The Little Nugget

Pelham Grenville Wodehouse

The Little Nugget

The Project Gutenberg EBook of The Little Nugget, by P.G. Wodehouse #8 in our series by P.G. Wodehouse
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: The Little Nugget
Author: P.G. Wodehouse
Release Date: October, 2004 [EBook #6683] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 12, 2003]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK THE LITTLE NUGGET ***

Produced by Suzanne L. Shell, Tom Allen, Charles Franks and the Online Distributed Proofreading Team.

THE LITTLE NUGGET

By P. G. Wodehouse

Part One
In which the Little Nugget is introduced to the reader, and plans are made for his future by several interested parties. In which, also, the future Mr Peter Burns is touched upon. The whole concluding with a momentous telephone-call.

THE LITTLE NUGGET

I
If the management of the Hotel Guelph, that London landmark, could have been present at three o'clock one afternoon in early January in the sitting-room of the suite which they had assigned to Mrs Elmer Ford, late of New York, they might well have felt a little aggrieved. Philosophers among them would possibly have meditated on the limitations of human effort; for they had done their best for Mrs Ford. They had housed her well. They had fed her well. They had caused inspired servants to anticipate her every need. Yet here she was, in the midst of all these aids to a contented mind, exhibiting a restlessness and impatience of her surroundings that would have been noticeable in a caged tigress or a prisoner of the Bastille. She paced the room. She sat down, picked up a novel, dropped it, and, rising, resumed her patrol. The clock striking, she compared it with her watch, which she had consulted two minutes before. She opened the locket that hung by a gold chain from her neck, looked at its contents, and sighed. Finally, going quickly into the bedroom, she took from a suit-case a framed oil-painting, and returning with it to the sitting-room, placed it on a chair, and stepped back, gazing at it hungrily. Her large brown eyes, normally hard and imperious, were strangely softened. Her mouth quivered.
'Ogden!' she whispered.
The picture which had inspired this exhibition of feeling would probably not have affected the casual spectator to quite the same degree. He would have seen merely a very faulty and amateurish portrait of a singularly repellent little boy of about eleven, who stared out from the canvas with an expression half stolid, half querulous; a bulgy, overfed little boy; a little boy who looked exactly what he was, the spoiled child of parents who had far more money than was good for them.
As Mrs Ford gazed at the picture, and the picture stared back at her, the telephone bell rang. She ran to it eagerly. It was the office of the hotel, announcing a caller.
'Yes? Yes? Who?' Her voice fell, as if the name was not the one she had expected. 'Oh, yes,' she said. 'Yes, ask Lord Mountry to come to me here, please.'
She returned to the portrait. The look of impatience, which had left her face as the bell sounded, was back now. She suppressed it with an effort as her visitor entered.
Lord Mountry was a blond, pink-faced, fair-moustached young man of about twenty-eight--a thick-set, solemn young man. He winced as he caught sight of the picture, which fixed him with a stony eye immediately on his entry, and quickly looked away.
'I say, it's all right, Mrs Ford.' He was of the type which wastes no time on preliminary greetings. 'I've got him.'
'Got him!'
Mrs Ford's voice was startled.
'Stanborough, you know.'
'Oh! I--I was thinking of something else. Won't you sit down?'
Lord Mountry sat down.
'The artist, you know. You remember you said at lunch the other day you wanted your little boy's portrait painted, as you only had one of him, aged eleven--'
'This is Ogden, Lord Mountry. I painted this myself.'
His lordship, who had selected a chair that enabled him to present a shoulder to the painting, and was wearing
Continue reading on your phone by scaning this QR Code

 / 89
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.