Nicholas Sparks 
THE LAST SONG
Copyright  
This book is a work of fiction. Names, character s, places, and incidents are the product of the 
author’s imagination or are used fictitiously. A ny resemblance to actual events, locales, or 
persons, living or dead, is coincidental.  
Copyright © 2009 by Nicholas Sparks 
All rights reserved. Except as permitted under th e U.S. Copyright Act of 1976, no part of this 
publication may be reproduced, distributed, or tr ansmitted in any form or by any means, or 
stored in a database or retrie val system, without the prior writ ten permission of the publisher.  
Grand Central Publishing 
Hachette Book Group 
237 Park Avenue 
New York, NY 10017 
Visit our website at 
www.HachetteBookGroup.com.  
www.twitter.com/grandcentralpub  
First eBook Edition: September 2009 
Grand Central Publishing is a divi sion of Hachette Book Group, Inc. 
The Grand Central Publishing name a nd logo is a trademark of Hachette 
Book Group, Inc. 
ISBN 978-0-446-55815-0
ALSO BY NICHOLAS SPARKS 
The Notebook   
Message in a Bottle   
A Walk to Remember   
The Rescue   
A Bend in the Road   
Nights in Rodanthe   
The Guardian   
The Wedding   
Three Weeks with My Brother   
(with Micah Sparks) 
True Believer   
At First Sight   
Dear John   
The Choice   
The Lucky One
For Theresa Park and Greg Irikura My friends 
Acknowledgments  
 
As always, I have to start by thanking Cathy, my  wife and my dream. It’s been an amazing 
twenty years and when I wake in the morning, my  first thought is how lucky I am for having 
spent these years with you.   My children—Miles, Ryan, La ndon, Lexie, and Savannah—are  sources of endless joy in 
my life. I love you all.  Jamie Raab, my editor at Grand Central Publishe rs, always deserves my thanks, not only for 
her brilliant editing, but for the kind ness she always shows me. Thank you.  
Denise DiNovi, the producer of  Message in a Bottle, A Walk to Remember, Nights in 
Rodanthe,  and The Lucky One  is not only a genius, but one of the friendliest people I know. 
Thanks for everything.   David Young, the CEO of Hachette Book Group, has  earned my respect and gratitude in the 
years we’ve been working together. Thanks, David.   Jennifer Romanello and Edna Farley, my  publicists, are not only good friends, but 
wonderful people. Thanks for all.  Harvey-Jane Kowal and Sona Vogel, as usual, deserve my thanks, if only because I’m 
always late with my manuscripts, thus  making their jobs a whole lot harder.  
Howie Sanders and Keya Khayatian, my agents at UTA, are fantastic. Thanks for 
everything, guys!  Scott Schwimer, my attorney, is quite simply  the best at what he does. Thanks, Scott! 
Thanks also go to Marty  Bowen (the producer of Dear John), as well as Lynn Harris and 
Mark Johnson.   Amanda Cardinale, Abby Koons, Emily Sweet , and Sharon Krassney also deserve my 
thanks. I appreciate all that you do. 
The Cyrus family deserves my thanks not onl y for welcoming me into their home, but for 
all they’ve done with the film. And a special  thanks goes to Miley, who chose Ronnie’s name. 
As soon as I heard it, I knew it was perfect!   And finally, thanks to Jason Reed, Jennifer Gipgot, and Adam Shankman for their work on 
the film version of  The Last Song.
Prologue  
 
Ronnie  
Staring out the bedroom window, Ronnie wondered  whether Pastor Harris was already at the 
church. She assumed that he was, and as sh e watched the waves breaking over the beach, she 
questioned whether he was still able to notice the  play of light as it streamed through the stained-
glass window above him. Perhaps not—the window  had been installed more than a month ago, 
after all, and he was probably too preoccupied  to notice anymore. Still, she hoped that someone 
new in town had stumbled into the church th is morning and experienced the same sense of 
wonder she’d had when she’d first seen the light  flood the church on that cold day in November. 
And she hoped the visitor had taken some time  to consider where the window had come from 
and to admire its beauty.   She’d been awake for an hour, but she wasn’t  ready to face the day. The holidays felt 
different this year. Yesterda y, she’d taken her younger brother,  Jonah, for a walk down the 
beach. Here and there were Christmas trees on th e decks of the houses they    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
