden the estate, which was entailed upon his heirs male. Besides his financial embarrassments, the duke was afflicted with another evil--he was consumed with a fever too common with prince and with peasant, as well as with peer--the fever of a land hunger.
The prince desires to add province to province; the peer to add manor to manor; the peasant to own a little home of his own, and then to add acre to acre.
The Lord
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