The Last Harvest, by John 
Burroughs 
 
The Project Gutenberg EBook of The Last Harvest, by John Burroughs 
This eBook is for the use of anyone anywhere at no cost and with 
almost no restrictions whatsoever. You may copy it, give it away or 
re-use it under the terms of the Project Gutenberg License included 
with this eBook or online at www.gutenberg.org 
Title: The Last Harvest 
Author: John Burroughs 
Release Date: July 25, 2006 [EBook #18903] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK THE LAST 
HARVEST *** 
 
Produced by Juliet Sutherland, Sankar Viswanathan, and the Online 
Distributed Proofreading Team at http://www.pgdp.net 
 
[Illustration] 
THE LAST HARVEST
BY 
JOHN BURROUGHS 
 
BOSTON AND NEW YORK 
HOUGHTON MIFFLIN COMPANY 
The Riverside Press Cambridge 
1922 
 
COPYRIGHT, 1922, BY HOUGHTON MIFFLIN COMPANY 
* * * * * 
 
But who is he with modest looks And clad in homely russet brown? He 
murmurs near the running brooks A music sweeter than their own. 
He is retired as noontide dew, Or fountain in a noon-day grove; And 
you must love him, ere to you He will seem worthy of your love. 
The outward shows of sky and earth, Of hill and valley, he has viewed; 
And impulses of deeper birth Have come to him in solitude. 
In common things that round us lie Some random truths he can 
impart-- The harvest of a quiet eye That broods and sleeps on his own 
heart. 
WORDSWORTH 
 
PREFACE
Most of the papers garnered here were written after fourscore 
years--after the heat and urge of the day--and are the fruit of a long life 
of observation and meditation. 
The author's abiding interest in Emerson is shown in his close and 
eager study of the Journals during these later years. He hungered for 
everything that concerned the Concord Sage, who had been one of the 
most potent influences in his life. Although he could discern flies in the 
Emersonian amber, he could not brook slight or indifference toward 
Emerson in the youth of to-day. Whatever flaws he himself detected, he 
well knew that Emerson would always rest secure on the pedestal 
where long ago he placed him. Likewise with Thoreau: If shortcomings 
were to be pointed out in this favorite, he wished to be the one to do it. 
And so, before taking Thoreau to task for certain inaccuracies, he takes 
Lowell to task for criticizing Thoreau. He then proceeds, not without 
evident satisfaction, to call attention to Thoreau's "slips" as an observer 
and reporter of nature; yet in no carping spirit, but, as he himself has 
said: "Not that I love Thoreau less, but that I love truth more." 
The "Short Studies in Contrasts," the "Day by Day" notes, "Gleanings," 
and the "Sundown Papers" which comprise the latter part of this, the 
last, posthumous volume by John Burroughs, were written during the 
closing months of his life. Contrary to his custom, he wrote these 
usually in the evening, or, less frequently, in the early morning hours, 
when, homesick and far from well, with the ceaseless pounding of the 
Pacific in his ears, and though incapable of the sustained attention 
necessary for his best work, he was nevertheless impelled by an 
unwonted mental activity to seek expression. 
If the reader misses here some of the charm and power of his usual 
writing, still may he welcome this glimpse into what John Burroughs 
was doing and thinking during those last weeks before the illness came 
which forced him to lay aside his pen. 
CLARA BARRUS 
WOODCHUCK LODGE
ROXBURY-IN-THE-CATSKILLS 
 
CONTENTS 
I. EMERSON AND HIS JOURNALS 
II. FLIES IN AMBER 
III. ANOTHER WORD ON THOREAU 
IV. A CRITICAL GLANCE INTO DARWIN 
V. WHAT MAKES A POEM? 
VI. SHORT STUDIES IN CONTRASTS: 
The Transient and the Permanent 
Positive and Negative 
Palm and Fist 
Praise and Flattery 
Genius and Talent 
Invention and Discovery 
Town and Country 
VII. DAY BY DAY 
VIII. GLEANINGS 
IX. SUNDOWN PAPERS: 
Re-reading Bergson
Revisions 
Bergson and Telepathy 
Meteoric Men and Planetary Men 
The Daily Papers 
The Alphabet 
The Reds of Literature 
The Evolution of Evolution 
Following One's Bent 
Notes on the Psychology of Old Age 
Facing the Mystery 
INDEX 
The frontispiece portrait is from a photograph by Miss Mabel Watson 
taken at Pasadena, California, shortly before Mr. Burroughs's death. 
 
THE LAST HARVEST 
I 
EMERSON AND HIS JOURNALS 
I 
Emerson's fame as a writer and thinker was firmly established during 
his lifetime by the books he gave to the world. His Journals, published 
over a quarter of a century after his death, nearly or quite double the 
bulk of his writing, and while they do not rank in literary worth with 
his earlier works, they yet throw much light upon his life and character
and it is a pleasure to me, in these dark and troublesome    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
