The Frogs, by Aristophanes 
 
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Title: The Frogs 
Author: Aristophanes 
Release Date: April, 2005 [EBook #7998] [Yes, we are more than one 
year ahead of schedule] [This file was first posted on June 10, 2003]
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Language: English 
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THE HARVARD CLASSICS 
EDITED BY CHARLES W ELIOT LLD 
 
NINE GREEK DRAMAS 
BY ÆSCHYLUS, SOPHOCLES, EURIPIDES AND 
ARISTOPHANES 
 
TRANSLATIONS BY E D A MORSHEAD E H PLUMPTRE 
GILBERT MURRAY AND B B ROGERS 
 
WITH INTRODUCTIONS AND NOTES 
 
VOLUME 8 
* * * * *
THE FROGS OF ARISTOPHANES 
 
INTRODUCTORY NOTE 
Aristophanes, the greatest of comic writers in Greek and in the opinion 
of many, in any language, is the only one of the Attic comedians any of 
whose works has survived in complete form He was born in Athens 
about the middle of the fifth century B C, and had his first comedy 
produced when he was so young that his name was withheld on account 
of his youth. He is credited with over forty plays, eleven of which 
survive, along with the names and fragments of some twenty-six others. 
His satire deal with political, religious, and literary topics, and with all 
its humor and fancy is evidently the outcome of profound conviction 
and a genuine patriotism. The Attic comedy was produced at the 
festivals of Dionysus, which were marked by great license, and to this, 
rather than to the individual taste of the poet, must be ascribed the 
undoubted coarseness of many of the jests. Aristophanes seems, indeed, 
to have been regarded by his contemporaries as a man of noble 
character. He died shortly after the production of his "Plutus," in 388 B. 
C. 
"The Frogs" was produced the year after the death of Euripides, and 
laments the decay of Greek tragedy which Aristophanes attributed to 
that writer. It is an admirable example of the brilliance of his style, and 
of that mingling of wit and poetry with rollicking humor and keen 
satirical point which is his chief characteristic. Here, as elsewhere, he 
stands for tradition against innovation of all kinds, whether in politics, 
religion, or art. The hostility to Euripides displayed here and in several 
other plays, like his attacks on Socrates, is a result of this attitude of 
conservatism. The present play is notable also as a piece of elaborate if 
not over-serious literary criticism from the pen of a great poet. 
* * * * * 
THE FROGS
OF ARISTOPHANES 
 
DRAMATIS PERSONÆ 
THE GOD DIONYSUS 
XANTHIAS, his slave 
AESCHYLUS 
EURIPIDES 
HERACLES 
PLUTO 
CHARON AEACUS, house porter to Pluto 
A CORPSE 
A MAIDSERVANT OF PERSEPHONE 
A LANDLADY IN HADES 
PLATHANE, her servant 
A CHORUS OP FROGS 
A CHORUS OF INITIATED PERSONS 
Attendants at a Funeral; 
Women worshipping Iacchus; 
Servants of Pluto, &c. 
Xanthias
Shall I crack any of those old jokes, master, At which the audience 
never fail to laugh? 
DIONYSUS. Aye, what you will, except I'm getting crushed: Fight shy 
of that: I'm sick of that already. 
XAN. Nothing else smart? 
DIO. Aye, save my shoulder's aching. 
XAN. Come now, that comical joke? 
DIO. With all my heart. Only be careful not to shift your pole, And-- 
XAN. What? 
DIO. And vow that you've a bellyache. 
XAN. May I not say I'm overburdened so That if none ease me, I must 
ease myself? 
DIO. For mercy's sake, not till I'm going to vomit. 
XAN. What! must I bear these burdens, and not make One of the jokes 
Ameipsias and Lycis And Phrynichus, in every play they write, Put in 
the mouths of all their burden-bearers? 
DIO. Don't make them; no! I tell you when I see Their plays, and hear 
those jokes, I come away More    
    
		
	
	
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