have the clue to it, the thing seems written visibly in his face. 
I have a photograph in which that look of detachment has been caught 
and intensified. It reminds me of what a woman once said of him--a 
woman who had loved him greatly. "Suddenly," she said, "the interest 
goes out of him. He forgets you. He doesn't care a rap for you--under 
his very nose . . . . ." 
Yet the interest was not always out of him, and when he was holding 
his attention to a thing Wallace could contrive to be an extremely 
successful man. His career, indeed, is set with successes. He left me 
behind him long ago; he soared up over my head, and cut a figure in the 
world that I couldn't cut--anyhow. He was still a year short of forty, and 
they say now that he would have been in office and very probably in 
the new Cabinet if he had lived. At school he always beat me without 
effort--as it were by nature. We were at school together at Saint 
Athelstan's College in West Kensington for almost all our school time. 
He came into the school as my co-equal, but he left far above me, in a 
blaze of scholarships and brilliant performance. Yet I think I made a 
fair average running. And it was at school I heard first of the Door in 
the Wall--that I was to hear of a second time only a month before his
death. 
To him at least the Door in the Wall was a real door leading through a 
real wall to immortal realities. Of that I am now quite assured. 
And it came into his life early, when he was a little fellow between five 
and six. I remember how, as he sat making his confession to me with a 
slow gravity, he reasoned and reckoned the date of it. "There was," he 
said, "a crimson Virginia creeper in it--all one bright uniform crimson 
in a clear amber sunshine against a white wall. That came into the 
impression somehow, though I don't clearly remember how, and there 
were horse-chestnut leaves upon the clean pavement outside the green 
door. They were blotched yellow and green, you know, not brown nor 
dirty, so that they must have been new fallen. I take it that means 
October. I look out for horse-chestnut leaves every year, and I ought to 
know. 
"If I'm right in that, I was about five years and four months old." 
He was, he said, rather a precocious little boy--he learned to talk at an 
abnormally early age, and he was so sane and "old-fashioned," as 
people say, that he was permitted an amount of initiative that most 
children scarcely attain by seven or eight. His mother died when he was 
born, and he was under the less vigilant and authoritative care of a 
nursery governess. His father was a stern, preoccupied lawyer, who 
gave him little attention, and expected great things of him. For all his 
brightness he found life a little grey and dull I think. And one day he 
wandered. 
He could not recall the particular neglect that enabled him to get away, 
nor the course he took among the West Kensington roads. All that had 
faded among the incurable blurs of memory. But the white wall and the 
green door stood out quite distinctly. 
As his memory of that remote childish experience ran, he did at the 
very first sight of that door experience a peculiar emotion, an attraction, 
a desire to get to the door and open it and walk in. 
And at the same time he had the clearest conviction that either it was 
unwise or it was wrong of him--he could not tell which--to yield to this 
attraction. He insisted upon it as a curious thing that he knew from the 
very beginning--unless memory has played him the queerest trick--that 
the door was unfastened, and that he could go in as he chose. 
I seem to see the figure of that little boy, drawn and repelled. And it
was very clear in his mind, too, though why it should be so was never 
explained, that his father would be very angry if he went through that 
door. 
Wallace described all these moments of hesitation to me with the 
utmost particularity. He went right past the door, and then, with his 
hands in his pockets, and making an infantile attempt to whistle, 
strolled right along beyond the end of the wall. There he recalls a 
number of mean, dirty shops, and particularly that of a plumber and 
decorator, with a dusty disorder of earthenware pipes, sheet lead ball 
taps, pattern books of wall paper, and tins of enamel. He stood 
pretending to examine these things, and coveting, passionately    
    
		
	
	
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