him harm. 
STRANGWAY. [Turning away] God!--if there be one help me! [He 
stands leaning his forehead against the window. Suddenly his glance 
falls on the little bird cage, still lying on the window-seat] Never cage 
any wild thing! [He gives a laugh that is half a sob; then, turning to the 
door, says in a low voice] Go! Go please, quickly! Do what you will. I 
won't hurt you--can't----But--go! [He opens the door.] 
BEATRICE. [Greatly moved] Thank you! 
[She passes him with her head down, and goes out quickly. 
STRANGWAY stands unconsciously tearing at the little bird-cage. 
And while he tears at it he utters a moaning sound. The terrified 
MERCY, peering from behind the curtain, and watching her chance, 
slips to the still open door; but in her haste and fright she knocks 
against it, and STRANGWAY sees her. Before he can stop her she has 
fled out on to the green and away.] 
[While he stands there, paralysed, the door from the house is opened,
and MRS. BURLACOMBE approaches him in a queer, hushed way.] 
MRS. BURLACOMBE. [Her eyes mechanically fixed on the twisted 
bird-cage in his hands] 'Tis poor Sue Cremer, zurr, I didn't 'ardly think 
she'd last thru the mornin'. An' zure enough she'm passed away! 
[Seeing that he has not taken in her words] Mr. Strangway-- yu'm 
feelin' giddy? 
STRANGWAY. No, no! What was it? You said---- 
MRS. BURLACOMBE. 'Tes Jack Cremer. His wife's gone. 'E'm in a 
terrible way. 'Tes only yu, 'e ses, can du 'im any gude. He'm in the 
kitchen. 
STRANGWAY. Cremer? Yes! Of course. Let him---- 
MRS. BURLACOMBE. [Still staring at the twisted cage] Yu ain't 
wantin' that--'tes all twizzled. [She takes it from him] Sure yu'm not 
feelin' yer 'ead? 
STRANGWAY. [With a resolute effort] No! 
MRS. BURLACOMBE. [Doubtfully] I'll send 'im in, then. [She goes. 
When she is gone, Strangway passes his handkerchief across his 
forehead, and his lips move fast. He is standing motionless when 
CREMER, a big man in labourer's clothes, with a thick, broad face, and 
tragic, faithful eyes, comes in, and stands a little in from the elosed 
door, quite dumb.] 
STRANGWAY. [After a moment's silence--going up to him and laying 
a hand on his shoulder] Jack! Don't give way. If we give way--we're 
done. 
CREMER. Yes, zurr. [A quiver passes over his face.] 
STRANGWAY. She didn't. Your wife was a brave woman. A dear 
woman. 
CREMER. I never thought to luse 'er. She never told me 'ow bad she 
was, afore she tuk to 'er bed. 'Tis a dreadful thing to luse a wife, zurr. 
STRANGWAY. [Tightening his lips, that tremble] Yes. But don't give 
way! Bear up, Jack! 
CREMER. Seems funny 'er goin' blue-bell time, an' the sun shinin' so 
warm. I picked up an 'orse-shu yesterday. I can't never 'ave 'er back, 
zurr. 
[His face quivers again.] 
STRANGWAY. Some day you'll join her. Think! Some lose their 
wives for ever.
CREMER. I don't believe as there's a future life, zurr. I think we goo to 
sleep like the beasts. 
STRANGWAY. We're told otherwise. But come here! [Drawing him to 
the window] Look! Listen! To sleep in that! Even if we do, it won't be 
so bad, Jack, will it? 
CREMER. She wer' a gude wife to me--no man didn't 'ave no better 
wife. 
STRANGWAY. [Putting his hand out] Take hold--hard--harder! I want 
yours as much as you want mine. Pray for me, Jack, and I'll pray for 
you. And we won't give way, will we? 
CREMER. [To whom the strangeness of these words has given some 
relief] No, zurr; thank 'ee, zurr. 'Tes no gude, I expect. Only, I'll miss 
'er. Thank 'ee, zurr; kindly. 
[He lifts his hand to his head, turns, and uncertainly goes out to the 
kitchen. And STRANGWAY stays where he is, not knowing what to 
do. They blindly he takes up his flute, and hatless, hurries out into the 
air.] 
 
ACT II 
SCENE I 
About seven o'clock in the taproom of the village inn. The bar, with the 
appurtenances thereof, stretches across one end, and opposite is the 
porch door on to the green. The wall between is nearly all window, 
with leaded panes, one wide-open casement whereof lets in the last of 
the sunlight. A narrow bench runs under this broad window. And this is 
all the furniture, save three spittoons: 
GODLEIGH, the innkeeper, a smallish man with thick ruffled hair, a 
loquacious nose, and apple-red cheeks above a reddish-brown 
moustache; is reading the paper. To him enters TIBBY JARLAND 
with a shilling in her mouth. 
GODLEIGH. Well, TIBBY JARLAND, what've yu come for, then? 
Glass o' beer? 
[TIBBY takes the shilling from her mouth and smiles stolidly.] 
GODLEIGH. [Twinkling] I shid zay glass o' 'arf an' 'arf's about yure 
form. [TIBBY smiles more broadly] Yu'm    
    
		
	
	
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