Garden of the Plynck, by Karle 
Wilson Baker 
 
Project Gutenberg's The Garden of the Plynck, by Karle Wilson Baker 
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Title: The Garden of the Plynck 
Author: Karle Wilson Baker 
Illustrator: Florence Minard 
Release Date: September 23, 2005 [EBook #16731] 
Language: English 
Character set encoding: ASCII 
*** START OF THIS PROJECT GUTENBERG EBOOK THE 
GARDEN OF THE PLYNCK *** 
 
Produced by William F. Seabrook 
 
The Garden of the Plynck 
by
Karle Wilson Baker 
 
Contents 
Chapter I. 
The Dimplesmithy 
Chapter II. 
Avrillia 
Chapter III. 
Relations 
Chapter IV. 
The Invaders 
Chapter V. 
Crumbs and Waffles 
Chapter VI. 
The Little Lost Laugh 
Chapter VII. 
Accepting an Invitation 
Chapter VIII. 
The Vale of Tears
Chapter IX. 
Cheers and Butter 
Chapter X. 
Sara's Day 
Chapter I 
The Dimplesmithy 
Grown people have such an exasperating way of saying, "Now, when I 
was a little girl--" 
Then, just as you prick up the little white ears of your mind for a story, 
they finish, loftily, "I did--or didn't do--so-and-so." 
It is certainly an underhand way of suggesting that you stop doing 
something pleasant, or begin doing something unpleasant; and you 
would not have thought that Sara's dear mother would have had so 
unworthy a habit. But a stern regard for the truth compels me to admit 
that she had. 
You see, Sara's dear mother was, indeed, most dear; but very 
self-willed and contrary. Her great fault was that she was always busy 
at something. She would darn, and she would write, and she would read 
dark-colored books without pictures. When Sara compared her with 
other mothers of her acquaintance, or when this very contrary 
own-mother went away for a day, she seemed indeed to Sara quite 
desperately perfect. But on ordinary days Sara was darkly aware, in the 
clearest part of her mind--the upper right-hand corner near the 
window--that her mother, with all her charm, really did need to be 
remoulded nearer to her heart's desire. 
She was especially clear about this on the frequent occasions when she 
would come into the room where her mother was sitting, and plump 
down upon a chair with a heart-rending sigh, and say, "I wish I had
somebody to play with!" 
For then her dear but most contrary mother would glance up from her 
book or her darning and remark, with a calm smile, 
"When I was a little girl--" 
"Ah!" 
"I used to go inside my head and play." 
And Sara would answer with a poor, vindictive satisfaction, "There's 
nothing in my head to play with!" 
And her kind-hearted mother would snip off her thread and say gently, 
in a tone of polite regret, "Poor little girl!" 
Then Sara would gnash the little milk-teeth of her mind and have awful 
thoughts. The worst she ever had came one day when Mother, who had 
already filled about fourteen pages of paper with nothing in the world 
but words, acted that way again. And just as she said, "Poor little girl!" 
Sara thought, "I'd like to take that sharp green pencil and stick it into 
Mother's forehead, and watch a story run out of her head through the 
hole!" 
But that was such an awful thought that she sent it scurrying away, as 
fast as she could. Just the same, she said to herself, if Mother ever acted 
that way again-- 
And, after all, Mother did. And that was the fatal time--the 
four-thousand-and-fourth. For, after Mother had suggested it four 
thousand and four times, it suddenly occurred to Sara that she might try 
it. 
So she shut the doors and went in. 
Yes, I said shut the doors and went in; for that is what you do when you 
go into your head. The doors were of ivory, draped with tinted damask 
curtains which were trimmed with black silk fringe. The curtains fell
noiselessly behind Sara as she entered. 
And there in the Gugollaph-tree by the pool sat the Plynck, gazing 
happily at her Echo in the water. 
She was larger than most Plyncks; about the size of a small peacock. Of 
course you would know without being told that her plumage was of a 
delicate rose color, except for the lyre-shaped tuft on the top of her 
head, which was of the exact color and texture of Bavarian cream. Her 
beak and feet were golden, and her eyes were golden, too, and very 
bright and wild. The wildness and brightness of her eyes would have 
been rather frightening, if her voice, when she spoke, had not been so 
soft and sweet. 
"I think a little girl has    
    
		
	
	
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