or expense, a copy of the etext in its original plain ASCII form 
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small 
Print!" statement. 
[3] Pay a trademark license fee to the Project of 20% of the net profits 
you derive calculated using the method you already use to calculate 
your applicable taxes. If you don't derive profits, no royalty is due. 
Royalties are payable to "Project Gutenberg 
Association/Carnegie-Mellon University" within the 60 days following 
each date you prepare (or were legally required to prepare) your annual 
(or equivalent periodic) tax return. 
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU 
DON'T HAVE TO? 
The Project gratefully accepts contributions in money, time, scanning 
machines, OCR software, public domain etexts, royalty free copyright 
licenses, and every other sort of contribution you can think of. Money 
should be paid to "Project Gutenberg Association / Carnegie-Mellon 
University". 
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN 
ETEXTS*Ver.04.29.93*END* 
 
This etext was prepared from the 1913 William Heinemann edition by 
David Price, email 
[email protected] 
 
THE GAME 
CHAPTER I 
 
Many patterns of carpet lay rolled out before them on the floor--two of 
Brussels showed the beginning of their quest, and its ending in that 
direction; while a score of ingrains lured their eyes and prolonged the 
debate between desire pocket-book. The head of the department did
them the honor of waiting upon them himself--or did Joe the honor, as 
she well knew, for she had noted the open-mouthed awe of the elevator 
boy who brought them up. Nor had she been blind to the marked 
respect shown Joe by the urchins and groups of young fellows on 
corners, when she walked with him in their own neighborhood down at 
the west end of the town. 
But the head of the department was called away to the telephone, and in 
her mind the splendid promise of the carpets and the irk of the 
pocket-book were thrust aside by a greater doubt and anxiety. 
"But I don't see what you find to like in it, Joe," she said softly, the note 
of insistence in her words betraying recent and unsatisfactory 
discussion. 
For a fleeting moment a shadow darkened his boyish face, to be 
replaced by the glow of tenderness. He was only a boy, as she was only 
a girl--two young things on the threshold of life, house- renting and 
buying carpets together. 
"What's the good of worrying?" he questioned. "It's the last go, the very 
last." 
He smiled at her, but she saw on his lips the unconscious and all but 
breathed sigh of renunciation, and with the instinctive monopoly of 
woman for her mate, she feared this thing she did not understand and 
which gripped his life so strongly. 
"You know the go with O'Neil cleared the last payment on mother's 
house," he went on. "And that's off my mind. Now this last with Ponta 
will give me a hundred dollars in bank--an even hundred, that's the 
purse--for you and me to start on, a nest-egg." 
She disregarded the money appeal. "But you like it, this--this 'game' 
you call it. Why?" 
He lacked speech-expression. He expressed himself with his hands, at 
his work, and with his body and the play of his muscles in the squared
ring; but to tell with his own lips the charm of the squared ring was 
beyond him. Yet he essayed, and haltingly at first, to express what he 
felt and analyzed when playing the Game at the supreme summit of 
existence. 
"All I know, Genevieve, is that you feel good in the ring when you've 
got the man where you want him, when he's had a punch up both 
sleeves waiting for you and you've never given him an opening to land 
'em, when you've landed your own little punch an' he's goin' groggy, an' 
holdin' on, an' the referee's dragging him off so's you can go in an' 
finish 'm, an' all the house is shouting an' tearin' itself loose, an' you 
know you're the best man, an' that you played m' fair an' won out 
because you're the best man. I tell you--" 
He ceased brokenly, alarmed by his own volubility and by Genevieve's 
look of alarm. As he talked she had watched his face while fear dawned 
in her own. As he described the moment of moments to her, on his 
inward vision were lined the tottering man, the lights, the shouting 
house, and he swept out and away from her on this tide of life that was 
beyond her comprehension, menacing, irresistible, making her love 
pitiful and weak. The Joe she knew receded, faded, became lost. The 
fresh boyish face was gone, the tenderness of the eyes, the sweetness of 
the mouth with its curves and pictured corners.