publication hung over till 
1817. The poem has been translated into all sorts of languages, 
including Persian, and is said to have found many admirers among its 
oriental readers. Whatever may be thought of its poetic merits--and I 
for one disclaim any scintilla of enthusiasm--or of its power in 
vitalizing the disjecta membra of orientalism, the stock-in-trade of the 
Asiatic curiosity-shop, there is no doubt that Moore worked very 
conscientiously upon this undertaking: he read up to any extent,--wrote,
talked, and perhaps thought, Islamically--and he trips up his reader with 
some allusion verse after verse, tumbling him to the bottom of the page, 
with its quagmire of explanatory footnotes. In 1815 appeared the 
_National Airs_; in 1816, Sacred Songs, Duets, and Trios, the music 
composed and selected by Stevenson and Moore; in 1818, The Fudge 
Family in Paris, again a great hit. This work was composed in Paris, 
which capital Moore had been visiting in company with his friend 
Samuel Rogers the poet. 
The easily earned money and easily discharged duties of the 
appointment in Bermuda began now to weigh heavy on Moore. 
Defalcations of his deputy, to the extent of £6000, were discovered, for 
which the nominal holder of the post was liable. Moore declined offers 
of assistance; and, pending a legal decision on the matter, he had found 
it apposite to revisit the Continent. In France, Lord John (the late Earl) 
Russell was his travelling companion: they went on together through 
Switzerland, and parted at Milan. Moore then, on the 8th of October 
1819, joined in Venice his friend Byron, who had been absent from 
England since 1816. The poets met in the best of humor, and on terms 
of hearty good-fellowship--Moore staying with Byron for five or six 
days. On taking leave of him, Byron presented the Irish lyrist with the 
MS. of his autobiographical memoirs stipulating that they should not be 
published till after the donor's death: at a later date he became anxious 
that they should remain wholly unpublished. Moore sold the MS. in 
1831 to Murray for £2100, after some negotiations with Longman, and 
consigned it to the publisher's hands. In 1824 the news arrived of 
Byron's death. Mr. (afterwards Sir Wilmot) Horton on the part of Lady 
Byron, Mr. Luttrell on that of Moore, Colonel Doyle on that of Mrs. 
Leigh, Lord Byron's half-sister, and Mr. Hobhouse (afterwards Lord 
Broughton) as a friend and executor of the deceased poet, consulted on 
the subject. Hobhouse was strong in urging the suppression of the 
Memoirs. The result was that Murray, setting aside considerations of 
profit, burned the MS. (some principal portions of which nevertheless 
exist in print, in other forms of publication); and Moore immediately 
afterwards, also in a disinterested spirit, repaid him the purchase-money 
of £2100. It was quite fair that Moore should be reimbursed this large 
sum by some of the persons in whose behoof he had made the sacrifice,
this was not neglected. 
To resume. Bidding adieu to Byron at Venice, Moore went on to Rome 
with the sculptor Chantrey and the portrait-painter Jackson. His tour 
supplied the materials for the Rhymes on the Road, published, as being 
extracted from the journal of a travelling member of the Pococurante 
Society, in 1820, along with the Fables for the Holy Alliance. 
Lawrence, Turner, and Eastlake, were also much with Moore in Rome: 
and here he made acquaintance with Canova. Hence he returned to 
Paris, and made that city his home up to 1822, expecting the outcome 
of the Bermuda affair. He also resided partly at Butte Goaslin, near 
Sèvres, with a rich and hospitable Spanish family named Villamil. The 
debt of £6000 was eventually reduced to £750: both the Marquis of 
Lansdowne and Lord John Russell pressed Moore with their friendly 
offers, and the advance which he at last accepted was soon repaid out 
of the profits of the Loves of the Angels--which poem, chiefly written in 
Paris, was published in 1823. The prose tale of The Epicurean was 
composed about the same time, but did not issue from the press till 
1827: the Memoirs of Captain Rock in 1824. He had been under an 
engagement to a bookseller to write a Life of Sheridan. During his stay 
in France the want of documents withheld him from proceeding with 
this work: but he ultimately took it up, and brought it out in 1825. It 
was not availed to give Moore any reputation as a biographer, though 
the reader in search of amusement will pick out of it something to suit 
him. George the Fourth is credited with having made a neat bon mot 
upon this book. Some one having remarked to him that "Moore had 
been murdering Sheridan,"-- "No," replied his sacred majesty, "but he 
has certainly attempted his life." A later biographical performance, 
published    
    
		
	
	
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