New Year. By Mrs. R. S. NICHOLS, 25 Stanzas suggested 
by GLIDDON'S Lectures, 29 Sketches of East Florida: St. Augustine, 
45 Sonnet to the Old Year, 53 Some Thoughts on the Country, 70 
Scenes and Scenery in the Sandwich Islands, 77 Sicilian Scenery and 
Antiquities. By THOMAS COLE, 103, 236 Some Sentiments on 
Sonnets, with Sundry Specimens, 283 Stanzas to MARY. By Mrs. M. E. 
HEWITT, 348 Stanzas on the Burial of an Infant, 460 Stanzas to 
Niagara. By CLAUDE HALCRO, 489 Stanzas to my Three Departed 
Sisters, 556 Stanzas Written in Indisposition. By the late WILLIS 
GAYLORD CLARK, 569 
T. 
The Idleberg Papers: a Christmas Yarn, 11 Thoughts on Color. By 
JOHN WATERS, 26 The Quod Correspondence, 30, 120, 245, 368, 
473, 529 Thoughts from Bulwer. By Mrs. M. T. W. CHANDLER, 52 
The Mail Robber, 53 The Æneid of Virgil: with Notes by CHAS. 
ANTHON, 76 The Sacrifice, 127 The Death-Bed. By the 'COUNTRY 
DOCTOR,' 128 The Ruins of Burnside. By JAMES LAWSON, Esq., 
137 The Smithy. By ALFRED B. STREET, Esq., 155 Two Pictures: 
Love Celestial and Love Terrestrial, 160 The Hermit of the Prairie, 161 
Translation from CATULLUS. By Rev. Geo. W. BETHUNE, 166 The
Painted Rock, 167 Thirty Years among the Players of England and 
America, 175 The Study of Woman's Life, 179 The American Review, 
179 The North American Review, for January, 183 The Alms-House: a 
New-England Sketch, 212 The Tyranny of Affection, 222 The 
Fratricide's Death, 232 The Spectre Imp. By Mr. GEORGE HARVEY, 
338 The Church Bell, 368 The Inner Life of Man. By Mr. CHARLES 
HOOVER, 389, 599 The Floral Resurrection, 417 The Dog-Star Spirit: 
or, Tray's Reflections, 431 The Poet Halleck: Epistle to the Editor, 437 
The Plague at Constantinople in 1837, 511 The Song of Death. By 
MISS MARY GARDINER, 523 The Householder. by JOHN 
WATERS, 528 The Hearth of Home, 548 
V. 
Vicissitudes, 10 Voices of Affection, 336 
W. 
Winter Evening: an Extract. By J. G. PERCIVAL, Esq., 24 What is 
Transcendentalism? 205 Wanderings of a Journeyman Tailor, 281 
What is It? A Lover's Query, 489 
+-------------------------------------------------+ | Transcriber's Note: The 
page numbers in the | | index convert to issues in the following way: | | | 
| January, 1844 1-102 | | February 103-204 | | March 205-306 | | April 
307-408 | | May 409-510 | | June 511-608 | 
+-------------------------------------------------+ 
 
T H E K N I C K E R B O C K E R. 
VOL. XXIII. JANUARY, 1844. NO. 1. 
 
DESCRIPTIVE POETRY. 
BY A NEW CONTRIBUTOR.
Whatever the poets may say, it is incontrovertible that the great 
majority of men look upon the beauties and glories of Nature that 
surround them with almost entire indifference. We shall not inquire 
whether this is the result of a natural incapacity to perceive and admire 
the beautiful and sublime, or whether it is that their impressions are so 
deadened by familiarity as to be passed by unnoticed. Probably the 
former is the case with the greater number; although we cannot believe 
with some writers, that all our ideas of beauty are but the results of 
association, or of our perceptions of the proportion, or fitness, or utility 
of things. When we say that some things are naturally agreeable, and 
others naturally disagreeable, we have said all that we know about the 
matter; and this amounts to nothing more than a confession of our 
ignorance. Yet, if we admit in all men the existence of a natural sense 
of beauty, daily observation shows us that the pleasure arising from it is 
in most cases very feeble and evanescent. How many live in the midst 
of the most magnificent natural scenery, and never perceive its beauties 
until they are pointed out to them by some intelligent traveller! And 
often if admiration be professed, it is of that vague, undistinguishing 
kind, which indicates little knowledge of the causes why they admire. 
Even among men of cultivated tastes, there is much more of affected 
than real enthusiasm. 
If what we have said be true, it is a curious subject of inquiry why 
descriptive poetry has been so popular. How happens it that so many 
who have looked upon Nature herself with great indifference, have 
been so much delighted with the reflection of her image in the pages of 
the poets? We suspect, indeed, that a part of the popularity of this class 
of writers is factitious. THOMSON, the most popular, is we suspect 
oftener purchased than read; and his 'Seasons' are not unfrequently 
spoken of with admiration by those who know little of them but the 
episodes. The chief interest of the 'Task' is to be sought for in other 
sources than its descriptions, notwithstanding the curiosa felicitas of 
Cowper's diction. 
The pleasure which we feel in reading descriptive    
    
		
	
	
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