A free download from www.dertz.in       
 
The Project Gutenberg EBook of The Heptalogia, by Algernon Charles 
Swinburne 
This eBook is for the use of anyone anywhere at no cost and with 
almost no restrictions whatsoever. You may copy it, give it away or 
re-use it under the terms of the Project Gutenberg License included 
with this eBook or online at www.gutenberg.org 
Title: The Heptalogia 
Author: Algernon Charles Swinburne 
Release Date: April 19, 2006 [EBook #18210] 
Language: English 
Character set encoding: ISO-8859-1 
0. START OF THIS PROJECT GUTENBERG EBOOK THE 
HEPTALOGIA *** 
Produced by Paul Murray, Diane Monico, and the Project
Gutenberg 
Online Distributed Proofreading Team at
http://www.pgdp.net 
THE HEPTALOGIA 
By Algernon Charles Swinburne 
Taken from THE COLLECTED POETICAL WORKS
OF 
ALGERNON CHARLES SWINBURNE, VOL. V 
SWINBURNE'S POETICAL WORKS 
I. POEMS AND BALLADS (First Series). 
II. SONGS BEFORE SUNRISE, and SONGS OF TWO NATIONS.
III. POEMS AND BALLADS (Second and Third Series), and SONGS 
OF THE 
SPRINGTIDES. 
IV. TRISTRAM OF LYONESSE, THE TALE OF BALEN, 
ATALANTA IN CALYDON, 
ERECHTHEUS. 
V. STUDIES IN SONG, A CENTURY OF ROUNDELS, 
SONNETS ON ENGLISH DRAMATIC 
POETS, THE HEPTALOGIA, ETC. 
VI. A MIDSUMMER HOLIDAY, ASTROPHEL, A CHANNEL 
PASSAGE AND OTHER POEMS. 
LONDON: WILLIAM HEINEMANN 
THE
HEPTALOGIA 
By 
Algernon Charles Swinburne 
1917 
LONDON: WILLIAM HEINEMANN 
_First printed (Chatto), 1904
Reprinted 1904, '09, '10, '12
(Heinemann), 1917_ 
_London: William Heinemann, 1917_ 
 
THE HEPTALOGIA 
THE HIGHER PANTHEISM IN A NUTSHELL 373
JOHN JONES'S WIFE 375 
THE POET AND THE WOODLOUSE 396 
THE PERSON OF THE HOUSE 400 
LAST WORDS OF A SEVENTH-RATE POET 406 
SONNET FOR A PICTURE 421 
NEPHELIDIA 422 
 
SPECIMENS OF MODERN POETS 
THE HEPTALOGIA 
OR 
THE SEVEN AGAINST SENSE 
A CAP WITH SEVEN BELLS 
THE HIGHER PANTHEISM
IN A NUTSHELL 
One, who is not, we see: but one, whom we see not, is:
Surely this is 
not that: but that is assuredly this. 
What, and wherefore, and whence? for under is over and under: If 
thunder could be without lightning, lightning could be without thunder. 
Doubt is faith in the main: but faith, on the whole, is doubt: We cannot 
believe by proof: but could we believe without? 
Why, and whither, and how? for barley and rye are not clover: Neither 
are straight lines curves: yet over is under and over. 
Two and two may be four: but four and four are not eight:
Fate and
God may be twain: but God is the same thing as fate. 
Ask a man what he thinks, and get from a man what he feels: God, once 
caught in the fact, shows you a fair pair of heels. 
Body and spirit are twins: God only knows which is which:
The soul 
squats down in the flesh, like a tinker drunk in a ditch. 
More is the whole than a part: but half is more than the whole: Clearly, 
the soul is the body: but is not the body the soul? 
One and two are not one: but one and nothing is two:
Truth can 
hardly be false, if falsehood cannot be true. 
Once the mastodon was: pterodactyls were common as cocks:
Then 
the mammoth was God: now is He a prize ox. 
Parallels all things are: yet many of these are askew:
You are 
certainly I: but certainly I am not you. 
Springs the rock from the plain, shoots the stream from the rock: Cocks 
exist for the hen: but hens exist for the cock. 
God, whom we see not, is: and God, who is not, we see:
Fiddle, we 
know, is diddle: and diddle, we take it, is dee. 
 
JOHN JONES'S WIFE 
I 
AT THE PIANO 
I 
Love me and leave me; what love bids retrieve me? can June's fist 
grasp May?
Leave me and love me; hopes eyed once above me like
spring's sprouts 
decay;
Fall as the snow falls, when summer leaves grow false--cards 
packed 
for storm's play! 
II 
Nay, say Decay's self be but last May's elf, wing shifted, eye sheathed-- 
Changeling in April's crib rocked, who lets 'scape rills locked fast 
since frost breathed--
Skin cast (think!) adder-like, now bloom bursts 
bladder-like,--bloom 
frost bequeathed? 
III 
Ah, how can fear sit and hear as love hears it grief's heart's cracked 
grate's screech?
Chance lets the gate sway that opens on hate's way 
and shews on shame's 
beach
Crouched like an imp sly change watch sweet love's shrimps 
lie, a 
toothful in each. 
IV 
Time feels his tooth slip on husks wet from Truth's lip, which drops 
them and grins--
Shells where no throb stirs of life left in lobsters 
since joy thrilled 
their fins--
Hues of the prawn's tail or comb that makes dawn stale, so 
red for our
sins! 
V 
Years blind and deaf use the soul's joys as refuse, heart's peace as 
manure,
Reared whence, next June's rose shall bloom where our 
moons rose last 
year, just as pure:
Moons' ends match roses' ends: men by beasts' 
noses' ends mete sin's 
stink's    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
