The Project Gutenberg EBook of The Kiltartan Poetry Book, by Lady 
Gregory 
Copyright laws are changing all over the world. Be sure to check the 
copyright laws for your country before downloading or redistributing 
this or any other Project Gutenberg eBook. 
This header should be the first thing seen when viewing this Project 
Gutenberg file. Please do not remove it. Do not change or edit the 
header without written permission. 
Please read the "legal small print," and other information about the 
eBook and Project Gutenberg at the bottom of this file. Included is 
important information about your specific rights and restrictions in how 
the file may be used. You can also find out about how to make a 
donation to Project Gutenberg, and how to get involved. 
**Welcome To The World of Free Plain Vanilla Electronic Texts** 
**eBooks Readable By Both Humans and By Computers, Since 
1971** 
*****These eBooks Were Prepared By Thousands of 
Volunteers!***** 
Title: The Kiltartan Poetry Book 
Author: Lady Gregory 
Release Date: October, 2004 [EBook #6656]
[Yes, we are more than 
one year ahead of schedule]
[This file was first posted on January 10, 
2003] 
Edition: 10 
Language: English 
Character set encoding: ASCII
0. START OF THE PROJECT GUTENBERG EBOOK, THE 
KILTARTAN POETRY BOOK *** 
David Starner, Curtis A. Weyant, Charles Franks and the Online 
Distributed Proofreading Team. 
THE KILTARTAN POETRY BOOK 
PROSE TRANSLATIONS FROM THE IRISH 
BY LADY GREGORY 
Introduction 
I 
If in my childhood I had been asked to give the name of an Irish poem, 
I should certainly have said "Let Erin remember the days of old," or 
"Rich and rare were the gems she wore"; for although among the 
ornamental books that lay on the round drawingroom table, the only 
one of Moore's was Lalla Rookh, some guest would now and then sing 
one of his melodies at the piano; and I can remember vexing or trying 
to vex my governess by triumphant mention of Malachi's collar of gold, 
she no doubt as well as I believing the "proud invader" it was torn from 
to have been, like herself, an English one. A little later I came to know 
other verses, ballads nearer to the tradition of the country than Moore's 
faint sentiment. For a romantic love of country had awakened in me, 
perhaps through the wide beauty of my home, from whose hillsides I 
could see the mountain of Burren and Iar Connacht, and at sunset the 
silver western sea; or it maybe through the half revealed sympathy of 
my old nurse for the rebels whose cheering she remembered when the 
French landed at Killala in '98; or perhaps but through the natural 
breaking of a younger child of the house from the conservatism of her 
elders. So when we were taken sometimes as a treat the five mile drive 
to our market town, Loughrea, I would, on tiptoe at the counter, hold 
up the six pence earned by saying without a mistake my Bible lesson 
on the Sunday, and the old stationer, looking down through his 
spectacles would give me what I wanted saying that I was his best 
customer for Fenian books; and one of my sisters, rather doubtfully
consenting to my choice of The Spirit of the Nation for a birthday 
present, qualified the gift by copying into it "Patriotism is the last 
refuge of a scoundrel." I have some of them by me yet, the little books 
in gay paper or in green cloth, and some verses in them seem to me no 
less moving than in those early days, such as Davis's lament. 
We thought you would not die, we were sure you would not go And 
leave us in our utmost need to Cromwell's cruel blow; Sheep without a 
shepherd when the snow shuts out the sky, O why did you leave us 
Owen? Why did you die? 
And if some others are little more than a catalogue, unmusical, as:-- 
Now to begin to name them I'll continue in a direct line, There's John 
Mitchell, Thomas Francis Meagher and also William Smith O'Brien;
John Martin and O'Donoghue, Erin sorely feels their loss, And to 
complete their number I will include O'Donovan Ross-- 
yet there is in them a certain dignity, an intensity born of continuity of 
purpose; they are roughly hammered links in a chain of unequal 
workmanship, but stretching back through the centuries to the Munster 
poets of the days of Elizabeth, advised by Spenser to harry them out of 
Ireland. The names change from age to age, that is all. The verses of the 
seventeenth century hallow those of MacCarthys and Fitzgeralds who 
fought for the Stuarts or "knocked obedience out of the Gall"; the 
eighteenth ended with the rebels of '98; the nineteenth had Emmet and 
Mitchell and its Manchester martyrs. Already in these early days of the    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
