The Hand of Ethelberta | Page 2

Thomas Hardy
boarding-school at Bonn. Latterly she had brought the girl to England to live under her roof as daughter and companion, the condition attached being that Ethelberta was never openly to recognize her relations, for reasons which will hereafter appear.
The elegant young lady, as she had a full right to be called if she cared for the definition, arrested all the local attention when she emerged into the summer-evening light with that diadem-and-sceptre bearing--many people for reasons of heredity discovering such graces only in those whose vestibules are lined with ancestral mail, forgetting that a bear may be taught to dance. While this air of hers lasted, even the inanimate objects in the street appeared to know that she was there; but from a way she had of carelessly overthrowing her dignity by versatile moods, one could not calculate upon its presence to a certainty when she was round corners or in little lanes which demanded no repression of animal spirits.
'Well to be sure!' exclaimed a milkman, regarding her. 'We should freeze in our beds if 'twere not for the sun, and, dang me! if she isn't a pretty piece. A man could make a meal between them eyes and chin--eh, hostler? Odd nation dang my old sides if he couldn't!'
The speaker, who had been carrying a pair of pails on a yoke, deposited them upon the edge of the pavement in front of the inn, and straightened his back to an excruciating perpendicular. His remarks had been addressed to a rickety person, wearing a waistcoat of that preternatural length from the top to the bottom button which prevails among men who have to do with horses. He was sweeping straws from the carriage-way beneath the stone arch that formed a passage to the stables behind.
'Never mind the cursing and swearing, or somebody who's never out of hearing may clap yer name down in his black book,' said the hostler, also pausing, and lifting his eyes to the mullioned and transomed windows and moulded parapet above him--not to study them as features of ancient architecture, but just to give as healthful a stretch to the eyes as his acquaintance had done to his back. 'Michael, a old man like you ought to think about other things, and not be looking two ways at your time of life. Pouncing upon young flesh like a carrion crow--'tis a vile thing in a old man.'
''Tis; and yet 'tis not, for 'tis a naterel taste,' said the milkman, again surveying Ethelberta, who had now paused upon a bridge in full view, to look down the river. 'Now, if a poor needy feller like myself could only catch her alone when she's dressed up to the nines for some grand party, and carry her off to some lonely place--sakes, what a pot of jewels and goold things I warrant he'd find about her! 'Twould pay en for his trouble.'
'I don't dispute the picter; but 'tis sly and untimely to think such roguery. Though I've had thoughts like it, 'tis true, about high women--Lord forgive me for't.'
'And that figure of fashion standing there is a widow woman, so I hear?'
'Lady--not a penny less than lady. Ay, a thing of twenty-one or thereabouts.'
'A widow lady and twenty-one. 'Tis a backward age for a body who's so forward in her state of life.'
'Well, be that as 'twill, here's my showings for her age. She was about the figure of two or three-and-twenty when a' got off the carriage last night, tired out wi' boaming about the country; and nineteen this morning when she came downstairs after a sleep round the clock and a clane-washed face: so I thought to myself, twenty- one, I thought.'
'And what's the young woman's name, make so bold, hostler?'
'Ay, and the house were all in a stoor with her and the old woman, and their boxes and camp-kettles, that they carry to wash in because hand-basons bain't big enough, and I don't know what all; and t'other folk stopping here were no more than dirt thencefor'ard.'
'I suppose they've come out of some noble city a long way herefrom?'
'And there was her hair up in buckle as if she'd never seen a clay- cold man at all. However, to cut a long story short, all I know besides about 'em is that the name upon their luggage is Lady Petherwin, and she's the widow of a city gentleman, who was a man of valour in the Lord Mayor's Show.'
'Who's that chap in the gaiters and pack at his back, come out of the door but now?' said the milkman, nodding towards a figure of that description who had just emerged from the inn and trudged off in the direction taken by the lady--now out of sight.
'Chap in the gaiters? Chok' it all--why, the father of that
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