Finland and Lapland. Meeting 
with Varrak, the Laplander. Voyage to the Island of Fire. The Giant's 
Daughter. The Northern Lights. The Dog-men. Homeward voyage. 
Canto XVII.--The fortified cities. Great battle with invaders. Land 
journey of the Kalevide and his friends. Encounter with Sarvik 
disguised as a dwarf. The daughters of the Meadow-Queen. 
Canto XVIII.--The gates of Põrgu.[6] The Kalevide enters the cavern, 
notwithstanding every obstacle fights his way across an iron bridge, 
and enters Sarvik's palace. 
Canto XIX.--The Kalevide overcomes Sarvik in a wrestling match, and 
loads him with chains. He returns to the upper world, and finds the 
Alevide waiting for him at the entrance to the cavern. Return of the 
Kalevide to Lindanisa.[7] Great feast and songs. News of a formidable 
invasion. Departure of Varrak for Lapland. Arrival of fugitives. 
Canto XX.--The Kalevide buries his treasure. Terrible battles, in which 
his cousin the Sulevide is slain. Drowning of the Alevide. The Kalevide 
abdicates in favour of his surviving cousin, the Olevide, and retires to 
live in seclusion on the bank of a river. Being annoyed by occasional 
visitors, he wanders away towards Lake Peipus, and steps into the 
brook Käpä, when his sword cuts off his legs. His soul takes flight to 
the halls of Taara,[8] but is bidden by the gods to reanimate his body. 
He is mounted on a horse, and stationed at the gates of Põrgu, to keep 
watch and ward on Sarvik and his hosts.
[Footnote 4: The names of the others are not mentioned, but later in the 
poem we meet with three heroes, the sons of Alev, Olev, and Sulev 
respectively, associated with the son of Kalev, and spoken of as his 
cousins. Alev and Sulev may have been the brothers of Kalev.] 
[Footnote 5: The Prince of Hades, literally Hornie.] 
[Footnote 6: Hades or Hell.] 
[Footnote 7: Linda's Bosom, the Kalevide's capital, named in honour of 
his mother; now Revel.] 
[Footnote 8: Ukko, the principal god of the Finns and Esthonians, is 
frequently called Taara in the Kalevipoeg. This name is not used in 
Finnish; but Tora is the name of God among the Chuvash of Kasan.] 
 
THE KALEVIPOEG 
OR, 
THE ADVENTURES OF THE SON OF KALEV, THE HERO OF 
ESTHONIA. 
The poem commences with an invocation to Vanemuine.[9] This is 
followed by a long lyrical exordium. 
[Footnote 9: In the Finnish Kalevala, Väinämöinen is represented as a 
culture-hero, and as the father of his people; in Esthonia Vanemuine is 
usually a demi-god. He is always the inventor and patron of music and 
the harp. He plays no part in the Kalevipoeg, where his name is only 
mentioned once or twice.] 
 
CANTO I 
THE MARRIAGES OF SALME AND LINDA
In ancient days, the race of Taara dwelt here and there in the land, and 
took to themselves wives of the daughters of men.[10] In the far North, 
near the sacred oak forest of Taara, such a household existed, and from 
thence three sons went forth into the world to seek their fortunes. One 
son travelled to Russia, where he became a great merchant; another 
journeyed to Lapland, and became a warrior; while the third, the 
famous Kalev,[11] the father of heroes, was borne to Esthonia on the 
back of an eagle.[12] The eagle flew with him to the south across the 
Gulf of Finland, and then eastward across Lääne[13] and Viru,[14] 
until, by the wise ordering of Jumala,[15] the eagle finally descended 
with him on the rocky shores of Viru, where he founded a kingdom. 
In the province of Lääne a young widow lived quietly by herself. One 
Sunday she followed the footprints of her cattle, and what did she find 
on her way? On the path she found a hen; she found a grouse's egg in 
the footprints of the cattle, and she found a young crow near the village. 
She carried them all home with her to comfort her loneliness, and she 
made a nest for the hen and the egg in a basket lined with wool, but she 
threw the young crow into a corner behind the boxes. 
The hen soon began to grow, and her head reached the lid of the basket 
while she sat on the egg. She grew taller for three months, and for 
several days of the fourth month. 
The widow went into the storehouse to look at her foster-children, and 
what did she behold on raising the lid of the basket? The hen had 
grown into the fair maiden Salme;[16] the egg had given birth to a 
second maiden, Linda, while the poor crow had become an orphan girl, 
a maid-of-all-work, to carry wood to the stove and to bend under the 
weight of water-pails from the well. 
Salme was besieged by suitors. Five and six brought her offerings of 
corn-brandy, seven sent    
    
		
	
	
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